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CHAPTER II

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A JOURNEY IN THE TWOPENNY TUBE. A VERY NICE GIRL, AND A NEGOTIATION. AN EXPOSED WIRE, AND AN ELECTROCUTION

He took his fare in the Twopenny Tube. It was the last twopence but one that he had in his pocket. Something fascinated him in the idea of commanding, in exchange for that twopence, the power of alighting at any point between Cheapside and Shepherd's Bush. Which should it be?

If he could only make up his mind to not alighting at Chancery Lane, he would have two whole minutes for consideration. If British Museum he would have four. If Tottenham Court Road, six—and so on. For the time being he was a sort of monarch, in a small way, over Time and Space. He would go on to the Museum, at any rate.

What little things life hangs on, sometimes! If he had foolishly got out at either Chancery Lane or British Museum, there either would have been no reason for writing this story; or, if written, it would have been quite different. For at the Museum Station a girl got into the carriage; and, passing him on her way to a central haven of rest, trod on his foot, with severity. It hurt, so palpably, that the girl begged his pardon. She was a nice girl, and sorry.

He forgave her because she was a nice girl, with beautiful rows of teeth and merry eyebrows. He might have forgiven her if she had been a dowdy. But he liked forgiving those teeth, and those eyebrows.

So when she sat down in the haven, close to his left shoulder, he wasn't sorry that his remark that he ought to beg her pardon, because it was all his fault for sticking out, overlapped her coming to an anchor. If it had been got through quicker, the incident would have been regarded as closed. As it was, the fag-end of it was unexhausted, and she didn't quite catch the whole. It was in no way unnatural that she should turn her head slightly, and say: "I beg your pardon." Absolute silence would have been almost discourteous, after plunging on to what might have been a bad corn.

"I only meant it was my fault for jamming up the whole gangway."

"Oh yes—but it was my fault all the same—for—for——"

"Yes—I beg your pardon? You were going to say—for——?"

"Well—I mean—for standing on it so long, then! If you had called out—but indeed I didn't think it was a foot. I thought it was something in the electricity."

Two things were evident. One was that it was perfectly impossible to be stiff and stodgy over it, and not laugh out. The other, the obvious absurdity of imputing any sort of motive to the serene frankness and absolute candour of the speaker. Any sort of motive—"of that sort"—said he to himself, without further analysis. He threw himself into the laugh, without attempting any. It disposed of the discussion of the subject, but left matters so that stolid silence would have been priggish. It seemed to him that not to say another word would almost have amounted to an insinuation against the eyebrows and the teeth. He would say one—a most impersonal one.

"Do they stop at Bond Street?"

"Do you want to stop at Bond Street?"

"Not at all. I don't care where I stop. I think I meant—is there a station at Bond Street?"

"The station wasn't opened at first. But it's open now."

What an irritating thing a conversation can be! Here was this one, just as one of its constituents was beginning to wish it to go on, must needs exhaust its subject and confess that artificial nourishment was needed to sustain it. And she—(for it was she, not he:—did you guess wrong?)—had begun to want to know, don't you see, why the man with the hair on the back of his browned hand and the big plain gold ring on his thumb did not care where he stopped. If he had had a holiday look about him she might have concluded that he was seeing London, and then what could be more natural than to break loose, as it were, in the Twopenny Tube? But in spite of his leisurely look, he had not in the least the seeming of a holiday-maker. His clothes were not right for the part. What he was could not be guessed without a clue, and the conversation had collapsed, clearly! It was irritating to be gravelled for lack of matter—and he was such a perfect stranger! The girl was a reader of Shakespeare, but she certainly didn't see her way to Rosalind's little expedient. "Even though my own name is Rosalind," said she to herself.

It was the readiness and completeness with which the man dropped the subject, and recoiled into himself, that gave the girl courage to make an attempt to satisfy her curiosity. When a man harks back, palpably, on some preoccupation, after exchanging a laugh and an impersonal word or two with a girl who does not know him, it is the best confirmation possible of his previous good faith in seeming more fatherlike than manlike. Rosalind could risk it, surely. "Very likely he has a daughter my age," said she to herself. Then she saw an opening—the thumb-ring.

"Do pray excuse me for asking, but do you find it does good? My mother was recommended to try one."

"This ring? It hasn't done me any good. But then, I have hardly anything the matter. I don't know about other people. I'm sorry I bought it, now. It cost four-and-sixpence, I think. I would sooner have the four-and-sixpence. … Yes, decidedly! I would sooner have the four-and-sixpence."

"Can't you sell it?"

"I don't believe I could get sixpence for it."

"Do please excuse me—I mean, excuse the liberty I take—but I should so much like to—to. … "

"To buy it for sixpence? Certainly. Why not? Much better than paying four-and-six for a new one. Your mother may find it do her good. I don't care about it, and I really have nothing the matter."

He drew the ring off his thumb, and Rosalind took it from him. She slipped it on her finger, over her glove. Naturally it slipped off—a man's thumb-ring! She passed it up inside the glove-palm, through the little slot above the buttons. Then she got out her purse, and looked in to see what its resources were.

"I have only got half-a-crown," said she. The man flushed slightly. Rosalind fancied he was angry, and had supposed she was offering beyond her bargain, which might have implied liberality, or benevolence, or something equally offensive. But it wasn't that at all.

"I have no change," said he. "Never mind about the sixpence. Send me stamps. I'll give you my card." And then he recollected he had no card, and said so.

"It doesn't matter being very exact," said she.

"I have no money at all. Except twopence."

Rosalind hesitated. This man must be very hard up, only he certainly did not give that impression. Still, "no money at all, except twopence!" Would it be safe to try to get the half-crown into his pocket? That was what she wanted to do, but felt she might easily blunder over it. If she was to achieve it, she must be quick, for the public within hearing was already feeling in its pocket, in order to oblige with change for half-a-crown. She was quick.

"You send it me in stamps," she said, pressing the coin on him. "Take it, and I'll get my card for the address. It will be one-and-eleven exactly, because of the postage. It ought to be a penny for stationery, too. … Oh, well! never mind, then. … "

She had got the card, and the man, demurring to the stationery suggestion, and, indeed, hesitating whether to take the coin at all, looked at the card with a little surprise on his face. He read it:

Somehow Good

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