Читать книгу Ghosts I Have Seen, and Other Psychic Experiences - Violet Tweedale - Страница 10

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After my father's death I began to live a much more independent life. I was financially independent, and I proceeded to London, where I felt I would have a wider range of intellectual companionship. I lived in hotels and dispensed with all chaperonage, thus leaving myself free to join my mother on the Riviera in the early spring months.

I never cared for dancing, and always having had the companionship of people who were years older than myself, I had made few girl friends. My first cousin, Lady Campbell, wife of Sir Guy Campbell, Bart., 60th Rifles, and another first cousin, Menie Muriel Dowie, were the only two I really saw much of.

Lady Campbell was, and is, a very attractive woman, possessed of great charm of manner. Exceedingly cultured and intelligent, she is also an artist to her finger tips. As girls we used to be fond of attending Queen Victoria's Drawing-rooms. A bevy of us would take lunch with us in the carriages, and thoroughly enjoy our day out. I was the last woman to kiss the hand of Queen Victoria at a Drawing-room. I was stopped by a Court official just as I was moving forward, and told to wait as "Her Majesty is going to withdraw." The present Dowager Queen Alexandra, as Princess of Wales, then took her place. On this occasion I heard the Queen say, "Let this lady pass." I was then told to proceed.

Being very tall I had always a certain difficulty in getting down low enough to kiss the tiny Queen's hand. After I had passed, and as I backed out of "the presence," I saw Her Majesty being assisted out of the queer little half chair, half stool she used. She never held another Drawing-room, and I regret that, being abroad, I had not the honor of making a last curtsy to the little coffin as it passed through the streets of London.

Menie Muriel Dowie was a brilliant bohemian, as can be gathered by those who have read her book, "A Girl in the Carpathians." I have never known any woman who was possessed of so many natural talents. She is as much at home in skilled and polished diplomacy as in practical agriculture. She has always been a great traveler, yet a delicate woman. Only her indomitable spirit kept her going in her youth, as it still does in her beautiful house in Green Street, and her model farm in Gloucestershire.

My greatest older friends were Mrs. Lynn Linton, the novelist, Browning, the poet, Lord Leighton, the painter, and Mrs. Proctor, widow of Barry Cornwall, and mother of Adelaide Proctor, the poet. All people old enough to be my parents.

I had a great admiration for Mrs. Lynn Linton's strong, cold intellect; it was so invigorating, and she was so self-reliant, an uncommon thing for a woman to be in those days. We had long arguments over matters occult, but I never could make the least impression upon her strong materialism. "I won't leave this earth even with you," she used to protest. She was a great friend and admirer of my aunt, Lady Priestley, also a woman of very fine intellect, who devoted herself to scientific pursuits. Had she been a man, or had she lived in the present day, when woman has at last come into her own, she would have made a very strong mark.

Robert Browning, whom I had known for some years, used to drop in very often to have a chat, and I rejoiced in him exceedingly as a born mystic of a high order. We often discussed the possibility of his work being directed from the other side, and we argued as to whether he received inspiration from various quarters, or whether he was the beloved of some poet of a former age, who, active still in the spirit world, expressed his great thoughts through Robert Browning on earth. So many people at that time frankly said they could not understand Browning's poetry, and this I told him was to be attributed to lack of the mystic perception. Now that mysticism has so enormously developed, his work is much more comprehensive to the world.

I had alas! only one year of really close friendship with him, for he died the year after I came to London.

One curious thing Browning told me.

He dropped in one night to see me, after dinner at a house where Millais, the painter, had been one of the guests.

"Johnnie Millais told me an odd thing to-night," he said. "He's constantly seeing figures appearing and disappearing on the face of the canvas he's working upon."

"What sort of figures?" I asked.

Browning shot out his cuff.

"Here they are. I knew you'd be interested, so I took them down for you. Better write them down for yourself, but don't mention the subject to him or any of his family."

I fetched a piece of paper and copied from Browning's cuff.

"13. 1.8.9.6. The figures don't always come in that order," he said, "but more often than not they do. The 13 always comes up as 13, but he's seen 9.6.1.8. What do you make of it?"

"At present nothing, but the future may throw light upon the phenomenon," I answered.

I never mentioned this occurrence to any one, and, indeed, forgot all about it till some years after Millais' death, when I came upon my notes in an old box. I then realized that the great painter had been looking upon the dates of his own death. He died on August 13th, 1896.

One night some one, I have not the least idea who, came to me in my sleep and bade me take up pencil and paper, and write to dictation. Still sound asleep I did as I was bidden. I always kept writing materials by my bedside.

