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Dramatic Structure and the Thematic Pattern

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The first comment in this introduction was ‘Macbeth is a simple play’. This is particularly true of its dramatic structure and thematic pattern, both of which depend on the central issue of a struggle between good and evil. The play begins with a clear-cut physical conflict with, seemingly, no ambiguities. Scotland is a ‘good’ society ruled by a good man: the enemies are traitors, vicious invaders and contemptible mercenaries. Macbeth emerges as the champion of goodness and is immediately transformed into the enemy of goodness. Evil power proliferates, good men are destroyed, other good men run away. By Act IV, Scene iii, evil seems triumphant. Then Malcolm and Macduff reach agreement and the good King Edward lends his holy power. Faith and hope return and fortune swings away from evil. Act V shows the final battle. Scotland is cleansed and the new king acknowledges the need for supernatural goodness (the grace of Grace) to support human striving.

Macbeth

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