Читать книгу The Silent Fountain - Victoria Fox, Victoria Fox - Страница 9

Italy

My train arrives in Florence three weeks later. It’s happened quickly – the best way, Bill tells me, to counter my usual inclination to overthink everything – and back in London I barely had time to make my decision, take a short phone interview with the owner of the house, renew my passport and get my papers sorted before Bill was yanking my suitcase from the top of the wardrobe and encouraging me to fill it.

I suspect she’s right. Without getting caught up in momentum, there would have been too many opportunities to stall, to opt out, to say that something this reckless and ill thought through really wasn’t me. Then again, what was? What made Lucy Whittaker? I had forgotten. I had lost her – and I wasn’t going to find her hanging around in our Camden flat, jobless and trapped in the past.

‘Go.’ Bill held me by the shoulders when she said goodbye. ‘Don’t think about anything here. Be happy, Lucy. Let go. Fall in love with Italy.’

My first impressions of the city aren’t great. Santa Maria Novella station is hot and crowded; I’m on the receiving end of a wave of distrustful glances when I kneel to sort through my bag because a bottle of shampoo leaked over my clothes on the flight to Pisa, and, as I’m trying to fathom the bus timetable to get me into the centre, a guy falls into me from behind, apologises – ‘Mi scusi, signora…’ – and seconds later I realise fifty euros are missing from the back pocket of my jeans. But when we enter the streets that I recognise, see the bronzed, proud hood of the Duomo with its decorative Campanile, all that marble shimmering pink and white in the sunshine, I forget my plight for a moment and succumb to Florence’s spell. Locals speed past on mopeds, exploding dust on cobbled streets; pizzerias open their shutters for lunch, red and white checked tablecloths being laid on a baking-hot terrace while waiters smoke idly, breaking before service; tourists wander past in sunhats, licking pink gelato from cornets; a dog drinks from a pipe on the Via del Corso. We said we’d come together, once, he and I. He wanted to bring me, promised we’d take a boat out on the Arno, eat spaghetti and drink wine; we’d stroll around the Uffizi, fall asleep in the afternoon in the Boboli Gardens. ‘Forget Paris – Florence is the most romantic city in the world.’

The bus stops and I have to move, as if physical distance might stow the memories away, as if I can leave him here in the empty seat next to mine.

It’s a quick change to take the bus to Fiesole. I’m ready to get there now, see the house and meet its proprietor, fill my hours with tasks that have nothing to do with him or my life at home. My dad wanted to know what on earth I was doing. ‘Italy?’ he interrogated. ‘Why? What about work? You left your job, Lucy? What happened?’

My sisters were the same. Sophie called from a fashion shoot to tell me I was walking away from the best role I’d ever have. Helen emailed from the luxury of her Thamesside apartment to brag about her lawyer fiancé being made partner at his firm, then saying as an afterthought that my ‘mini-break’ in Florence should be fun, but why wasn’t I going with a boyfriend? As for Tilda, I haven’t heard from her in weeks. She’s scuba diving in Barbados, with a surfer named Marc. Unlike the others, Tilda didn’t go to university. That was probably my biggest battle, as the eldest, trying to run my own life while taking the place of our mum: the endless months of Tilda stalemate, attempting to convince her that I knew better when maybe I didn’t.

The years between us are nothing significant, the kind of gap an ordinary family wouldn’t think twice about. But, for us, they were everything. They marked me as an adult before my time, and my sisters as children when really they could have been more. Helping to raise them was just what happened, a natural choice – no, not a choice, a given, but never one I resented. My dad couldn’t do it alone, and my sisters were too young to understand what it meant to be without their mother. It broke my heart that she would never see them pass their first exams, meet their first boyfriends, make and break those intense alliances exclusive to teenage girls, ever see them engaged or married or with children of their own – and of course much of this applied to me, although I never dwelled on that. I’m proud of the role I took on, but sometimes I wonder what might have been if I’d had the chance to have normal teenage years, be a normal girl. Then, maybe, my first love and first mistakes would have been less devastating than the ones that brought me here.

