Читать книгу A Journey of a Jayhawker - W. Y. Morgan - Страница 13

THE CITY OF PLEASURE.

Paris, France, June 19, 1905.

Since my last letter to The News we have been “going some,” and I will leave a few ideas I may have gleaned about England until I get back there on my return from the continent. We are pushing for a short visit to Italy before the summer gets too far advanced.

To use a classical expression, Paris is a bully sort of a town. If there is anything you want and don’t know where it is, I am satisfied you will find it in Paris. In England it was customary to close up and go to bed sometime after midnight and to rest on Sunday. Nobody in Paris thinks of either proposition. The only difference between Paris at midnight and Paris at midday is that it is livelier at midnight. The performance is continuous and it is worth the price of admission.

Coming into a country where your language is not generally spoken is always a little trying on the nerves. The French people have made it as easy as possible, but the ways are strange and the helpless tourist can only do as others do and trust to Providence and the power of a little money distributed as well as possible. I do not know how much Providence has had to do with it, but I do believe there are mighty few doors in France which a piece of money will not unlock. When I came into France I knew only two French expressions, one meaning “How much?” and the other, “Thank you.” With that vocabulary we went through the custom-house examination, a five-hour railroad journey, landed in a big city station, got a carriage, reached the hotel and an interpreter without any more trouble than we would have in Sterling. Of course everybody from conductor to porter knew we were Americans and could not speak French, knew what we ought to do next and showed the way, and all we had to do was to look pleasant and hand out small change. And it doesn’t cost much to be liberal in France. I gave the conductor an equivalent to our 10 cents, and I know he thought I was rich. The porter who took my baggage through the custom-house and brought me a carriage was deeply impressed with my financial standing when I gave him 6 cents worth of French coppers. The coachman who brought Mrs. Morgan and myself with four big grips from the station to the hotel, two miles, charged me the full price, 30 cents for everything, and when I tossed him another dime like a millionaire he took his hat off three times. The French people I have met have been very polite. They always tip their hats and go out of their way to show me, and they are never so discourteous as to refuse 2 cents. Imagine giving a Santa Fe conductor 10 cents for showing you where to sit in the car!

As a lesson in political economy I will put in my observation so far as I have gone: Everything in Europe that is made or done by labor is cheap. I was offered a tailor-made suit of clothes in London for $18 that would cost $30 in Hutchinson. A farm laborer in England gets about 50 cents a day and boards himself. The barber shaves you for 2 or 3 cents. Bread and meat are higher than in the United States. You can see how the wage-earner gets it going and coming. I am learning a few things from experience that I had been told before, but I want to visit a few more places before I try to form my conclusions and put them into print.

Paris is a beautiful city. In spite of the great business houses, the manufactories and the banks which I have seen, it strikes me as a kind of play town. Every day in the week in Paris looks like an American town on the Fourth of July, and on Sunday it is Fourth of July and Christmas together and then some. The men who are working at wages that would make Americans vicious, are as light-hearted and pleasant appearing as a Sunday school picnic. The women are as vivacious as a lot of school ma’ams at institute. As soon as work is completed it seems as if every Parisian only goes home to put on his good clothes and then comes down town accompanied by his wife, or somebody’s wife. Half the places of business along the principal streets are restaurants and a good many of the others are also restaurants. The Frenchman sits at a little table on the sidewalk in front of the café and puts in the evening drinking one glass of wine or absinthe, chatting with his neighbor and watching the women go by with their good clothes and bright faces. Every French woman is an artist when it comes to clothes. The goods may not cost much, but the gown is tastefully made, and if the lady wants to she sticks on a bow or jabs a flower in her hat, regardless of every rule except that it looks pretty there—and it always does. Bright and light gowns, hats that are up-to-date or ahead, hair to match the hat and hose to match the dress—and the artist’s work is done. No wonder the men hurry down town and sit on the sidewalk!

In the afternoon and evening the Paris streets look like a spring millinery opening—also like a display of samples of fine hosiery. Perhaps I ought not to go into the subject, but it will not be a fair description of Paris if I leave it out, and I must warn any other Kansan who may venture this way. When a Parisian lady walks along a sidewalk that is perfectly clear and clean she daintily lifts her dress so as to display only the top of the shoe, maybe an inch or two more. Sometimes she thoughtlessly raises the gown a little higher. When she reaches the street-crossing—but I had better stop, for she doesn’t. I have always been of the opinion that under such circumstances a plain, respectful man should look the other way and I have a crick in my neck from looking—the other way—since I came to Paris. Remember this is in fine weather when the walks and crossings are clean. “They say” that when the walks are muddy the result is even more startling to a staid observer from Kansas. If the weather gets bad I don’t know what I will do.

IN PARIS: LOOKING THE OTHER WAY.

The philosophy in the above is that it gives you an idea of Paris with its brilliantly lighted streets, the men eating and drinking, sitting at the little tables along the walks, the well-dressed people, the brilliant colors, the laughter, the bright and polite conduct of men and women, the holiday appearance, the pleasure that everyone is having, and the general gait at which Parisians travel. As another example let me add, fully one-third of that part of Paris which in any other city would be devoted to business, is given up to public gardens, playgrounds for children, parks and drives,—not out in the country or to one side, but right through the center of Paris. The houses, business and residence, are none of them more than six stories high, and I am told the law does not permit higher structures. It is a good idea, for you get air and sunlight, which you often do not in New York and Chicago, and you can occasionally see out over the city. About every so often is a circle or square from which radiate from six to a dozen avenues and boulevards. These streets divide into others which reach forward to other squares, and are intersected at every conceivable angle by cross-streets. The object of this plan was to place artillery in the square and thus command the streets and boulevards against the revolutionists, who have always been doing or about to do something in Paris. The houses, five or six stories high, are built right up from the sidewalk, and have inner courts. Usually there are stores or shops in the downstairs rooms facing the street and living-rooms back and above. And speaking of stores, most of them are about ten by twelve feet, one-half display window. The interior is lined with mirrors which make the room look large and two or three customers like a crowd. The French use mirrors every chance—there are three beautiful mirrors in our small bedroom. The shops are generally decorated with flowers, pictures and statuary and a sign “English spoken,” the latter being usually a delusion and a snare. Instead of naming a street or avenue and then sticking to it, the names of the streets frequently change. The boulevard our hotel is on begins as the Madeleine, runs two blocks and then becomes the Capoucins, two blocks more and it is the Italiens. We are on the Capoucins part, and besides the Boulevard des Capoucins, there is street “Rue des Capoucins,” and a square “Place des Capoucins,” each in a different section. The necessity of a stranger in Paris keeping sober is very apparent. The streets, squares and public buildings are adorned with frequent statues—good ones. Almost any way you turn there is something beautiful to look at. The French are artists and lovers of art. If there were such a thing as a Kansas joint in Paris it would be decorated like an art gallery. But the joints in Paris are open and run twenty-four hours a day, seven days in the week, and the police never interfere with anything that goes on except in case of a disturbance of the peace or abuse of the government.

The French like Americans and don’t like the English or the Germans. But that does not mean they refuse anybody’s money. In our country when a man gets a comfortable income he grows gray-haired and wrinkled trying to make more. A Frenchman spoke to me of this trait, and said that when one of his countrymen reached the point where he could live nicely on what he had accumulated or the salary he was receiving, he quit worrying and took to the cafés and boulevards to enjoy life. Perhaps the French way is the best, at least the French look happier over mighty little than we do over much more. They go in for “pleasure” and they enjoy it as do no other people I have seen.