Читать книгу The Intriguers - William Le Queux - Страница 4

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The old Frenchman had heard Corsini’s knock at the door. He stood at the entrance to his shabby sitting-room, the only article of furniture being the piano, his kind old lined face illumined with smiles.

“Courage, my young friend. I did not sleep very well after the excitement of your visit. Inspiration came to me in the middle of the night. You see that letter?” He pointed to a small desk standing against the wall. “Go and see to whom it is addressed.”

Nello obeyed him. His eyes sparkled as he read the name on the envelope. “Mr. Gay, the leader of the orchestra at the Parthenon.”

Papa Péron nodded his leonine head, bristling with its snow-white locks. “A friend of mine. He is a composer as well as chef d’orchestre. I have corrected many of his proof sheets for a firm I work for.”

Corsini pricked up his ears at this statement. He and his sister had been curious as to the old man’s profession. The mystery was solved. He was no miser, no millionaire, just a music publisher’s hack. And once, according to his own statement, he had been a famous pianist, with a renown equal to that of Bauquel.

“I have asked him to give you the first vacancy in his orchestra. He will do it to oblige me, for I have helped him a little—given him some ideas. It is one of the best theatre orchestras in London. The pay, alas! will not be good, but it will take you out of those miserable streets. Go to his private address this morning; I am sure he will see you at once.”

“How can I thank you?” began the young man; but Péron stopped him with an imperious wave of his long, thin hand.

“Tut, tut, my child! I want no thanks. I have taken a fancy to you and that dear little sister of yours. Now, listen; I have another scheme on hand.”

Rapidly the genial old man unfolded his plans.

“In my room there are two beds. The landlady has a little attic to let, by no means a grand apartment, but it will serve for your sister. You can share my room. Three people can live almost as cheaply as two.” There was a knowing smile on the wrinkled face, as the genial Papa enunciated this profound economic truth. “Come and live here. You can practise on the violin while I play your accompaniments.”

“But Monsieur, at the moment, we have no money,” stammered the embarrassed violinist. “Mr. Gay may not have a vacancy for some little time.”

Papa Péron frowned ever so little. He did not easily brook contradiction. “You are making difficulties where none exist. You must lodge somewhere. My landlady only asks five shillings a week for the attic. You share my bedroom and sitting-room. As for the food, you will be my guests till you earn something. Do not say me nay,” he ended fiercely. “I am resolved that you shall play no more in those miserable gutters. It is finished. You come here to-night.”

There was no resisting this imperious old man with the frail figure and the snow-white abundant hair. Nello promised that he and his sister would move into Dean Street that afternoon. In the meantime, he would take the letter of introduction to Mr. Gay, who had lodgings in Gower Street, no great distance.

Mr. Gay was a fat, rubicund man with a somewhat faded and slatternly wife. He read Péron’s note and a genial smile lit up his massive face.

“Good!” he cried heartily. “My old friend vouches for you, and you have come in the very nick of time. One of my men is leaving in a couple of days—got a better berth. You can take his place. But before we settle, you may as well give me a taste of your quality. We go in for rather high-class music at the Parthenon. Play me Gounod’s ‘Ave Maria,’ I always test a man with that.”

He called to the slatternly woman who was crouching over the fire. “Ada, please go to the piano and play the accompaniment for this young man.”

Mrs. Gay complied with the request. Nello played the beautiful piece with all his soul. Gay listened, attentively. When it was finished, he applauded loudly.

“By Jove, you are great! Péron was right. He has not exaggerated. You have had no chance, eh?”

Nello stammered that he had had no chances. He did not dare confess to this prosperous person, composer as well as conductor of an orchestra, that, lately, he had been playing in the streets for a living to pay for his miserable lodging and scanty food.

They arranged terms with many apologies on the part of Mr. Gay.

“It is an insult to a man of your talent to offer such a miserable pittance. But my hands are tied, and tied very strictly, I can tell you. Turn up at the Parthenon on Friday night; you will soon get something better. You can read music quickly?”

Nello assured him on that point. He could read music as easily as his newspaper. The terms which Mr. Gay offered him were riches compared to the few coppers he had earned in the streets.

That same afternoon he and the joyful Anita presented themselves in Dean Street, with their few belongings. Papa Péron furnished a royal supper and broached another bottle of the very excellent Chambertin.

There was, however, still the question of clothes. Nello had nothing but what he stood up in, and the Parthenon was a very swagger theatre. Péron was equal to the emergency. He took the young man round to a neighbouring costumier’s, and secured a dress-suit on the hire-purchase system, at a very small outlay of ready money which he advanced. For, although the good Papa was not rich, he was very thrifty, and usually had a shot in the locker.

It was a very happy ménage; the old Frenchman was kindness and geniality itself. He seemed to grow younger in the society of his youthful friends.

And in time the mystery that had seemed to surround him vanished, his means of livelihood became revealed. He was on the staff of a couple of big music publishers. He corrected their proof sheets, he occasionally advised on compositions of budding composers; but needless to say, at this hack work his remuneration was very modest.

