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—Tom M'Mahon's return from Dublin.

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The house of Gerald Cavanagh, though not so large as that of our kind-hearted friend, Jemmy Burke, was a good specimen of what an Irish farmer's residence ought to be. It was distant from Burke's somewhat better than two miles, and stood almost, immediately inside the highway, upon a sloping green that was vernal through the year. It was in the cottage style, in the form of a cross, with a roof ornamentally thatched, and was flanked at a little distance by the office-houses. The grass was always so close on this green, as to have rather the appearance of a well kept lawn. The thorn-trees stood in front of it, clipped in the shape of round tables, on one of which, exposed to all weathers, might be seen a pair of large churn-staves, bleached into a white, fresh color, that caused a person to long for the butter they made. On the other stood a large cage, in which was imprisoned a blackbird, whose extraordinary melody had become proverbial in the neighborhood. Down a little to the right of the hall-door, a pretty winding gravelled pathway led to a clear spring well that was overshadowed by a spreading white-thorn; and at each gable stood a graceful elder or mountain-ash, whose red berries during the autumn had a fine effect, and contrasted well with the mass of darker and larger trees, by which the back portion of the house and the offices was almost concealed. Both the house and green were in an elevated position, and commanded a delightful expanse of rich meadows to the extent of nearly one hundred acres, through which a placid river wound its easy way, like some contented spirit that glides calmly and happily through the gentle vicissitudes of an untroubled life.

As Peety Dhu, whilst passing from the residence of our friend Jemmy Burke to that of Gerald Cavanagh, considered himself in his vocation, the reader will not be surprised to hear that it was considerably past noon! when he arrived at Fenton's Farm; for by this name the property was known on a portion of which the Cavanaghs lived. It might be about the hours of two or three o'clock, when Peety, on arriving at the gate which led into Cavanagh's house, very fortunately saw his daughter Kathleen, in the act of feeding the blackbird aforementioned; and prudently deeming this the best opportunity of accomplishing his mission, he beckoned her to approach him. The good-natured girl did so: saying at the same time—“What is the matter, Peety?—do you want me? Won't you come into the kitchen?”

“Thank you, avourneen, but I can't; I did want you, but it was only to give you this letther. I suppose it will tell you all. Oh, thin, is it any wondher that you should get it, an' that half the parish should be dyin' in love wid you? for, in troth, it's enough to make an ould man feel young agin even to look at you. I was afraid they might see me givin' you the letther from the windy, and that's what made me sign to you to come to me here. Good-bye a colleen dhas (* Pretty girl.)—an' it's you that's that sure enough.”

The features, neck, and bosom of the girl, on receiving this communication, were overspread with one general blush, and she stood, for a few moments, irresolute and confused. In the mean time Peety had passed on, and after a pause of a few minutes, she looked at the letter more attentively, and slowly broke it open. It was probably the first epistle she had ever received, and we need scarcely say that, as a natural consequence, she was by no means quick in deciphering written hand. Be this as it may, after having perused a few lines she started, looked at the bottom for the name, then at the letter again; and as her sister Hanna joined her, that brow on which a frown had been seldom ever seen to sit, was now crimson with indignation.

“Why, gracious goodness!” exclaims Hanna, “what is this, Kathleen? Something has vexed you!—ha! a love-letter, too! In airnest, what ails you? an' who is the letter from, if it's fair to ax?”

“The letter is not for me,” replied Kathleen, putting it into her sister's hand, “but when you read it you won't wonder that I'm angry.”

As Hanna began to go slowly through it, she first laughed, but on proceeding a little further her brow also reddened, and her whole features expressed deep and unequivocal resentment. Having concluded the perusal of this mysterious document, she, looked at her sister, who, in return, gazed upon her.

“Well, Kathleen, after all,” said Hanna, “it's not worth while losing one's temper about it. Never think of it again; only to punish him, I'd advise you, the next time you see Peety, to send it back.”

“You don't suppose, Hanna, that I intended to keep it; but indeed,” she added, with a smile; “it is not worth while bein' angry about.”

