Читать книгу The Employments of Women: A Cyclopædia of Woman's Work - Virginia Penny - Страница 70

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Madame Romeau says: "Few women have been engaged in musical compositions, and they have rarely undertaken important works. In painting and literature one is pre-occupied only with the work of the author. In music, it requires the coöperation of two persons—the composer, and the performer. Books and paintings act upon us without any intermediate objects, while the piece of the composer, to be understood, needs the flow of harmony noted on the paper in hieroglyphic signs, and must escape under the fingers from the instrument. It is necessary to animate the inert matter—to make it yield to the wish of the performer and reproduce the inspirations of the composer. Few women compose songs. A musician leads a different life from an artist, who lives in her studio and has few expenses. A musician must face the crowd, and hear its dissatisfaction, and smile at its applause. A cantatrice, or songstress, often travels from town to town like an actress." Some persons think none of the arts can be purely religious except music. "Mozart in music, and Raphael in colors, have taught us the spiritual ministry of the senses." A comparatively small quantity of music has been composed in the United States. The study of a lifetime is bestowed by very few on music. Some American ladies have gone to Europe to perfect their musical taste, and a few have acquired distinction. With musicians, as with vocalists—those who, in this country, have reaped the greatest profits in the shortest time were foreigners. Some were pianists, some flutists, some violinists—some one thing, and some another. The composition of music for soirées, fancy balls, masquerades, tableaux vivants, private theatricals, operas, dramas, musical farces, ballets, &c., might occupy all the spare time of musicians capable of composing. There is a circulating library in London of 42,000 volumes. There is, also, one in New York and one in Brooklyn. Subscribers to the one in Brooklyn pay in advance for one year $12, with the privilege of selecting from the catalogue $6 worth of music at the termination of the subscription; for six months, $6; for three months, $3; for a single piece worth less than $1, 6 cents per week; less than $2, 9 cents per week. Mr. G. thinks a lady can never become a good violinist, because it requires great strength in the right arm. The muscles of violinists are as rigid as a blacksmith's. I have heard that occasionally a pianist acquires such strength in his hands that he could almost prostrate you with one of his fingers. A gentleman told me, ladies could not become superior organists; that they cannot have sufficient power developed. It requires much strength of hands and feet. He remarked, the organist, at the church he attended, was a lady, but made no comments on her qualifications. I have known two lady organists, who were considered superior performers, and received as good salaries as gentlemen would have done. One received $500 for playing twice on Sabbath. On week days she gave instruction. I was told that she supported her whole family for years by her musical talents, and laid by money with which she purchased a comfortable dwelling in a city in New York State. The salaries of organists are small considering the amount of talent and practice required; but most organists teach music, or stand in music stores, or act as agents for manufacturers of musical instruments. "In the summer of 1860, among the Marblehead band of female shoe strikers in the procession at Lynn, Mass., was Miss Margaret Hammond, fifteen years old, who beat the drum in martial style the whole line of march." "In Ohio they have a lady drummer, who has received a diploma for her skill. Her name is Minerva Patterson, a daughter of Major Elisha Patterson, a wealthy farmer of Jersey, Licking Co." The French papers have given some insight to the prices paid great musicians, Malibran received in London, for every performance at Drury Lane, $750; Lablache, for singing twice, $750, and for a single lesson to Queen Victoria, $200. At a soirée in London Grisi received $1,200. Paganini charged $400 a lesson. "Herz and Thalberg each made about $60,000 in this country." There is a female musical society in London which gives concerts for benevolent objects.