Читать книгу The History of Prostitution: Its Extent, Causes, and Effects throughout the World - William W. Sanger - Страница 8

Table of Contents

GREECE.

Mythology.—Solonian Legislation.—Dicteria.—Pisistratidæ.—Lycurgus and Sparta.—Laws on Prostitution.—Case of Phryne.—Classes of Prostitutes.—Pornikon Telos.—Dress.—Hair of Prostitutes.—The Dicteriades of Athens.—Abode and Manners.—Appearance of Dicteria.—Laws regulating Dicteria.—Schools of Prostitution.—Loose Prostitutes.—Old Prostitutes.—Auletrides, or Flute-players.—Origin.—How hired.—Performances.—Anecdote of Arcadians.—Price of Flute-players.—Festival of Venus Periboa.—Venus Callipyge.—Lesbian Love.—Lamia.—Hetairæ.—Social Standing.—Venus and her Temples.—Charms of Hetairæ.—Thargelia.—Aspasia.—Hipparchia.—Bacchis.—Guathena and Guathenion.—Lais.—Phryne.—Pythionice.—Glycera.—Leontium.—Other Hetairæ.—Biographers of Prostitutes.—Philtres.

The Greek mythology supposes obviously a relaxed state of public morals. What period in the history of the nation it may be assumed to reflect is, however, by no means certain. It is not reasonable to suppose that the Homeric poems were composed for immodest audiences, and it would perhaps be fairer to lay the blame of the mythological indecencies at the door of the age which polished and improved upon them, rather than of that which is entitled to the credit of their conception in the rough.

Our first reliable information regarding the morals of the Greek women, passing over, for the present, the legislation ascribed to Lycurgus, is found in the ordinances of Solon. Draco is supposed to have affixed the penalty of death indiscriminately to rape, seduction, and adultery. It has been conjectured that the safety-valve used at that time, ordinary prostitution being unknown, was a system of religious prostitution in the temples, borrowed from and analogous to the plan already described. This, however, is mere conjecture. Solon, while softening the rigors of the Draconian code, by law formally established houses of prostitution at Athens, and filled them with female slaves. They were called Dicteria, and the female tenants Dicteriades. Bought with the public money, and bound by law to satisfy the demands of all who visited them, they were in fact public servants, and their wretched gains were a legitimate source of revenue to the state. Prostitution became a state monopoly, and so profitable that, even in Solon’s lifetime, a superb temple, dedicated to Venus the courtesan, was built out of the fund accruing from this source. The fee charged, however, appears to have been small.[26] In Solon’s time, the Dicteriades were kept widely apart from the Athenian women of repute. They were not allowed to mix in religious ceremonies or to enter the temples. When they appeared in the streets they were obliged to wear a particular costume as a badge of infamy. They forfeited what rights of citizenship they may have possessed in virtue of their birth. A procurer or procuress who had been instrumental in introducing a free-born Athenian girl to the Dicterion incurred the penalty of death. Nor was the law content with branding with infamy prostitutes and their accomplices alone. Their children were bastards; that is to say, they could not inherit property, they could not associate with other youths, they could not acquire the right of citizenship without performing some signal act of bravery, they could not address the people in the public assemblies. Finally, to complete their ignominy, they were exempt from the sacred duty of maintaining their parents in old age.[27]

These regulations, for which Solon obtained the praise of Athenian philosophers,[28] were not long maintained in force. Tradition imputed to the profligacy of the Pisistratidæ a relaxation of the laws concerning prostitutes. It was believed that the sons of Pisistratus not only gave to the Dicteriades the freedom of the city, but allotted to them seats at banquets beside the most respectable matrons, and, on certain days each year, turned them into their father’s beautiful gardens, and let loose upon them the whole petulance of the Athenian youth.[29] The law against procuresses was modified, a fine being substituted for death. “About the same time,” says the scandalous Greek chronicle, “the death-penalty for adultery was also commuted for scourging.”

