Читать книгу Birds in Town & Village - W. H. Hudson - Страница 6
II
ОглавлениеAFTER wandering somewhat aimlessly about the country for a couple of days, I stumbled by chance on just such a spot as I had been wishing to find--a rustic village not too far away. It was not more than twenty-five minutes' walk from a small station, less than one hour by rail from London.
The way to the village was through cornfields, bordered by hedges and rows of majestic elms. Beyond it, but quite near, there was a wood, principally of beech, over a mile in length, with a public path running through it. On the right hand, ten minutes' walk from the village, there was a long green hill, the ascent to which was gentle; but on the further side it sloped abruptly down to the Thames.
On the left hand there was another hill, with cottages and orchards, with small fields interspersed on the slope and summit, so that the
6
BIRDS IN A VILLAGE 7
middle part, where I lodged, was in a pretty deep hollow. There was no sound of traffic there, and few farmers' carts came that way, as it was well away from the roads, and the deep, narrow, winding lanes were exceedingly rough, like the stony beds of dried-up streams.
In the deepest part of the coombe, in the middle of the village, there was a well where the cottagers drew their water; and in the summer evenings the youths and maidens came there, with or without jugs and buckets, to indulge in conversation, which was mostly of the rustic, bantering kind, mixed with a good deal of loud laughter. Close by was the inn, where the men sat on benches in the tap-room in grave discourse over their pipes and beer.
Wishing to make their acquaintance, I went in and sat down among them, and found them a little shy--not to say stand-offish, at first. Rustics are often suspicious of the stranger within their gates; but after paying for beer all round, the frost melted and we were soon deep in talk about the wild life of the place; always a safe and pleasant subject in a village. One rough-looking, brown-faced man, with iron-grey hair,
8 BIRDS IN TOWN AND VILLAGE
became a sort of spokesman for the company, and replied to most of my questions.
"And what about badgers?" I asked. "In such a rough-looking spot with woods and all, it strikes me as just the sort of place where one would find that animal."
A long dead silence followed. I caught the eye of the man nearest me and repeated the question, "Are there no badgers here?" His eyes fell, then he exchanged glances with some of the others, all very serious; and at length my man, addressing the person who had acted as spokesman before, said, "Perhaps you'll tell the gentleman if there are any badgers here."
At that the rough man looked at me very sharply, and answered stiffly, "Not as I know of."
A few weeks later, at a small town in the neighbourhood, I got into conversation with a hotel keeper, an intelligent man, who gave me a good deal of information about the country. He asked me where I was staying, and, on my telling him, said "Ah, I know it well--that village in a hole; and a very nasty hole to get in, too--at any rate it was so, formerly. They are getting a bit civilized now, but I remember the, time
BIRDS IN A VILLAGE 9
when a stranger couldn't show himself in the place without being jeered at and insulted. Yes, they were a rough lot down in that hole--the Badgers, they were called, and that's what they are called still."
The pity of it was that I didn't know this before I went among them! But it was not remembered against me that I had wounded their susceptibilities; they soon found that I was nothing but a harmless field naturalist, and I had friendly relations with many of them.
At the extremity of the straggling village was the beginning of an extensive common, where it was always possible to spend an hour or two without seeing a human creature. A few sheep grazed and browsed there, roaming about in twos and threes and half-dozens, tearing their fleeces for the benefit of nest-building birds, in the great tangled masses of mingled furze and bramble and briar. Birds were abundant there--all those kinds that love the common's openness, and the rough, thorny vegetation that flourishes on it. But the village--or rather, the large open space occupied by it, formed the headquarters and centre of a paradise of birds (as I soon began to think
10 BIRDS IN TOWN AND VILLAGE
it), for the cottages and houses were widely separated, the meanest having a garden and some trees, and in most cases there was an old orchard of apple, cherry, and walnut trees to each habitation, and out of this mass of greenery, which hid the houses and made the place look more like a wood than a village, towered the great elms in rows, and in groups.
On first approaching the place I heard, mingled with many other voices, that of the nightingale; and as it was for the medicine of its pure, fresh melody that I particularly craved, I was glad to find a lodging in one of the cottages, and to remain there for several weeks.
The small care which the nightingale took to live up to his reputation in this place surprised me a little. Here he could always be heard in the daytime--not one bird, but a dozen--in different parts of the village; but he sang not at night. This I set down to the fact that the nights were dark and the weather unsettled. But later, when the weather grew warmer, and there were brilliant moonlight nights, he was still a silent bird except by day.
I was also a little surprised at his tameness.
NIGHTINGALE.
"the medicine of its pure, fresh melody"
BIRDS IN A VILLAGE 11
On first coming to the village, when I ran after every nightingale I heard, to get as near him as possible, I was occasionally led by the sound to a cottage, and in some instances I found the singer perched within three or four yards of an open window or door. At my own cottage, when the woman who waited on me shook the breakfast cloth at the front door, the bird that came to pick up the crumbs was the nightingale--not the robin. When by chance he met a sparrow there, he attacked and chased it away. It was a feast of nightingales. An elderly woman of the village explained to me that the nightingales and other small birds were common and tame in the village, because no person disturbed them. I smile now when recording the good old dame's words.