As the sisters stood beside each other, holding this short conversation, it would be difficult to find any two females more strikingly dissimilar both in figure, features, and complexion. Hanna was plain, but not disagreeable, especially when her face became animated with good humor. Her complexion, though not at all of a sickly hue, was of that middle tint which is neither pale nor sallow, but holds an equivocal position between both. Her hair was black, but dull, and without that peculiar gloss which accompanies either the very snowy skin of a fair beauty, or, at least, the rich brown hue of a brunette. Her figure was in no way remarkable, and she was rather under the middle size.

Her sister, however, was a girl who deserves at our hands a more accurate and lengthened description. Kathleen Cavanagh was considerably above the middle size, her figure, in fact, being of the tallest; but no earthly form could surpass it in symmetry, and that voluptuous fulness of outline, which, when associated with a modest and youthful style of beauty, is, of all others, the most fascinating and irresistible. The whiteness of her unrivalled skin, and the gloss of health which shone from it were almost dazzling. Her full bust, which literally glowed with light and warmth, was moulded with inimitable proportion, and the masses of rich brown hair that shaded her white and expansive forehead, added incredible attractions to a face that was remarkable not only for simple beauty in its finest sense, but that divine charm of ever-varying expression which draws its lights and shadows, and the thousand graces with which it is accompanied, directly from the heart. Her dark eyes were large and flashing, and reflected by the vivacity or melancholy which increased or over-shadowed their lustre, all those joys or sorrows, and various shades of feeling by which she was moved, whilst her mouth gave indication of extraordinary and entrancing sweetness, especially when she smiled.

Such was Kathleen Cavanagh, the qualities of whose mind were still superior to the advantages of her person. And yet she shone not forth at the first view, nor immediately dazzled the beholder by the brilliancy of her charms. She was unquestionably a tall, fine looking country girl, tastefully and appropriately dressed; but it was necessary to see her more than once, and to have an opportunity of examining her, time after time, to be able fully to appreciate the surprising character of her beauty, and the incredible variety of those changes which sustain its power and give it perpetual novelty to the heart and eye. It was, in fact, of that dangerous description which improves on inspection, and gradually develops itself upon the beholder, until he feels the full extent of its influence, and is sensible, perhaps, when too late, that he is its helpless and unresisting victim.

Around the two thorn-trees we have alluded to were built circular seats of the grassy turf, on which the two sisters, each engaged in knitting, now sat chatting and laughing with that unrestrained good humor and familiarity which gave unquestionable proof of the mutual confidence and affection that subsisted between them. Their natural tempers and dispositions were as dissimilar as their persons. Hanna was lively and mirthful, somewhat hasty, but placable, quick in her feelings of either joy or sorrow, and apparently not susceptible of deep or permanent impressions; whilst Kathleen, on the other hand, was serious, quiet, and placid—difficult to be provoked, of great sweetness of temper, with a tinge of melancholy that occasionally gave an irresistible charm to her voice and features, when conversing upon any subject that was calculated to touch the heart, or in which she felt deeply. Unlike her sister, she was resolute, firm, and almost immutable in her resolutions; but that was because her resolutions were seldom hasty or unadvised, but the result of a strong feeling of rectitude and great good sense. It is true she possessed high feelings of self-respect, together with an enthusiastic love for her religion, and a most earnest zeal for its advancement; indeed, so strongly did these predominate in her mind, that any act involving a personal slight towards herself, or indifference to her creed and its propagation, were looked upon by Kathleen as crimes for which there was no forgiveness. If she had any fellings, it was in these two points they lay. But at the same time, we are bound to say, that the courage and enthusiasm of Joan of Arc had been demanded of her by the state and condition of her country and her creed, she would have unquestionably sacrificed her life, if the sacrifice secured the prosperity of either.

Something of their difference of temperament might have been observed during their conversation, while sitting under the white thorn. Every now and then, for instance, Hanna would start up and commence a series of little flirtations with the blackbird, which she called her sweetheart, and again resume her chat and seat as before; or she would attempt to catch a butterfly as it fluttered about her, or sometimes give it pursuit over half the green, whilst Kathleen sat with laughing and delighted eyes, and a smile of unutterable sweetness on her lips, watching the success of this innocent frolic. In this situation we must now leave them, to follow Peety, who is on his way to deliver the other letter to Bryan M'Mahon.