Still, notwithstanding this falling off, it would appear that Athens was more moral than her neighbors, Corinth and Sparta. The former, then the most flourishing sea-port of Greece, was filled with a very low class of prostitutes. No laws regulated the subject. Any female who chose could open house for the accommodation of travelers and seamen, and, though Corinth was yet far from the proverbial celebrity it afterward obtained for its prostitutes, there is no doubt they bore a fearful proportion to the aggregate population of the port. At Sparta the case was different. In the system of legislation which bears the name of Lycurgus, the individual was sacrificed to the state; the female to the male. Women were educated for the sole purpose of bearing robust children. Virgins were allowed to wrestle publicly with men. Girls were habited in a robe open at the skirts, which only partially concealed the person in walking, whence the Spartan women acquired an uncomplimentary name.[30] A Spartan husband was authorized to lend his wife to any handsome man for the purpose of begetting children. That these laws, the skillfully contrived appeals to the sensual appetites, and the constant spectacle of nude charms, must have led to a general profligacy among the female sex, is quite obvious. Aristotle affirms positively that the Spartan women openly committed the grossest acts of debauchery.[31] Hence it may be inferred that prostitutes by profession were unnecessary at Sparta, at all events until a late period of its history.

After the Persian wars, the subject of Athenian prostitution is revealed in a clearer light. As a reaction from the looseness of the age of the Pisistratidæ, the Solonian laws were reaffirmed and their severity heightened. It has been imagined, from certain obscure passages in Greek authors, that the courtesans formed several corporations, each of which was responsible for the acts of all its members. They were liable to vexatious prosecutions for such acts as inciting men to commit crime, ruining thoughtless youths, fomenting treason against the state, or committing impiety. Against such charges it was rarely possible to establish a sound defense. If the accuser was positive, the Areopagus, notoriously biased against courtesans, unhesitatingly condemned the culprit to death, or imposed on her corporation a heavy fine. In this way, says an old author, the state frequently contrived to get back from these women the money they obtained from their lovers. Before the famous case of Phryne, they were wholly at the mercy of their profligate associates. A man only needed to threaten an accusation of impiety or the like to obtain a receipt in full. Phryne, so long the favorite of the Athenians, was thus accused of various vague offenses by a common informer named Euthias. Her friend Bacchis fortunately persuaded Hyperides, the orator, to undertake her case, and he softened the judges by exhibiting her marvelous beauty in a moment of affected passion. “Henceforth,” says the hetaira Bacchis to Myrrhina, “our profits are secured by law.”[32]

At this time, that is to say, at the height of Athenian prosperity, there were four classes of women who led dissolute lives at Athens. The highest in rank and repute were the Hetairæ, or kept women, who lived in the best part of the city, and exercised no small influence over the manners and even the politics of the state. Next came the Auletrides, or flute-players, who were dancers as well. They were usually foreigners, bearing some resemblance to the opera-dancers of the last century, and they combined the most unblushing debauchery with their special calling. The lowest class of prostitutes were the Dicteriades, already mentioned. They were originally bound to reside at the Piræus, the sea-port of Athens, some four miles from the city, and were forbidden to walk out by day, or to offend the eyes of the public by open indecency. Lastly came the Concubines, who were slaves owned by rich men with the knowledge and consent of their wives, serving equally the passions of their master and the caprices of their mistress. These all paid a tax to the state, called Pornikon Telos, which was farmed out to speculators, who levied it with proverbial harshness upon the unfortunate women. In the time of Pericles the revenue from this source was large.

All classes, too, wore garments of many colors. The law originally specified “flowered robes” as the costume of courtesans; but this leading to difficulties, a farther enactment prohibited prostitutes from wearing precious stuffs, such as scarlet or purple, or jewels. Thenceforth the custom, which appears to have been general throughout the Greek cities and colonies, prescribed cheap robes, with flowers or stripes of many colors embroidered or painted on them. To this a part of the women added garlands of roses. It was lawful in some cities for courtesans to wear light, transparent garments; but at Sparta, as may be imagined, the reverse was the rule, semi-nudity being the badge of virtuous women.[33]

Perhaps the most singular of the marks by which a Greek courtesan was known was her hair. It is said that no law prescribed the habit; if so, it must have been a sort of esprit de corps which led all courtesans to dye their hair of a flaxen or blonde color. Allusions to this custom abound in the light literature of Greece. Frequently a flaxen wig was substituted for the dyed locks. At a very late period in the history of Greece, modest women followed the fashion of sporting golden hair. This forms one of the subjects of reprimand addressed to the women of Greece by the early Christian preachers.[34]

THE DICTERIADES, OR COMMON PROSTITUTES OF ATHENS.

