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Оглавление

Contents

Acknowledgements

Introduction

PART ONE: PRACTICES

1.Stage-to-Screen Adaptation and Performance: Space, Design, Acting, Sound

2.Screen-to-Stage Adaptation: Theatre as Medium/Hyper-Medium

3.Stage-to-Screen Adaptation and the Performance Event: Live Broadcast as Adaptation

PART TWO: HISTORIES

4.The Introduction of Sound and ‘Canned’ Theatre

5.The British New Wave on Stage and Screen

6.Staging ‘British Cinema’ Post 2000

Conclusion

References

Index

Adapting Performance Between Stage and Screen

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