Our little black Mercury was not long in arriving at the house of Tom M'Mahon, which he reached in company with that worthy man himself, whom he happened to overtake near Carriglass where he lived. M'Mahon seemed fatigued and travel-worn, and consequently was proceeding at a slow pace when Peety overtook him. The latter observed this.

“Why, thin, Tom,” said he, after the first salutations had passed, “you look like a man that had jist put a tough journey over him.”

“An' so I ought, Peety,” he replied, “for I have put a tough journey over me.”

“Musha where were you, thin, if it's fair to ax?” inquired Peety; “for as for me that hears everything almost, the never a word I heard o' this.”

“I was in Dublin, thin, all the way,” replied the farmer, “strivin' to get a renewal o' my laise from ould Squire Chevydale, the landlord; an' upon my snuggins, Peety, you may call a journey to Dublin an' home agin a tough one—devil a doubt of it. However, thank God, here we are at home; an' blessed be His name that we have a home to come to; for, afther all, what place is like it? Throth, Peety, my heart longed for these brave fields of ours—for the lough there below, and the wild hills above us; for it wasn't until I was away from them that I felt how strong the love of them was in my heart.”

M'Mahon was an old but hale man, with a figure and aspect that were much above the common order even of the better class of peasants. There could be no mistaking the decent and composed spirit of integrity which was evident in his very manner; and there was something in his long flowing locks, now tinged with gray, as they rested upon his shoulders, that gave an air of singular respect to his whole appearance.

On uttering the last words he stood, and looking around him became so much affected that his eyes filled with tears. “Ay,” said he, “thank God that we have our place to come to, an' that we will still have it to come to, and blessed be His name for all things! Come, Peety,” he added, after a pause, “let us see how they all are inside; I'm longin' to see them, especially poor, dear Dora; an'—God bless me! here she is!—no, she ran back to tell them—but ay—oh, ay! here she is again, my darlin' girl, comin' to meet me.”

He had scarcely uttered the words when an interesting, slender girl, about eighteen, blushing, and laughing, and crying, all at once, came flying towards him, and throwing her white arms about his neck, fell upon his bosom, kissed him, and wept with delight at his return.

“An' so, father dear, you're back to us! My gracious, we thought you'd never come home! Sure you worn't sick? We thought maybe that you took ill, or that—that—something happened you; and we wanted to send Bryan after you—but nothing happened you?—nor you worn't sick?”

“You affectionate, foolish darlin', no, I wasn't sick; nor nothing ill happened me, Dora.”

“Oh, thank God! Look at them,” she proceeded, directing his attention to the house, “look at them all crowdin' to the door—and here's Shibby, too, and Bryan himself—an' see my mother ready to lep out of herself wid pure joy—the Lord be praised that you're safe back!”

At this moment his second daughter ran to him, and a repetition of welcome similar to that which he received from Dora took place. His son Bryan grasped his hand, and said, whilst a tear stood even in his eye, that he was glad to see him safe home. The old man, in return, grasped his hand with an expression of deep feeling, and after having inquired if they had been all well in his absence, he proceeded with them to the house. Here the scene was still more interesting. Mrs. M'Mahon stood smiling at the door, but as he came near, she was obliged once or twice to wipe away the tears with the corner of her handkerchief. We have often observed how much fervid piety is mingled with the affections of the Irish people when in a state of excitement; and this meeting between the old man and his wife presented an additional proof of it.

“Blessed be God!” exclaimed his wife, tenderly embracing* him, “blessed be God, Tom darlin', that you're safe back to us! An' how are you, avourueen? an' wor you well ever since? an' there was nothin—musha, go out o' this, Ranger, you thief—oh, God forgive me! what am I sayin'? sure the poor dog is as glad as the best of us—arrah, thin, look at the affectionate crathur, a'most beside himself! Dora, avillish, give him the could stirabout that's in the skillet, jist for his affection, the crathur. Here, Ranger—Ranger, I say—oh no, sorra one's in the house now but yourself, Tom. Well, an' there was nothing wrong wid you?”

“Nothin', Nancy, thanks be to the Almighty—down, poor fellow—there now, Ranger—och, behave, you foolish dog—musha, see this!”