But he always appeared cheerful and resigned. He would drop fragmentary hints of a brilliant past, when money flowed like water, when he had mixed with illustrious personages. But he could never be induced to dwell very long on this period, would enter into no convincing details.

“It is gone, it is a feverish dream,” he would say with a somewhat theatrical wave of the hand. It was evidently a weakness of his to enshroud himself in an air of romance and mystery. “What does it matter who and what I was? To-day I am Papa Péron, music publisher’s hack, earning a few shillings a week at a most uncongenial occupation. But, at my age, I want little.”

Nello and his sister were happy too. The salary at the Parthenon was not magnificent, but it was a certainty, and they were frugal young people. No more playing in the sleet-driven streets, no more terrible uncertainty as to the night’s lodging and the next day’s meal.

For a month they pursued this humble, but not uncomfortable life. And Nello, who had no opportunity of displaying his talent in this big orchestra, where he was one of many, played two or three hours a day to the brilliant accompaniment of the old Frenchman.

And then the clouds began to gather. Papa Péron was taken with a severe attack of bronchitis. Racked in spasms of severe coughing, he was unable to pursue his humble and not too remunerative occupation. He could no longer correct the proof sheets. The doctor’s visits, the necessity of extra and expensive nourishment, began to eat up his slender store. The few sovereigns he had hoarded for a rainy day began to melt rapidly.

This did not matter much for a while. The regular salary at the Parthenon sufficed, with Anita’s skilful management, for the three; but there was no longer any question of putting by. Anita knew now that she had been very mistaken in thinking the poor old Papa was a miser. With tears in his poor old eyes, he had been forced to confess that he had come to his last sovereign.

And Anita had cried too. “What does it matter, dear Papa?” she said. She had grown very fond of the kind old man. “You took us in when we were poor and friendless. Nello will work for you now, and I shall be very careful. You will see how well I can manage on a little.”

And so good old Papa Péron had his beef-tea, his little drops of brandy, his expensive chicken. Whoever went without, he must not experience want. And the doctor was paid punctually.

But misfortunes never come single. One very frosty night, on coming out of the Parthenon, Nello fell on the slippery pavement and seriously hurt his left hand. He went to the doctor on his way home, and his worst fears were confirmed.

“A longish job, I fear, Signor Corsini. The fingers are very much injured, and so is the arm. You are a musician, are you not?”

“A violinist, sir. If it had been the right arm instead of the left, I might have managed with the bow. But I cannot play a note.”

Mr. Gay was informed of the accident, in a letter from Anita. He was genuinely sorry, but the theatre had to be served. He had to procure another violinist at once. For four miserable weeks Nello ate his heart out, and Papa Péron seemed to grow weaker every day.

When life and motion returned to the poor damaged fingers, there were only a few shillings left in the house. Péron had announced that if help did not come soon they must sell the piano, the one bit of property he owned in the world. So, at least, he averred.

Nello could play now. He went round at once to Gay’s lodging in Gower Street. Could he be taken on again? The kindly conductor hemmed and hawed; he was obviously very much embarrassed.

“We had to fill up your place, my dear chap, and the new man has proved quite satisfactory. It is, of course, awfully hard on you. But, you see, I can’t sack him to put you in his place.”

“Of course not,” answered Nello quietly. Misery was gnawing at his heart, but he was just. The man who was taken on had possibly been in the same state of wretchedness as himself. He would hardly have cared to turn him out, if Gay had been willing.

“And how is the dear old Papa?” asked Gay, trying to relieve an awkward situation with the inquiry.

“He is very ill; not far from death, I fear,” was Nello’s answer. And then the truth, which he could no longer conceal, flashed out. “And very soon he will be close to starvation.”

Gay looked shocked. He had experienced his ups and downs, but he had never been in such a tight corner as this. He fumbled in his waistcoat pocket and produced a sovereign, which he thrust into the other man’s hand.

“Terrible, terrible! I am sorry I cannot do more; but I am a poor man, too.”

Nello took it, but his face burned, it was such obvious charity.

“I accept it, Monsieur, with gratitude, and I thank you for the kind thought. But can you help me to find work? I want to earn money, not to beg it.”

“Sit down a moment while I think.” The kind-hearted conductor was very distressed himself at the piteous state of affairs.

“I have it,” he exclaimed after a few moments of reflection. “You have heard of Paul Degraux?”

“One of the directors of the Covent Garden Opera?”

“Right,” said Gay. “Well, Degraux is a big man now, but twenty-five years ago we were playing in the same orchestra for a few shillings a week. He is there, I am here. We have never quite lost sight of each other, and I think he would always do me a good turn if it was in his power. I will give you a note to him. Take it round to him this morning. You will find him at the theatre.”

Ten minutes later, Corsini was on his way to the great man. Gay had written a most glowing and eulogistic introduction.

“The bearer of this note, Signor Nello Corsini, is a most accomplished violinist. I have had him in my orchestra, but he is too good for that. Give him a chance at one of your concerts and he will make good. You know my judgment is generally pretty accurate. Give him a helping hand and you will not regret it.”