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V. VILLA CÆSIA.

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Several miles along the Via Nomentana, we came to a strange place, situate in an oasis in the wilderness, or rather in what is already the beginning of a new country—the mere mounds of tufo turning into high slopes, and a few trees (it is odd how they immediately give a soul to this soulless desert), leafless at present, serpentine along the greener grass. And there, with the russet of an oakwood behind, rises a square huddle of buildings, a tall brick watch-tower, battlemented and corbelled in the midst, and a great bay-tree at each corner. On the tower, immediately below the battlements, is the inscription, in huge letters, made, I should think, of white majolica tiles—Villa Cæsia. The lettering, besides being broken, is certainly not modern, and has a sharpness of outline telling of the Renaissance.

What solitary humanist may have put up that inscription, coming out from Rome to commune in that wilderness, amid the rustle of the oakwood and of the laurel-trees, and the screaming of magpies and owls, with the togaed poets and philosophers of the Past?

The Spirit of Rome & Laurus Nobilis

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