As the Tuscan countryside rolls past, winding and winding up from Florence through flame-shaped cypress trees and golden fields dotted with heat-drenched villas, I consider if what I’m doing here is exactly what I did after Mum died. Running without moving. Building a wall of practical tasks, tangible end goals, things I can get my hands dirty with, to avoid feeling… Feeling what? Just feeling.

None of my sisters knows about what happened. It’s not their fault – I haven’t told them. I’ve never told my family anything about my life, and the more personal it is, the more precious and the less willing I am to share it. Because I’ve always been the reliable, responsible one, and I’ve always looked after myself. I’ve never needed them for comfort or reassurance, not like they’ve needed me.

They’ll find out soon. Everyone will.

And then what?

The question echoes in my mind, unanswered and unanswerable.

‘Piazza Mino,’ the driver calls, as the bus jolts to a stop. I haul my bag. There’s no GPS signal so I consult the map I printed before I left, and begin walking.

The path is scorching. My muscles burn as I travel uphill, bright sun drenching the backs of my legs. I enjoy the air in my lungs, the sheen of sweat that gathers on my lip. These things make me feel alive, remind me I’m still breathing.

Thirty minutes later, I’m hot and thirsty. I’ve long since left the village behind and entered an ochre landscape, fields of maize and barley rolling wide on both sides, as I climb dusty lanes and take refuge in the occasional dapple of the olive groves. Silver-backed leaves offer flickering shade and I rest a while beneath them, drinking from my bottle and starting to feel faintly worried that I shall never find this place.

Then, beneath the smell of almonds and the sweet hint of blue-black grapes, a brighter scent: I spy a crop of lemon trees over the hill, running as far as the eye can see, each richly laden with yellow fruit. Squinting against the sun, I step up to the wall. On the horizon, melting to a blur in the fragrant heat, there is a building. It is enormous, its façade the colour of overripe peaches and with a sprawling, age-damaged terracotta roof. There are turrets, and the dark outline of arched windows.

I look at the map. This is it. The Castillo Barbarossa.

The road winds in a great loop around the estate and, making a decision, I topple my bag over the wall and opt for the shortcut. If the size of the castillo is anything to go by, it owns this grove and several other hectares beyond. I pick my way among the fruit trees. The lemons make me want to drink. I picture the owner of the house welcoming me with a refreshing glass, but then I remember what Bill told me. I remember what the woman was like on the phone – that strange, stilted interview, disconcertingly brief and undetailed, as if she hadn’t wanted to speak to me at all and was doing so under duress. I was relieved to know she wasn’t Italian, as I was planning to learn the language on the job; instead, I met a hint of an American accent, blunted by years in Europe and carrying with it the sharp plumminess of wealth and power. Afterwards, I told myself the connection had been bad. It would be better when we met in person. The follow-up message I received to tell me I’d been successful was testament that I had passed muster. There was nothing to doubt.

As I come closer to the house, dwarfed now by its massive proportions, the sun slips behind a cloud. The place looks ancient, and curiously un-lived-in, its wooden shutters bolted, its creamy walls more cracked and dilapidated than they had appeared from a distance. A sprawl of dark green creepers climbs like a skin rash up one side. I frown, checking the map again, then fold it and put it in my pocket.

Wide stone steps descend from the entrance, spilling on to a gravel shelf that rolls on to a second, then a third, then a fourth, at one time grand and verdant but now left to decades of neglect, their oval planters crumbling and full of dead, twisted things. At the helm is a fountain, long defunct, a stone shape rising from its basin that I cannot decipher from here. I feel as if I have seen the fountain before, though of course that is impossible. I emerge on to the drive and when I pass the fountain I do not want to look at it. Instead, I stop at the door and raise my hand.