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Someone had asked Mary Viner as a child why she so disliked going to school, and had received the pregnant reply: "'Cos one does the same thing every day"; and at the age of three-and-twenty Mary was still resenting repetition. Only more so, because life had become more busily full of it, a circus of dreary tidyings and cleanlinesses, of washings up and washings down, of moments that smelt of yellow soap, and tea leaves and paraffin.

Moreover, it could not be helped. And the turning of the domestic wheel demanded the obedient hands of the dutiful daughter. Mary's alarum clock set the welkin ringing at half-past six. It was winter, January and cold. She had cause to know how cold it could be in that cardboard box of a bedroom with its walls of tile and plywood sheeting. The very clock seemed to make a bouncing sound like a pea rattling in a box. The room remained quite dark, and the day's duties offered her no compensations for the loss of her warm bed, so she lingered there, guiltily snug, the clothes pulled up to her chin, her pretty, slim legs tucked up.

Thank heaven she had not to struggle with half a yard of black hair. A bobbed head had its advantages when your hands got colder and colder. The house was very still, but across the landing there travelled a faint sound of harsh, asthmatic breathing. Captain Hesketh Viner was still asleep, but soon she would hear the little twittering voice of her mother, like the voice of a rather futile and busy bird.

O, this house—this "Green Shutters," where everything was heard, from the stirring of the kitchen fire to the brisk functioning of a toothbrush! And her father's cough! She flung out of bed suddenly with a rush of fastidious despair that fought with an inarticulate compassion. What a life for the three of them, cooped up in this jim-crack cottage in a little world of other jim-crack cottages! No wonder that Carslake, solid Georgian Carslake, referred to the Sandihurst Estate as "Cinder Town."

She lit her candle and scuffled into her clothes, intent upon making that morning dash downstairs to light the fires in the kitchen and living-room. Yes, damn Colonel Sykes for exploiting this patch of clay and sand in Sussex, and for persuading the new poor to put up cottages and bungalows. Cinder Town! She slithered down the steep and narrow stairs and into the kitchen, jarring a slim ankle against the coal-scuttle that was standing where it should not have stood. And that, too, was her fault! Resenting this, she jabbed at the thing with her foot, and by way of retort it tipped a rattling stream of coal upon the floor.

Putting her candle on the kitchen table, and bending down to recover the lumps of coal, she signalized her submission to the tyranny of trifles by a sudden rush of tears. There was anger in her tears, and self-pity, and the rebellion of her youth against life's aimless and inevitable repetitions. But how foolish! And like a child she brushed the blurring wetness away with her fingers, forgetting the coal dust upon them. She put a match to the kitchen fire, wondering whether it was going to prove sulky, and while it was deciding that it would burn she collected the cans for the morning's hot water. And how she yearned for gas! To be able to slip down and turn a tap, and perhaps slip back to bed again.

The hands of the grandfather clock stood at twenty past seven when Mary crossed the little hall between the kitchen and the living-room. There was that second fire to be laid and lit; the kitchen fire she had laid the night before, and if there was one thing she loathed it was cleaning out a grate on a cold winter morning. A beastly job, remaining eternally beastly! Picking out pieces of slag and cinder and dropping them into the housemaid's box! She pulled on her gloves, and kneeling, was about to start on the grate when she heard the spring-bell attached to the front door burr loudly.

It startled her. No one was to be expected at this hour but that very red-nosed boy with the milk, and he always came to the back door.

She went to investigate, drawing back the plain black bolts and turning the key of the cheap lock. She opened the door and saw a man there. A milk-can kept him company on the doorstep. He made no remark. He looked at one of her gloved and empty hands as though he had expected to see a jug in it.

"Oh, the milk."

She stared and he seemed to stare still harder, for she had black smudges all over her face. And then she realized somehow that this was Furze, of Doomsday Farm, and that he was in a hurry, and that something must have happened to the red-nosed boy.

"I'll get a jug."

Returning, she was aware of him in the dim light as something big and brown and silent, with a pair of very dark eyes set deeply under the brim of his hat. His face had ruggedness. It was clean-shaven, but she could see that he had not shaved this morning. His lips were very firm. The breadth of the face seemed to match the breadth of the man, the loose-limbed, easy breadth of the worker. When he took the jug from her she noticed the fineness of his hands, delicate even in their roughened strength. He bent down to fill the jug.

"What has happened to the boy?"

"Laid up."

His voice was deliberate and deep, and his eyes seemed to match his voice. He was looking at her again, a pretty, dark thing in an old cherry-coloured jumper and black skirt. Those smudges of coal dust on her face might have amused him had he been the sort of man who was easily amused, but his glances went deeper. A pretty girl—and a gentlewoman—cleaning a grate on a January morning! Why shouldn't she? He handed her the jug.

"Will that do for the day?"

Her eyes were on his big brown hands. Standing there under the flimsy rustic porch, he seemed to fill the whole of the sky with a significance that puzzled her. He did not belong to Cinder Town; he was part of that other world that had preceded and would outlast a little collection of bungalows and rustic porches.

"I think it will do. I expect you are busy."

"I am."

He picked up the milk-can, half lifted his hat, and with another of those deep and curiously silent glances, he swung away down the cinder path. He closed the white gate behind him and turned to the right towards the Jamieson's cottage—Oak Lodge. Mary hated the Jamiesons, and especially the Jamieson children.

She closed the door, carried the milk-jug into the kitchen, and completed the resuscitation of the sitting-room fire.

Doomsday (Historical Novel)

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