Читать книгу Empire of Dirt - Wendy Fonarow - Страница 6
ОглавлениеContents
Beginnings / 1 Theoretical Frame: From Observation to Communication / 3 Active Bodies / 4 The Audience and Subjectivity / 6 Music as Activity / 8 Subjectivity in Action / 10 Turn On the Bright Lights6 / 11 Methodology / 14 From Plus One to A&R / 16 Your Itinerary / 19 Conclusion / 22
Indie … What’s at Stake? / 27 Indie as a Mode of Distribution: An Industrial Definition / 30 Indie as a Genre / 39 Indie as an Ethos / 51 Indie as Pathetic / 53 Indie as a Mode of Aesthetic Judgement / 57 The Mainstream Is a Centralized Hierarchy / 62 Dance Is Not the Way the Future Is Meant to Feel / 69 Indie: What Is It? / 77
2. The Zones of Participation / 79
The Event / 81 Zone One / 82 The Pit / 86 The Front / 92 Zone One Spectatorship: The Initiates / 95 The Psychosomatics of Zone One / 98 Zone Two / 105 The Mode of Comportment of Zone Two / 106 Comportment Features That Vary over Space / 107 Gigs as Social Life / 109 The Process of Change from Zone One to Zone Two / 110 The Heterogeneous Audience / 114 A Move toward the Exit / 116 Conclusion / 120
3. Zone Three and the Music Industry / 122
The Activities of Zone Three / 123 The Liggers / 125 The Guest List / 128 Routine 1: Example of Professional Strategy / 132 Routine 2: Example of Personable Strategy / 133 Routine 3: Code Switch from Professional to Personable / 135 Passes / 138 Privileged Spectatorship / 151 Conclusion / 152
4. The Participant Structure and the Metaphysics of Spectatorship / 154
Proximity, Affiliation, and Consensus Building / 155 Verticality and Asymmetry / 160 Contesting Spectorial Positions: Closeness and Distance / 161 Age / 163 The Metaphysics of Participation / 166 African Expression in a Protestant World / 175 The Nature of the Moral Threat / 179 A Ritual of Transformation / 182 Conclusion / 184
5. Performance, Authenticity, and Emotion / 187
Indie’s Version of Authenticity / 188 Indie’s Conventions of Being in Performance / 192 Emotion and the Decay of Emotion / 196
6. Sex and the Ritual Practitioners / 203
Gendered Spectatorship / 204 The Groupie as Sexual Predator / 207 Indie Versus Mainstream: Groupie Troublesomeness / 212 Offstage Behavior Mirrors Onstage Spectacle / 216 Come Together / 221 Sing for the Moment / 225 The Tricksters / 228 Indie Coyotes and Foxes / 240
Afterword: My Music Is Your Dirt / 242
Appendix 1. NME’s Top 100 Albums of All Time 251
Appendix 2. NME’s Top 50 Albums of the 1980s 255