This class approaches more nearly than any other to the prostitutes of our day, the main difference being that the former were bound by law to prostitute themselves when required to do so, on the payment of the fixed sum, and that they were not allowed to leave the state. Their home, as mentioned already, was properly at the port of Piræus. An open square in front of the citadel was their usual haunt. It was surrounded with booths, where petty trade or gambling was carried on by day. At nightfall the prostitutes swarmed into the square. Some were noisy and obscene; others quiet, and armed with affected modesty. When a man passed on his way from the port to the city, the troop assailed him. If he resisted, coarse abuse was lavished on him. If he yielded, there was the temple of Venus the Courtesan close by, and there was the wall of Themistocles, under the friendly shelter of either of which the bargain could be consummated. Were the customer nice, the great dicterion was not far distant, and a score or more of smaller rivals were even nearer at hand, as a well-known sign was there to testify.

The Dicteria were under the control of the municipal police. The door was open night and day, a bright curtain protecting the inmates from the eye of the passer-by; and in the better class of establishments, a fierce dog, chained in the vestibule, served as sentinel. At the curtain sat an old woman, often a Thessalian and a pretended witch, who received the money before admitting visitors. Originally the fee was an obolus[35]—about three cents; but this attempt to regulate the value of a variable merchandise was soon abandoned. Within, at night, the sounds of music, revelry, and dancing might be constantly heard. The visitor was not kept in suspense. The curtain passed, he was in full view of the dicteriades, standing, sitting, or lying about the room; some engaged in smoothing their blonde hair, some in conversation, some anointing themselves with perfumery. The legal principle with regard to the dicteriades appears to have been that they should conceal nothing; no doubt in contrast to the irregular prostitutes, of whom something will be said presently. There was no rule, however, forbidding the wearing of garments in the dicterion, but the common practice appears to have been to dispense with them, or to wear a light scarf thrown over the person. This custom was observed by day as well as by night, and a visitor has described the girls in a large dicterion as standing in a row, in broad daylight, without any robes or covering.[36]

It seems that in later times any speculator had a right to set up a dicterion on paying the tax to the state. An Athenian forfeited his right of citizenship by so doing; but, as a popular establishment was very lucrative, avaricious men frequently embarked in the business under an assumed name. Comic writers have lashed these wretches severely. On paying the tax to the state regularly, the pornobosceion, or master of the house, acquired certain rights. The dicterion was an inviolable asylum, no husband being allowed to pursue his wife, or the wife her husband, or the creditor his debtor, within its walls. Public decency requires, says Demosthenes, that men shall not be exposed in houses of prostitution.[37] It was not, however, considered wholly shameful to frequent such places.

There appear to have been attached to these dicteria schools of prostitution, where young women were initiated into the most disgusting practices by females who had themselves acquired them in the same manner. Alexis vigorously describes the frauds taught in these places,[38] while there is a shocking significance in an expression of Athenæus—“You will be well satisfied with the performance of the women in the dicteria.”[39]

Besides these regular dicteriades, there were at Athens, as there have been in every large city, a number of women who exercised the calling of prostitutes, without properly belonging to any of the recognized classes. They were sometimes called free dicteriades, sometimes she-wolves, and also cheap hetairæ. Some were native Athenians who had been seduced and abandoned, and who, led by stings of conscience and idleness to pursue their career, had still an invincible repugnance to adopt the flowered robe and yellow hair of the regular courtesan. They roamed the Piræus, and even the streets of Athens, after dark, eking out a miserable subsistence by the hardest of trades, and haunting the dark recesses of old houses or the shade of trees. Others, again, were old hetairæ whose charms had faded, and who sought a scanty subsistence where they were not known, and shrank from encountering the eye of a lover where the friendly shade of night would not hide the ravages of time. Others were the servants of hotels and taverns, who were always expected to serve the caprices of visitors.

All of these led a most miserable life. Now and then we hear of one or two of them meeting a rich and inexperienced traveler, after which the heroine of the exploit naturally ascended to the rank of hetaira; but, in general, their customers were the lowest of the port people—sailors, fishermen, farm-servants. Their price was a meal, a fish, a handful of fruit, or a bottle of wine. One poor creature, who belonged to no class in particular, but acquired some celebrity by being kept by the orator Ithatocles, was named Didrachma because she offered her favors to the public generally for two drachmas, about thirty-five cents.[40]

Perhaps the most curious fact in reference to these prostitutes is the singular predominance of old women among them. It appears to have been adopted as an invariable rule for this sort of courtesans to paint their faces with a thick ointment, and it is even said that the great painters of Greece did not disdain to beguile their leisure hours by thus improving upon nature.[41] Of course, under this disguise, it was impossible to distinguish a young face from an old one. An aged prostitute thus bedizened would place herself at an open window with a sprig of myrtle in her hand, with which she would beckon to people in the street. When a customer was found, a servant would open the door and conduct him in silence to the chamber of her mistress. Before entering he paid the sum demanded, when he found himself in a room lighted only by a feeble glimmer passing through the curtain, which now hung down over the window. In such a twilight the most venerable old woman could not be distinguished from a Venus.[42]

THE AULETRIDES, OR FLUTE-PLAYERS.