In the morning I remembered nothing of this till my eye fell upon some sheets of paper. The writing upon them was mine, but very big and untidy. Then I recollected the command I had received in the night and eagerly read what I had written. Here it is. I gave Browning a copy as he was so deeply interested—

"A solitary cottage stood on the edge of a bleak moorland. The sun sank behind the low horizon, and left marshy pools glowing like living opals. A stream of homeward flying rooks made a streak of indigo across the topaz sky where gauzy wind-riven clouds floated westward. The sacred hush of eventide brooded under the calm wings of night.

"Out on the waste wandered the Angel of 'Sleep,' and the Angel of 'Death' with arms fraternally entwined, and whilst the brotherly genii embraced each other, night stole down with velvet footfall, and the green stars peered forth.

"Then the Angel of Sleep shook from out his hands the invisible grains of slumber, and bade the night wind waft them o'er the world. And soon the child in its cradle, the tired mother, the aged man, and the pain-laden woman were at peace. The curfew tolled out from the distant hamlet and then was still.

"Inside the cottage a rushlight burned faintly, indicating the poverty of the room, and illuminating the death-like features of the boy who lay on the bed. By his side, worn out, sat the father, his horny hand clasped in that of his child.

"And the two brother Angels advanced, hand in hand, and peered in at the window, and the Angel of Sleep said: 'Behold how gracious a thing it is, that we can visit this humble dwelling and scatter grains of slumber around, and send oblivion to the weary watcher. I am beloved and courted by all. How merciful is our vocation.' And silently he entered the room.

"He kissed the eyelids of the weary watcher, and as he did so some grains fell from out the wreath of scarlet poppies that lay like drops of blood upon his brow.

"But the Angel of Death sat without, his pallid face shrouded in the sable of his wings.

"And he spake to the Angel of Sleep, 'Of a truth thou art happy and beloved. The welcome guest of all, whereas I am shunned, the door is barred as against a secret foe, and I am counted the enemy of the world.'

"But the Angel of Sleep wiped away the immortal tears from the dark and mournful eyes of his brother Death.

"'Are we not children born of the one Father?' said he, 'and do not the good call thee friend, and the lonely, the homeless, the weary laden bless thy hallowed name when they wake in Paradise.'

"And the Angel of Death unfurled his sable wings and took heart. And as Lucifer the light-bringer paled in the violet Heavens he silently entered the dwelling. With his golden scythe he cut the silver cord of life, and gathered the child to his faithful bosom."

The evenings I most enjoyed were those I spent in the studio of Felix Moscheles, the great apostle of peace. There one met all the genius and talent in London, and any genius of foreign nationality who happened to be visiting England. The cosmopolitan element always attracted me, and I went to several frankly revolutionary houses, where red ties flaunted, and where those Russian Nihilists found a welcome who were constantly rushing over here to escape Siberia. Through them I learned to understand what the real woes of Russia were, and to expect the present revolution as the inevitable result of brutal repression and misgovernment.

During one winter at Nice I renewed my acquaintance with one of the most remarkable mystics of modern times, Marie, Countess of Caithness and Duchesse de Pomar.

I had first met her in Edinburgh in 1872 when she was on the eve of her second marriage with Lord Caithness. My father and mother attended her very quiet wedding. Now we met again many years after at her beautiful home, the Palais Tiranty, Nice. Lady Caithness was widowed for the second time, Lord Caithness having died in 1881, and lived alone with her devoted son, the Duc de Pomar. She had a magnificent home in Paris, "Holyrood," Avenue Wagram. This house contained a large lecture hall filled with gilt chairs, and hung round with fine pictures. Leading from this hall down a flight of marble stairs one came to a chapel or séance room, used for direct communication with the spirit of Mary Stuart, and said to have been built "under the Queen's instructions."

This presupposes Queen Mary to be still on "the other side." Other occultists maintain that she has reincarnated again in the person of a very old Empress, who still lives on earth.

It has been often said of Lady Caithness that she believed herself to be the reincarnation of Mary Stuart. During all the years I knew her intimately I never heard her even hint at such a belief, and the fact that she believed herself to be in touch with the Queen on "the other side" precludes in my opinion the possibility of her having formed such a conception.

What may have given rise to the suggestion was the fact that she dressed after the fashion of the Scottish Queen, and was surrounded by "Mary relics." Also, there is no doubt that she had a deeply sympathetic interest in the unfortunate Queen, and had elevated her memory into what amounted almost to a religion. In the chapel there is a full length lovely portrait of Mary, which is so lighted and arranged that it gives the impression of a living woman. Leading out of the dining-room was the bedroom of Lady Caithness, a sumptuous apartment. The bed was a state bed, plumes of ostrich feathers uprose at each corner. At one end was a crown, and behind the pillows was a fresco painting representing Jacob's Ladder, with a multitude of angels ascending and descending. Often Lady Caithness received in bed, as was the habit of the French Queens of former days.