On my second day at the village it happened to be raining--a warm, mizzling rain without wind--ind the nightingales were as vocal as in fine bright weather. I heard one in a narrow lane, and went towards it, treading softly, in order not to scare it away, until I got within eight or ten yards of it, as it sat on a dead projecting twig. This was a twig of a low thorn
12 BIRDS IN TOWN AND VILLAGE
tree growing up from the hedge, projecting through the foliage, and the bird, perched near its end, sat only about five feet above the bare ground of the lane. Now, I owe my best thanks to this individual nightingale, for sharply calling to my mind a common pestilent delusion, which I have always hated, but had never yet raised my voice against--namely, that all wild creatures exist in constant fear of an attack from the numberless subtle or powerful enemies that are always waiting and watching for an opportunity to spring upon and destroy them. The truth is, that although their enemies be legion, and that every day, and even several times on each day, they may be threatened with destruction, they are absolutely free from apprehension, except when in the immediate presence of danger. Suspicious they may be at times, and the suspicion may cause them to remove themselves to a greater distance from the object that excites it; but the emotion is so slight, the action so almost automatic, that the singing bird will fly to another bush a dozen yards away, and at once resume his interrupted song. Again, a bird will see the deadliest enemy of its kind, and unless it be so
BIRDS IN A VILLAGE 13
close as to actually threaten his life, he will regard it with the greatest indifference or will only be moved to anger at its presence. Here was this nightingale singing in the rain, seeing but not heeding me; while beneath the hedge, almost directly under the twig it sat on, a black cat was watching it with luminous yellow eyes. I did not see the cat at first, but have no doubt that the nightingale had seen and knew that it was there. High up on the tops of the thorn, a couple of sparrows were silently perched. Perhaps, like myself, they had come there to listen. After I had been standing motionless, drinking in that dulcet music for at least five minutes, one of the two sparrows dropped from the perch straight down, and alighting on the bare wet ground directly under the nightingale, began busily pecking at something eatable it had discovered. No sooner had he begun pecking than out leaped the concealed cat on to him. The sparrow fluttered wildly up from beneath or between the claws, and escaped, as if by a miracle. The cat raised itself up, glared round, and, catching sight of me close by, sprang back into the hedge and was gone. But all this time
14 BIRDS IN TOWN AND VILLAGE
the exposed nightingale, perched only five feet above the spot where the attack had been made and the sparrow had so nearly lost his life, had continued singing; and he sang on for some minutes after. I suppose that he had seen the cat before, and knew instinctively that he was beyond its reach; that it was a terrestrial, not an aerial enemy, and so feared it not at all; and he would, perhaps, have continued singing if the sparrow had been caught and instantly killed.
Quite early in June I began to feel just a little cross with the nightingales, for they almost ceased singing; and considering that the spring had been a backward one, it seemed to me that their silence was coming too soon. I was not sufficiently regardful of the fact that their lays are solitary, as the poet has said; that they ask for no witness of their song, nor thirst for human praise. They were all nesting now. But if I heard them less, I saw much more of them, especially of one individual, the male bird of a couple that had made their nest in a hedge a stone's throw from the cottage. A favourite morning perch of this bird was on a small wooden gate four or five yards away from my window. It was an open,
BIRDS IN A VILLAGE 15
sunny spot, where his restless, bright eyes could sweep the lane, up and down; and he could there also give vent to his superfluous energy by lording it over a few sparrows and other small birds that visited the spot. I greatly admired the fine, alert figure of the pugnacious little creature, as he perched there so close to me, and so fearless. His striking resemblance to the robin in form, size, and in his motions, made his extreme familiarity seem only natural. The robin is greatly distinguished in a sober-plumaged company by the vivid tint on his breast. He is like the autumn leaf that catches a ray of sunlight on its surface, and shines conspicuously among russet leaves. But the clear brown of the nightingale is beautiful, too.
This same nightingale was keeping a little surprise in store for me. Although he took no notice of me sitting at the open window, whenever I went thirty or forty yards from the gate along the narrow lane that faced it, my presence troubled him and his mate only too much. They would flit round my head, emitting the two strongly contrasted sounds with which they express solicitude--the clear, thin, plaintive, or
16 BIRDS IN TOWN AND VILLAGE
wailing note, and the low, jarring sound--an alternate lamenting and girding. One day when I approached the nest, they displayed more anxiety than usual, fluttering close to me, wailing and croaking more vehemently than ever, when all at once the male, at the height of his excitement, burst into singing. Half a dozen notes were uttered rapidly, with great strength, then a small complaining cry again, and at intervals, a fresh burst of melody. I have remarked the same thing in other singing birds, species in which the harsh grating or piercing sounds that properly express violent emotions of a painful kind, have been nearly or quite lost. In the nightingale, this part of the bird's language has lost its original character, and has dwindled to something very small. Solicitude, fear, anger, are expressed with sounds that are mere lispings compared with those emitted by the bird when singing. It is worthy of remark that some of the most highly developed melodists--and I am now thinking of the mocking-birds--never, in -moments of extreme agitation, fall into this confusion and use singing notes that express agreeable emotions, to express such as are painful. But in the
BIRDS IN A VILLAGE 17
mocking-bird the primitive harsh and grating cries have not been lost nor softened to sounds hardly to be distinguished from those that are emitted by way of song.