Female flute-players were a common accompaniment to an Athenian banquet. The flute, which in modern times is played by men, was rarely seen in male hands in Greece. Though the fable ascribed its invention to the god Pan, and its development to the mythical king Midas, it was monopolized at a very early period by women, who consoled themselves for the ravages it wrought in their beauty by the power of fascination it imparted among a people intensely musical. Flute-playing soon became an essential rite in the service of certain deities. Ceres was invariably worshiped to the sound of the flute. And when the Athenians had once tried the experiment of listening to flute-players after dinner, they never would dine in company without them.

Thebes appears to have been the native city of the earliest famous flute-players,[43] but before long the superior beauty of the Asiatic girls—Ionians and Phrygians—drove their Theban rivals out of the field. Dancing was combined with flute-playing, and in this art the Asiatics bore the palm from the world. During the golden days of Greece, numbers of beautiful girls were every year imported into Athens from Miletus and the other Ionic ports in Asia Minor, just as in more modern times a similar trade was carried on between Trebizond and Constantinople.

An Athenian hired his flute-players as a modern European noble hires his band. They charged so much for their musical performances, reserving the right of accepting presents in the course of the evening. Some were singers as well as performers. At each course a new air was played, increasing in tenderness and expression as the wine circulated. It is stated that the sounds of a good flute-concert excited people to such a state of phrensy that they would take off their rings and jeweled ornaments to throw them to the performers: those who have witnessed a triumphant operatic soirée can readily believe the statement. But the fair artists did not wholly rely on their music for their success. The performer danced while she played, accompanying every note with a harmonious movement of the body. There is no doubt these dances were in the highest degree immoral and lascivious. Athenæus tells a story of an embassy from Arcadia waiting upon King Antigonus, and being invited to dinner. After the hunger of the venerable guests was appeased, Phrygian flute-players were introduced. They were draped in semi-transparent veils, arranged with much coquetry. At the given signal they began to play and dance, balancing themselves alternately on each foot, and gradually increasing the rapidity of their movements. As the performance went on, the dancers uncovered their heads, then their busts; lastly, they threw the veils aside altogether, and stood before the wondering embassadors with only a short tunic around the loins. In this state they danced so indecently that the aged Arcadians, excited beyond control, forgot where they were, and rushed upon them. The king laughed; the courtiers were shocked at such ill-breeding, but the dancers discharged the sacred duty of hospitality.[44]

A flute-player who had achieved a success of this kind was enabled to conclude a lucrative bargain for other performances. We find allusions to fees as high as two talents (say $2500) and fifty pieces of gold,[45] though these were evidently unusual charges. Many of the most fashionable flute-players were slaves who had been brought to Greece by speculators. They were commonly sold by auction at the dinner-table, when their owner judged that the enthusiasm of the guests had attained the highest point. An anecdote is told of one of the most esteemed names in Greek philosophy in reference to this strange custom. He was dining with a party of young men, when a youthful flute-player was introduced. She crept to the philosopher’s feet, and seemed to shelter herself from insult under the shadow of his venerable beard; but he, a disciple of Zeno, spurned her, and burst forth into a strain of moralizing. Piqued by the affront, the girl rose, and played and danced with inimitable grace and pruriency. At the close of the performance her owner put her up to auction, and one of the first bidders was the philosopher. She was adjudged to another, however, and the white-haired sage so far forgot his principles as to engage in a fierce conflict with the victor for the possession of the prize.[46] Hand to hand battles on these occasions were common in the best society at Athens, and a flute-player in fashion made a boast of the riots she had caused.[47] Of the fortunes realized by successful artists in this line, an idea may be formed from the gorgeous presents made to the Delphian oracle by flute-players, and from the fact that the finest houses at Alexandria were inscribed with the names of famous Greek auletrides.[48]