The jewels possessed by Lady Caithness were the most gorgeous I have ever seen. Nothing worn by crowned heads, at the many English Courts I have attended, were comparable to them. I can remember an Edinburgh jeweler inviting my father and me to inspect some diamonds belonging to her that he was cleaning. There was a long chain of huge diamonds reaching to the knees, with a cross attached, which no casual observer, not possessing the jeweler's guarantee as we did, would have believed to be genuine. When standing receiving her guests in the beautiful salons of the Palais Tiranty, clad in crimson velvet, she looked a very wonderful figure, for she possessed exceptional personal beauty as well.

As may be supposed, a woman of such commanding presence who was known to possess a deep interest in the occult, could secure the services of the best mediums the world over. I sat with her through many séances, successful, barren, and indifferent, conducted by mediums of various nationalities. I remember one conducted by a South American medium, where the "controls" became very noisy and troublesome, and threatened to do serious damage. The medium could not be roused out of the trance she had fallen into, and it had really become necessary to put an end to the performance. She was a very big, heavy woman, and had sunk half off her chair on to the floor. I suggested to Lady Caithness that if we could drag or carry her into another room matters might then quiet down, but I added dubiously, "She must be a great weight."

Lady Caithness replied with a smile: "Try. You'll probably find her very light indeed."

I did try, and this was the only time in my life that I had the opportunity of proving to myself how tremendously a medium loses weight whilst genuine manifestations are in progress. I found it quite easy to lift this woman, who in ordinary circumstances must have weighed at least twelve or thirteen stone.

Sir William Crookes has given to the world a very interesting account of his work in weighing mediums, before and during materialization. He always found that a great decrease in weight took place during the materializations, proving how enormous is the drain on the strength of the medium. Such evidence is most valuable, as coming from our greatest chemist.

On this particular night I had no doubt as to the genuineness of the medium. Had she been a fraud she would have stopped the séance at once, on seeing how annoyed Lady Caithness was. She had every reason to conciliate her, and was greatly distressed to hear that her services would no longer be required. The troublesome spirits followed her into the next room, but gradually subsided as we succeeded in bringing the woman back out of her trance.

I used to go very often to the theater at Nice with Lady Caithness. She had her own box, and often invited Don Carlos of Spain, and other distinguished personages, to accompany her. One night we went to hear the incomparable Judic. We were only a party of three, the third being Prince Valori.

The Prince was then a man past middle age. He suggested a magnificent ruin, retaining as he did the battered remains of great good looks, and it was plain to see that his valet was exceedingly skillful. He possessed also a European reputation for heiress hunting, but to the day of his death he never succeeded in catching one, though it was said he had pursued his quarry in all parts of the world. Perhaps the figure he placed upon his ancient lineage and his personal charm was too high; perhaps he had begun his quest too late in life, though the position of a widowed Princess Valori would certainly not have been without attraction. I attributed his single blessedness to quite a different cause.

That night, whilst my attention was fixed on the stage, I became dimly aware that some one had entered our box, but until the song was over I did not turn round to look who it was. We always had visitors coming and going. When at last I did glance round I saw nothing remarkable. Only a man in fancy dress seated behind Valori, a man whom I had never seen before.

At that period Nice went mad during the winter season. The most extravagant amusements were entered into with a wild zest, by the very cosmopolitan society of extremely wealthy people. There were fancy dress balls every night somewhere, and no one thought it strange to see bands of revelers in fancy costume walking about the streets and thronging the cafés at all hours of the night.

I was not therefore astonished to see this man in fancy dress, leaning familiarly over the back of Prince Valori's chair. He was a very thin man, with very long, thin legs, and he was dressed entirely in chocolate brown—a sort of close-fitting cowl was drawn over his head, and his curious long, impish face was made more weird by small, sharply pointed ears rising on each side of his head. He appeared to have "got himself up" to look like a satyr, or some such mythical monstrosity. He was not introduced to me at the moment, and other people entering our box whom I knew, I forgot about him. When the box cleared before the next act I noticed he had gone.

A week or so after this I went to a fancy dress ball given by a Russian friend of mine—Princess Lina Galitzine. There was a great crowd, and a number of Grand Dukes and Grand Duchesses, some of whom had driven long distances from their villas and hotels in Mentone, Monte Carlo, and Beaulieu, etc. I soon saw Prince Valori making his way towards me, dressed very magnificently, in a French costume of the eighteenth century. By his side moved the man in brown.

