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GUY OF WARWICK.

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The dramatist was evidently familiar with the legendary renown of Warwick as well as its authentic history. Doubtless he had heard the story of the famous Guy of Warwick in his boyhood; and later he probably visited "Guy's Cliff," on the edge of the town of Warwick, where the hero is said to have spent the closing years of his life. Learned antiquarians, in these latter days, have proved that his adventures are mythical, but the common people believe in him as of old. There is his "cave" in the side of the "cliff" on the bank of the Avon, and his gigantic statue in the so-called chapel; and can we not see his sword, shield, and breastplate, his helmet and walking-staff, in the great hall of Warwick Castle? The breastplate alone weighs more than fifty pounds, and who but the mighty Guy could have worn it? There too is his porridge-pot of metal, holding more than a hundred gallons, and the flesh-fork to match. We may likewise see a rib and other remains of the famous "dun cow," which he slew after the beast had long been the terror of the country round about. Unbelieving scientists doubt the bovine origin of these interesting relics, to be sure, as they doubt the existence of the stalwart destroyer of the animal; but the vulgar faith in them is not to be shaken.

Of Guy's many exploits the most noted was his conflict with a gigantic Saracen, Colbrand by name, who was fighting with the Danes against Athelstan in the tenth century, and was slain by Guy, as the old ballad narrates. Subsequently Guy went on a pilgrimage to the Holy Land, leaving his wife in charge of his castle. Years passed, and he did not return. Meanwhile his lady lived an exemplary life, and from time to time bestowed her alms on a poor pilgrim who had made his appearance at a secluded cell by the Avon, not far from the castle. She may sometimes have talked with him about her husband, whom she now gave up as lost, assuming that he had perished by the fever of the East or the sword of the infidel. At last she received a summons to visit the aged pilgrim on his death-bed, when, to her astonishment, he revealed himself as the long-lost Guy. In his early days, when he was wooing the lady, she had refused to give him her hand unless he performed certain deeds of prowess. These had not been accomplished without sins that weighed upon his conscience during his absence in Palestine; and he had made a vow to lead a monastic life after his return to his native land.

The legend, like others of the kind, was repeated in varied forms; and, according to one of these, when Guy came back to Warwick he begged alms at the gate of his castle. His wife did not recognize him, and he took this as a sign that the wrath of Heaven was not yet appeased. Thereupon he withdrew to the cell in the cliff, and did not make himself known to his wife until he was at the point of death.

Shakespeare refers to Guy in Henry VIII. (v. 4. 22), where a man exclaims, "I am not Samson, nor Sir Guy, nor Colbrand"; and Colbrand is mentioned again in King John (i. 1. 225) as "Colbrand the giant, that same mighty man."

The scene of Guy's legendary retreat on the bank of the Avon is a charming spot, and there was certainly a hermitage here at a very early period. Richard Beauchamp founded a chantry for two priests in 1422, and left directions in his will for rebuilding the chapel and setting up the statue of Guy in it. At the dissolution of the monasteries in the time of Henry VIII. the chapel and its possessions were bestowed upon a gentleman named Flammock, and the place has been a private residence ever since, though the present mansion was not built until the beginning of the eighteenth century. There is an ancient mill on the Avon not far from the house, commanding a beautiful view of the river and the cliff. The celebrated actress, Mrs. Siddons, lived for some time at Guy's Cliff as waiting-maid to Lady Mary Greatheed, whose husband built the mansion.

Shakespeare the Boy

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