“Throth, Tom,” continued his loving wife, “let what will happen, it's the last journey ever we'll let you take from us. Ever an' ever, there we wor thinkin' an' thinkin' a thousand things about you. At one time that something happened you; then that you fell sick an' had none but strangers about you. Throth we won't; let what will happen, you must stay wid vis.”

“Indeed an' I never knew how I loved the place, an' you all, till I went; but, thank God, I hope it's the last journey ever I'll have to take from either you or it.”

“Shibby, run down to—or do you, Dora, go, you're the souplest—to Paddy Mullen's and Jemmy Kelly's, and the rest of the neighbors, an' tell them to come up, that your father's home. Run now, acushla, an' if you fall don't wait to rise; an' Shibby, darlin', do you whang down a lot o' that bacon into rashers, 'your father must be at death's door wid hunger; but wasn't it well that I thought of having the whiskey in, for you see afther Thursday last we didn't know what minute you'd dhrop in on us, Tom, an' I said it was best to be prepared. Give Peety a chair, the crature; come forrid, Peety, an' take a sate; an' how are you? an' how is the girsha wid you, an' where is she?”

To these questions, thus rapidly put, Peety returned suitable answers; but indeed Mrs. M'Mahon did not wait to listen to them, having gone to another room to produce the whisky she had provided for the occasion.

“Here,” she said, reappearing with a huge bottle in one hand and a glass in the other, “a sip o' the right sort will help you afther your long journey; you must be tired, be coorse, so take this.”

“Aisy, Bridget,” exclaimed her husband, “don't fill it; you'll make me hearty.” (* tipsy)

“Throth an' I will fill it,” she replied, “ay, an' put a heap on it. There now, finish that bumper.”

The old man, with a smiling and happy face, received the glass, and taking his wife's hand in his, looked at her, and then upon them all, with an expression of deep emotion. “Bridget, your health; childre', all your healths; and here's to Carriglasa, an' may we long live happy in it, as we will, plase God! Peety, not forgettin' you!”

We need hardly say that the glass went round, nor that Peety was not omitted in the hospitality any more than in the toast.

“Here, Bryan,” said Mrs. M'Mahon, “lay that bottle on the dresser, it's not worth while puttin' it past till the neighbors comes up; an' it's they that'll be the glad neighbors to see you safe back agin, Tom.”

In this she spoke truth. Honest and hearty was the welcome he received from them, as with sparkling eyes and a warm grasp they greeted him on his return. Not only had Paddy Mullin and Jemmy Kelly run up in haste—the latter, who had been digging in his garden, without waiting to put on his hat or coat—but other families in the neighborhood, young and old, crowded in to welcome him home—from Dublin—for in that lay the principal charm. The bottle was again produced, and a holiday spirit now prevailed among them. Questions upon questions were put to him with reference to the wonders they had heard of the great metropolis—of the murders and robberies committed upon travellers—the kidnapping of strangers from the country—the Lord Lieutenant's Castle, with three hundred and sixty-four windows in it, and all the extraordinary sights and prodigies which it is supposed to contain. In a few minutes after this friendly accession to their numbers had taken place, a youth entered about nineteen years of age—handsome, tall, and well-made—in fact, such a stripling as gave undeniable promise of becoming a fine, powerful young man. On being handed a glass of whiskey he shook hands with M'Mahon, welcomed him home, and then drank all their healths by name until he came to that of Dora, when he paused, and, coloring, merely nodded towards her. We cannot undertake to account for this omission, nor do more than record what actually happened. Neither do we know why Dora blushed so deeply as she did, nor why the sparkling and rapid glance which she gave him in return occasioned him to look down with an appearance of confusion and pain. That some understanding subsisted between young Cavanagh—for he was Gerald's son—and Dora might have been evident to a close observer; but in truth there was at that moment no such thing as a close observer among them, every eye being fixed with impatience and curiosity upon Tom M'Mahon, who had now most of the conversation to himself, little else being left to the share of his auditors than the interjectional phrases and exclamations of wonder at his extraordinary account of Dublin.

“But, father,” said Bryan, “about the business that brought you there? Did you get the Renewal?”

