Читать книгу Ladies-In-Waiting - Wiggin Kate Douglas Smith - Страница 6

Their friendship grew perceptibly during the next two days, though constantly under the espionage of the permanent guests of the Bexley Sands Inn, but on Wednesday night Miss Tucker left for Torquay, according to schedule. Fergus Appleton remained behind, partly to make up arrears in his literary work, and partly as a sop to decency and common sense. He did not deem it either proper or dignified to escort the young lady on her journey (particularly as he had not been asked to do so), so he pined in solitary confinement at Bexley until Saturday morning, when he followed her to the scene of her labors.

After due reflection he gave up the idea of the claque, and rested Tommy’s case on the knees of the gods, where it transpired that it was much safer, for Torquay liked Tommy, and the concert went off with enormous éclat. From the moment that Miss Thomasina Tucker appeared on the platform the audience looked pleased. She wore a quaint dress of white flounced chiffon, with a girdle of green, and a broad white hat with her old mignonette garland made into two little nosegays perched on either side of the transparent brim. She could not wear the mignonette that Appleton had sent to her dressing-room, because she would have been obscured by the size of the offering, but she carried as much of it as her strength permitted, and laid the fragrant bouquet on the piano as she passed it. (A poem had come with it, but Tommy did not dare read it until the ordeal was over, for no one had ever written her a poem before. It had three long verses, and was signed “F.A.”—that was all she had time to note.)

A long-haired gentleman sitting beside Appleton remarked to his neighbor: “The girl looks like a flower; it’s a pity she has such a heathenish name! Why didn’t they call her Hope, or Flora, or Egeria, or Cecilia?”

When the audience found that Miss Tucker’s singing did not belie her charming appearance, they cast discretion to the winds and loved her. Appleton himself marveled at the beauty of her performance as it budded and bloomed under the inspiration of her fellow artists and the favor of the audience, and the more he admired the more depressed he became.

“She may be on the threshold of a modest ‘career,’ of a sort, after all,” he thought, “and she will never give it up for me. Would she be willing to combine me with the career, and how would it work? I shouldn’t be churl enough to mind her singing now and then, but it seems to me I couldn’t stand ‘tours.’ Besides, hers is such a childlike, winsome, fragrant little gift it ought not to be exploited like a great, booming talent!”

The audience went wild over Donald Tovey’s songs. He played, and Tommy sang them from memory, and it seemed as if they had been written then and there, struck off at white heat; as if the composer happened to be at the piano, and the singer chanced with his help to be interpreting those particular verses for that particular moment.

His setting of “Jock o’Hazeldean” proved irresistible:

And then with a swirl and a torrent of sound, a clangor of sword and a clatter of hoofs:

Appleton didn’t see any valid reason why Tovey should kiss Tommy’s hand in responding to the third recall, but supposed it must be a composer’s privilege, and wished that he were one.

Then the crowd made its way into the brilliant Torquay sunshine, and Appleton lingered in the streets until the time came for the tea-party arranged for the artists at the hotel.

It was a gay little gathering, assisted by a charming lady of the town, who always knew the celebrated people who flock there in all seasons. Spalding and Tovey were the lions, but Miss Thomasina Tucker did not lack for compliments. Her cheeks glowed and her eyes sparkled under the white tulle brim of her hat. Her neck looked deliciously white and young, rising from its transparent chiffons, and her bunch of mignonette gave a note of delicate distinction. The long-haired gentleman was present, and turned out to be a local poet. He told Miss Tucker that she ought never to wear or to carry another flower. “Not, at all events, till you pass thirty!” he said. “You belong together—you, your songs, and the mignonette!”—at which she flung a shy upward glance at Appleton, saying: “It is this American friend who has really established the connection, though I have always worn green and white and always loved the flower.”

“You sent me some verses, Mr. Appleton,” she said, as the poet moved away. “I have them safe” (and she touched her bodice), “but I haven’t had a quiet moment to read them.”

“Just a little tribute,” Appleton answered carelessly. “Are you leaving? If so, I’ll get your flowers into a cab and drive you on.”

“No. I am going, quite unexpectedly, to Exeter to-night. Let us sit down in this corner a moment and I’ll tell you. Mr. Tovey has asked me to substitute for a singer who is ill. The performance is on Monday and I chance to know the cantata. I shall not be paid, but it will be a fine audience and it may lead to something; after all, it’s not out of my way in going to Wells.”

“Aren’t you overtired to travel any more to-night?”

“No, I am treading air! I have no sense of being in the body at all. Mrs. Cholmondeley, that dark-haired lady you were talking with a moment ago, lives in Exeter and will take me to her house. And how nice that I don’t have to say good-bye, for you still mean to go to Wells?”

“Oh, yes! I haven’t nearly finished with the cathedral—I shall be there before you. Can I look up lodgings or do anything for you?”

“Oh, no, thank you. I shall go to the old place where Miss Markham and I lived before. The bishop and Mrs. Kennion sent us there because there is a piano, and the old ladies, being deaf, don’t mind musical lodgers. Didn’t the concert go off beautifully! Such artists, those two men; so easy to do one’s best in such company.”

“It was a triumph! Doesn’t it completely efface the memory of the plate and the pennies?”

“Yes,” Tommy answered. “I bear no ill-will to any living creature. The only flaw is my horrid name. Can’t you think of another for me? I’ve just had an anonymous note. Hear it!” (taking it from her glove):

Dear Madam:

The name of Thomasina Tucker is one of those bizarre Americanisms that pain us so frequently in England. I fancy you must have assumed it for public use, and if so, I beg you will change it now, before you become too famous. The grotesque name of Thomasina Tucker belittles your exquisite art.

Very truly yours,

A Well Wisher.

“What do you think of that?”

Appleton laughed heartily and scanned the note. “It is from some doddering old woman,” he said. “The name given you by your sponsors in baptism to be condemned as a ‘bizarre Americanism’!”

“I cannot think why the loyalty of my dear mother and father to Tucker, and to Thomas, should have made them saddle me with such a handicap! They might have known I was going to sing, for I bawled incessantly from birth to the age of twelve months. I shall have to change my name, and you must help me to choose. Au revoir!”—and she darted away with a handshake and a friendly backward glance from the door.

“Can I think of another name for her?” apostrophized Appleton to himself. “Can feminine unconsciousness and cruelty go farther than that? Another name for her shrieks from the very housetops, and I agree with ‘Well Wisher’ that she ought to take it before she becomes too famous; before it would be necessary, for instance, to describe her as Madame Tucker-Appleton!”