Now that I saw "the satyr" under brilliant light he struck me at once as something peculiar. His walk was alone sufficient to attract attention. He strutted on tiptoes, with a curious jerk with every step he made. Those who remember Henry Irving's peculiar walk may form some idea of "the satyr's" movements. They were Irving's immensely exaggerated. I concluded that Valori was bringing him up to present him to me, but such proved not to be his intention. Valori shook hands, coolly requested the young American to whom I was talking to move off and find some one to dance with, and seated himself in the vacated chair. "The satyr" stood by his side and said nothing. I thought this very odd, and glancing, whenever I could do so unobserved, at the silent brown figure, I began to feel uneasy and shivery. It was impossible, whilst he stood there listening to all we said, to ask Valori who he was, and no mention was made of him.

As soon as I could I escaped to talk to some one else, and for an hour or two I avoided both. During this time I asked several people who "the satyr" was, but no one seemed to have noticed him in the crowd. At last, when seated at supper with the late James Gordon Bennett, who did not usually go to balls, but had looked in here for half an hour for some purpose of his own, I found myself seated next to a very charming Pole, married to a Russian, the Princess Schehoffskoi. I knew her to be a genuine mystic, one of the group who first instituted spiritualism into the Russian Court circles. I seized an opportunity, whilst Gordon Bennett was occupied with some one else, to ask her who the brown satyr was who had attached himself to Valori.

She was at once absorbed in the question, and, lowering her voice, she said, "Why, how interesting! Don't you know that is his 'Familiar' who is constantly in attendance upon him. People say they became attached whilst he was attending a 'Sabbath' in the Vosges, and he can't get rid of it."

"A Sabbath!" I echoed blankly.

"Yes! Surely you have heard of a 'Witch's Sabbath.' They still hold them at Lutzei, and each person receives a 'Familiar.' Those 'Sabbaths' are the most appalling orgies and hideously blasphemous. The 'Familiars' have names—Minette, Verdelet, etc. I had an ancestor who owned a 'Familiar' called Sainte Buisson. His name was de Laski. Of course, he was a Pole, and a Prince of Siradia, and he came across Dr. Dee, the necromancer of Queen Elizabeth's time. They seem to have entered into a sort of partnership."

All this the Princess told me quite seriously, and I found out later from her that Satanism or devil worship was largely practiced in France. It is interesting to note that the names of the French war mascots of the moment are all taken from the names of well-known "Familiars" in occult lore.

"Then the 'satyr' attached to Valori is not human flesh and blood; how horrible!" I whispered back. "Have many people seen him? Is he always there?"

The Princess nodded, "The clairvoyantes here all know about it, and I myself have seen him, not here, but in Paris. I shall go in search of Valori directly after supper."

"And I shall go home to bed," I answered.

The next morning I met Valori, alone, on the Promenade des Anglais. He turned and strolled by my side, and I determined to put a straight question. After a little trivial conversation I said, "By the way, who is that brown man, dressed like a Satyr, who has been with you lately?"

I watched Valori's face as I put the question, and as I saw the change that came over it I felt very sorry and ashamed of having spoken. He looked so utterly dejected and miserable.

"You also?" he muttered, then fell to silence.

I gathered that the same question had been put to him before, and I hastened to reassure him. "Don't answer. My question was impertinent; let us speak of other things," I said hastily, but he remained silent, staring down at the ground. Then suddenly he said—

"I am not the only one in the world so afflicted."

I did not pursue the subject. His words were true. That evening I received a large bouquet of Russian violets, and on a card was written the following French proverb:—"La réputation d'un homme est comme son ombre, qui tantôt le suit et tantôt le précède; quelquefois elle est plus longue et quelquefois plus courte que lui."

At that time the whole Riviera was swarming with professional clairvoyantes, and it soon "got wind" that Prince Valori's "Familiar" was walking about with him. He treated the matter almost as lightly as a distinguished English General treated his "Familiar."

The Englishman, General Elliot, who commanded the forces in Scotland, was a very well-known society man, about twenty-five years ago. He had a name for his Familiar, "Wononi," and used actually to speak aloud with him in the middle of a dinner-party. The General occupied a very distinguished position, not only in his profession, but in the social world, and to look at he was the very last man that one would associate with matters occult.

In 1895 Marie, Duchesse de Pomar and Countess of Caithness, died. She had the right to claim burial in Holyrood Chapel, and a very simple stone marks her last resting-place. To her I owe the warmest friendship of my life, for it was in her opera box I met the present Lady Treowen, born a daughter of Lord Albert Conynghame, who afterwards became the first Lord Londesborough. To the many who know and love her, Albertina Treowen represents a type of perfect breeding, alas! fast becoming extinct in these days. She has lived the reality of noblesse oblige, has the rare gift of perfect friendship, and combines a rare refinement of mind with strong moral courage.