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POOR MAILIE'S ELEGY

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Lament in rhyme, lament in prose,

Wi' saut tears tricklin' down your nose, salt

Our bardie's fate is at a close,

Past a' remead; remedy

The last sad cape-stane of his woes—cope-stone

Poor Mailie's dead!

It's no the loss o' warl's gear worldly lucre

That could sae bitter draw the tear,

Or mak our bardie, dowie, wear downcast

The mourning weed:

He's lost a friend and neibor dear

In Mailie dead.

Thro' a' the toun she trotted by him;

A lang half-mile she could descry him;

Wi' kindly bleat, when she did spy him,

She ran wi' speed:

A friend mair faithfu' ne'er cam nigh him

Than Mailie dead.

I wat she was a sheep o' sense, wot

An' could behave hersel wi' mense; manners

I'll say't, she never brak a fence

Thro' thievish greed.

Our bardie, lanely, keeps the spence parlor

Sin' Mailie's dead. Since

Or, if he wanders up the howe, glen

Her living image in her yowe ewe-lamb

Comes bleating to him, owre the knowe, knoll

For bits o' bread,

An' down the briny pearls rowe roll

For Mailie dead.

She was nae get o' moorland tups, issue

Wi' tawted ket, an' hairy hips; matted fleece

For her forbears were brought in ships

Frae 'yont the Tweed;

A bonnier fleesh ne'er cross'd the clips fleece, shears

Than Mailie's, dead.

Wae worth the man wha first did shape Woe to

That vile wanchancie thing—a rape! dangerous

It maks guid fellows girn an' gape, growl

Wi' chokin' dread;

An' Robin's bonnet wave wi' crape

For Mailie dead.

O a' ye bards on bonnie Doon!

An' wha on Ayr your chanters tune! bagpipes

Come, join the melancholious croon

O' Robin's reed;

His heart will never get aboon! rejoice

His Mailie's dead!

How long he continued to mourn for Ellison Begbie, it is hard to say; but the three following songs, inspired, it would seem, by three different girls, testify at once to his power of recuperation and the rapid maturing of his talent. All seem to have been written between the date of his return from Irvine and the death of his father.

Robert Burns: How To Know Him

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