“I got as good,” replied the simple-hearted old man, “an' that was the, word of a gintleman—an' sure they say that that's the best security in the world.”

“Well, but how was it?” they exclaimed, “an' how did it happen that you didn't get the Lease itself?”

“Why, you see,” he proceeded in reply, “the poor gintleman was near his end—an' it was owin' to Pat Corrigan that I seen him at all—for Pat, you know, is his own man. When I went in to where he sat I found Mr. Fethertonge the agent wid him: he had a night-cap on, an' was sittin' in a big armchair, wid one of his feet an' a leg swaythed wid flannel. I thought he was goin' to write or sign papers. 'Well, M'Mahon,' says he—for he was always as keen as a briar, an' knew me at once—'what do you want? an' what has brought you from the country?' I then spoke to him about the new lease; an' he said to Fethertonge, 'prepare M'Mahon's lease, Fothertonge;—you shall have a new lease, M'Mahon. You are an honest man, and your family have been so for many a long year upon our property. As my health is unsartin,' he said, turning to Mr. Fethertonge, 'I take Mr. Fethertonge here to witness, that in case anything should happen me I give you my promise for a renewal—an' not only in my name alone, but in my son's; an' I now lave it upon him to fulfil my intentions an' my words, if I should not live to see it done myself. Mr. Fethertonge here has brought me papers to sign, but I am not able to hould a pen, or if I was I'd give you a written promise; but you have my solemn word, I fear my dyin' word, in Mr. Fethertonge's presence—that you shall have a lease of your farm at the ould rint. It is such tenants as you we want, M'Mahon, an' that we ought to encourage on our property. Fethertonge, do you in the mane time see that a lease is prepared for M'Mahon; an' see, at all events, that my wishes shall be carried into effect.' Sich was his last words to me, but he was a corpse on the next day but one afterwards.”

“It's jist as good,” they exclaimed with one voice; “for what is betther, or what can be betther than the word of an Irish gentleman?

“What ought to be betther, at all events?” said Bryan. “Well, father, so far everything is right, for there is no doubt but his son will fulfil his words—Mr. Fethertonge himself isn't the thing; but I don't see why he should be our enemy. We always stood well with the ould man, an' I hope will with the son. Come, mother, move the bottle again—there's another round in it still; an' as everything looks so well and our mind is aisy, we'll see it to the bottom.”

The conversation was again resumed, questions were once more asked concerning the sights and sounds of Dublin, of which one would imagine they could scarcely ever hear enough, until the evening was tolerably far advanced, when the neighbors withdrew to their respective homes, and left M'Mahon and his family altogether to themselves.

Peety, now that the joy and gratulation for the return of their father had somewhat subsided, lost no time in delivering Hycy Burke's communication into the hands of Bryan. The latter, on opening it, started with surprise not inferior to that with which Kathleen Cavanagh had perused the missive addressed to her. Nor was this all. The letter received by Bryan, as if the matter had been actually designed by the writer, produced the selfsame symptoms of deep resentment upon him that the mild and gentle Kathleen Cavanagh experienced on the perusal of her own. His face became flushed and his eye blazed with indignation as he went through its contents; after which he once more looked at the superscription, and notwithstanding the vehement passion into which it had thrown him, he was ultimately obliged to laugh.

“Peety,” said he, resuming his gravity, “you carried a letter from Hycy Burke to Kathleen Cavanagh to-day?”

“Who says that?” replied Peety, who could not but remember the solemnity of his promise to that accomplished gentleman.

“I do, Peety.”

“Well, I can't help you, Bryan, nor prevent you from thinking so, sure—stick to that.”

“Why, I know you did, Peety.”

“Well, acushla, an' if you do, your only so much the wiser.”

“Oh, I understand,” continued Bryan, “it's a private affair, or intended to be so—an' Mr. Hycy has made you promise not to spake of it.”

“Sure you know all about it, Bryan; an' isn't that enough for you? Only what answer am I to give him?”

“None at present, Peety; but say I'll see himself in a day or two.”

“That's your answer, then?”

“That's all the answer I can give till I see himself, as I said.”

“Well, good-bye, Bryan, an' God be wid you!”

“Good-bye, Peety!” and thus they parted.

The Emigrants Of Ahadarra

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