Modern Musical Drift

Modern Musical Drift
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Описание книги

"Modern Musical Drift" by W. J. Henderson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Оглавление

W. J. Henderson. Modern Musical Drift

Modern Musical Drift

Table of Contents

PARSIFALIA

I.—A PURE FOOL IN THE NEW WORLD

II.—ETHICS AND ÆSTHETICS

III.—THE NATIONAL RELIGIOUS DRAMA

DER RING DES NIBELUNGEN

I.—A FUTILE GOD AND A POTENT DEVIL

II.—THE WOMAN AND THE SERPENT

III.—BACK-WORLDS, GODS AND OVER-WOMAN

ISOLDE'S SERVING-WOMAN

RICHARD STRAUSS

I. THE HISTORICAL SURVEY

II.—THE ÆSTHETIC VIEW

III.—WHAT DOES IT ALL MEAN?

IV.—STRAUSS AND THE SONG WRITERS

Footnote

AUX ITALIENS

I.—ITALIAN OPERA OF TO-DAY

II.—THE CLASSIC OF THE UNPROGRESSIVE

THE ORATORIO OF TO-DAY

Footnote

Отрывок из книги

W. J. Henderson

Published by Good Press, 2021

.....

As the exemplar of the claim of pity, we are presented with the picture of the wounded Amfortas, who is a lay figure of incomprehensible personality. He is shown in the first act, and the pity doctrine is further preached in the pother made over the killing of the swan (such a big, fat, able-bodied swan!). As the master of evil we behold Klingsor, who comes before us in the first scene of the second act with more paraphernalia of slate-green walls, blue smoke, and exclamatory incantations than Faust ever had in his salad days at the Paris Grand Opera.

Kundry, the only woman in the play, is an ill-made muddle of inhumanity, who never commands a single instant of sympathy. She strives by service to atone for her sins, which are committed under the spell of Klingsor. She has neither love nor passion. Gurnemanz, the aged knight, is a wearisome talker. He tells the story of his life or any one else's life to whomsoever will listen. The audience cannot escape.

.....

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