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Chapter Three

Adam Craig had lived in Lyme Regis all his life or, to be more precise, a tiny village called Marlbury in the Marshwood Vale just a few miles north of the seaside town. He’d studied English at Cambridge and had worked briefly in London but he would never want to live anywhere else.

From the winding country lanes to the tiny stone cottages and the ever-present caress of a breeze laden with the salty scent of the sea, he couldn’t imagine anywhere else coming close. He loved the rolling fields filled with lambs in the spring, the hedgerows stuffed with summer flowers, the tapestry colours of the trees in autumn and the slate grey sea in winter. Every season had its joy and he welcomed each one.

His parents had moved to California twelve years ago. His father had taken early retirement from his antiques business in Honiton and he’d been determined to give the wine business a go, buying an established vineyard in the Napa Valley. Adam had been invited to join them but had declined. The Dorset coast and countryside were in his blood and he could no more leave it than he could his old nan.

Nana Craig was eighty-four years old and lived in a tiny thatched cottage in a hamlet not far away from Adam’s own. Of all his family members, it was Nana Craig who was his closest. Whilst his parents had been building their business, Nana Craig was the one who’d cleaned his scraped knees as a toddler, bought his first pair of football boots as a youngster and had read each and every one of his screenplays since he’d scribbled his first attempt as a teenager – a rather embarrassing romance called The Princess and the Pirate. Adam sometimes wished that his nan’s memory wasn’t quite so sharp.

He’d been a screenwriter and film producer for over ten years now and his newest project was the one he’d been planning in his head for that entire length of time, for what screenwriter who lived near Lyme Regis wouldn’t – at some point in their career – turn their attention to Jane Austen’s novel Persuasion?

He had to admit that he hadn’t been a fan of Austen growing up but what young lad was? Austen was for girls, wasn’t she? All those endless assemblies and discussions about men’s fortunes that went on for entire chapters weren’t the stuff to stir the imagination of a young boy. But, as an adult – as a writer – her books, particularly Persuasion, had begun to make their mark and, three years ago, he’d started putting things into motion. And it was all coming together wonderfully. Very early on, he’d managed to get highly-respected director, Teresa Hudson, on board. She had a string of period dramas under her belt and had won a BAFTA for her recent adaptation of Thomas Hardy’s Two on a Tower. It was whilst she was filming that in Dorset that they’d got together and started discussing Persuasion.

Now all the crew and actors were on board and filming had begun. They were due to descend on the unsuspecting town of Lyme Regis soon and Adam was looking forward to that. He’d long been envisaging the scenes he’d written around the Cobb, imagining the fateful leap of Louisa Musgrove and the cautious exchanges between Anne Elliot and Captain Wentworth.

He was envisaging them now as he walked into town, walking down Broad Street with great strides, shielding his eyes from the sun so that he could catch that wonderful glimpse of sea.

He was heading to the bookshop when he saw her. Tall and slim with a tumble of toffee-coloured hair, she was gazing in the window of an estate agent and was frowning. She was wearing a floral dress that was far more summery than the weather and her hands were busy doing up the buttons of her denim jacket in an attempt to keep the nippy breeze at bay. She had a rosy face and intensely bright eyes which Adam wished would swivel round in his direction. But what would he do then? What exactly would he do if she swivelled? It would take a small miracle for a girl like her to notice him.

It was a sad fact that Adam had spent most of his life unattached and it wasn’t because he was unattractive – far from it – but that he was painfully shy when it came to women. He was the man who stood in the corner at the party waiting for the host to introduce him and, whilst he might have a lot more of interest to say than the party bore who didn’t stop talking all night, Adam’s stories would rarely get an airing because of his shyness.

It had always been the same. At primary school, he had been the one to work behind-the-scenes in the school play because he’d been too shy to put his hand up for the acting roles. At secondary school, he’d never dare ask a girl to dance even when encouraged by all her friends to do so. And university wasn’t much better. He’d spent most of his time with his head in his books.

Maybe that was one of the reasons he’d become a writer. Writers were behind-the-scenes sort of people who could hide away for months at a time.

Oh, there’d been a few relationships over the years but they were more happy accidents where he’d been physically flung together with somebody. Like Camille. She’d been the co-producer on his first film a few years ago and he’d fallen head over heels in love with her. It hadn’t lasted, of course. She’d told him she needed someone to take control of her – to tell her what to do. Adam had given her a baffled look and she’d flung her hands up to the heavens as she’d searched for some words to fling at him.

‘You’re so . . . so quiet, Adam!’

You’re so quiet. The words had haunted him down the years – the long quiet years.

As he was mulling on this, a small miracle occurred. The toffee-haired girl swivelled her eyes in his direction and he was met with a warm smile but – being Adam – all he could manage was a smile back before she turned and entered the estate agents.