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XI

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Langbourne could not have told just why he had withdrawn his acceptance of Miss Bingham's invitation. If at the moment it was the effect of a quite reasonless panic, he decided later that it was because he wished to think. It could not be said, however, that he did think, unless thinking consists of a series of dramatic representations which the mind makes to itself from a given impulse, and which it is quite powerless to end. All the afternoon, which Langbourne spent in his room, his mind was the theatre of scenes with Miss Simpson, in which he perpetually evolved the motives governing him from the beginning, and triumphed out of his difficulties and embarrassments. Her voice, as it acquiesced in all, no longer related itself to that imaginary personality which had inhabited his fancy. That was gone irrevocably; and the voice belonged to the likeness of Barbara, and no other; from her similitude, little, quaint, with her hair of cloudy red and her large, dim-sighted eyes, it played upon the spiritual sense within him with the coaxing, drolling, mocking charm which he had felt from the first. It blessed him with intelligent and joyous forgiveness. But as he stood at her gate that evening this unmerited felicity fell from him. He now really heard her voice, through the open doorway, but perhaps because it was mixed with other voices—the treble of Miss Bingham, and the bass of a man who must be the Mr. Dickery he had seen at the saw mills—he turned and hurried back to his hotel, where he wrote a short letter saying that he had decided to take the express for New York that night. With an instinctive recognition of her authority in the affair, or with a cowardly shrinking from direct dealing with Barbara, he wrote to Juliet Bingham, and he addressed to her the packet of letters which he sent for Barbara. Superficially, he had done what he had no choice but to do. He had been asked to return her letters, and he had returned them, and brought the affair to an end.

In his long ride to the city he assured himself in vain that he was doing right if he was not sure of his feelings towards the girl. It was quite because he was not sure of his feeling that he could not be sure he was not acting falsely and cruelly.

The fear grew upon him through the summer, which he spent in the heat and stress of the town. In his work he could forget a little the despair in which he lived; but in a double consciousness like that of the hypochondriac, the girl whom it seemed to him he had deserted was visibly and audibly present with him. Her voice was always in his inner ear, and it visualized her looks and movements to his inner eye.

Now he saw and understood at last that what his heart had more than once misgiven him might be the truth, and that though she had sent back his letters, and asked her own in return, it was not necessarily her wish that he should obey her request. It might very well have been an experiment of his feeling towards her, a mute quest of the impression she had made upon him, a test of his will and purpose, an overture to a clearer and truer understanding between them. This misgiving became a conviction from which he could not escape.

He believed too late that he had made a mistake, that he had thrown away the supreme chance of his life. But was it too late? When he could bear it no longer, he began to deny that it was too late. He denied it even to the pathetic presence which haunted him, and in which the magic of her voice itself was merged at last, so that he saw her more than he heard her. He overbore her weak will with his stronger will, and set himself strenuously to protest to her real presence what he now always said to her phantom. When his partner came back from his vacation, Langbourne told him that he was going to take a day or two off.

William Dean Howells: 27 Novels in One Volume (Illustrated)

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