As might be inferred from the character of their dances, the auletrides were capable of every infamy. Constantly breathing an atmosphere of debauchery, and accustomed to the daily spectacle of nudities, they naturally attained a pitch of amorous exaltation of which we, at the present day, can hardly form an idea. They kept a cherished festival in honor of Venus Peribasia, which was originally established by Cypselus of Corinth. At that ceremony all the great flute-players of Greece assembled to celebrate their calling. Men were not usually allowed to be present, a regulation prompted perhaps by modesty, as the judgment of Paris was renewed at the festival, and prizes were awarded for every description of beauty. The ceremony was often mentioned as the Callipygian games; and a sketch of a scene which took place at one of these reunions, contained in a letter from a famous flute-player, justifies the appellation. The banquet lasted from dark till dawn, with wines, perfumes, delicate viands, songs, and music. An after-scene was a dispute between two of the guests as to their respective beauty. A trial was demanded by the company, and a long and graphic account is given of the exhibition, but modern tastes will not allow us to transcribe the details.[49]

A knowledge of these scandalous scenes, it may be briefly observed, would be worse than useless, were it not that they illustrate the life of Greek courtesans; and, being performed under the sanction of religion and the law, they throw no inconsiderable light on the real character of Greek society. Their value may be best apprehended by trying to realize what the effect would be if similar scenes occurred annually in some public edifice in our large cities, under the auspices of the police, with the approval of the clergy, and with the full knowledge of the best female society.

It has been suggested that these festivals were originated by, or gave rise to, those enormous aberrations of the Greek female mind known to the ancients as Lesbian love. There is, no doubt, grave reason to believe something of the kind. Indeed, Lucian affirms that, while avarice prompted common pleasures, taste and feeling inclined the flute-payers toward their own sex. On so repulsive a theme it is unnecessary to enlarge.

Many flute-players seem to have been susceptible of lasting affections. In the remains we have of the erotic works of the Greeks, several names are mentioned as those of successful flute-players whose gains were consumed by exacting lovers. It does not appear that they often, or ever, married. The most famous of all the flute-players was Lamia, who, after being the delight of Alexandria and of King Ptolemy for some fifteen or twenty years, was taken with the city by Demetrius of Macedon, and raised to the rank of his mistress. She was forty years of age at this time, yet her skill was such that she ruled despotically her dissolute lover, and left a memorable name in Greek history. The ancients asserted that she owed her name, Lamia, which means a sort of vampire or bloodsucker, to the most loathsome depravities. Her power was so great that, when Demetrius levied a tax of some $250,000 on the city of Athens, he gave the whole to her, to buy her soap, as he said. The Athenians revenged themselves by saying that Lamia’s person must be very dirty, since she needed so much soap to wash it. But they soon found it to their interest to build a temple in her honor, and deify her under the name of Venus Lamia.[50]

THE HETAIRÆ, OR KEPT WOMEN.

The Hetairæ were by far the most important class of women in Greece. They filled so large a place in society that virtuous females were entirely thrown into the shade, and it must have been quite possible for a chaste Athenian girl, endowed with ambition, to look up to them, and covet their splendid infamy. An Athenian matron was expected to live at home. She was not allowed to be present at the games or the theatres; she was bound, when she appeared in public, to be veiled, and to hasten whither she was going without delay; she received no education, and could not share the elevated thoughts or ideas of her husband; she had no right to claim any warmth of affection from him, though he possessed entire control over her.[51]

Now, to judge of the position into which this social system thrust the female sex, one must glance at the mythology, or, to speak more correctly, at the religious faith of the Greek people. It has been conjectured that they derived their idea of Venus from the East. However this be, Venus was certainly one of the earliest goddesses to whom their homage was paid. Solon erected opposite his dicterion a temple to Venus Pandemos, or the public Venus. In that temple were two statues: one of the goddess, the other of a nymph, Pitho, who presided over persuasion; and the attitudes and execution of the statues were such that they explained the character without inscription. At this temple a festival was held on the fourth of each month, to which all the men of Athens were invited. But Venus Pandemos soon made way for newer and more barefaced rivals. Twenty temples were raised in various cities of Greece to Venus the Courtesan. In one author we find allusion made to Venus Mucheia, or the Venus of houses of ill-fame. Another celebrates Venus Castnia, or the goddess of indecency. Others honor Venus Scotia, the patroness of darkness; and Venus Derceto, the guardian deity of street-walkers. More famous still was Venus Divaricatrix, whose surname, derived, it is said by a father of the Church, a divaricatis cruribus,[52] must be left in a learned tongue. And still more renowned was Venus Callipyge, whose statue is at this day one of the choice ornaments of one of the best European collections of antiquities. It owed its charm to the marvelous beauty of the limbs, and was understood to have been designed from two Syracusan sisters, whose extraordinary symmetry in this particular had been noticed by a countryman who surprised them while bathing. All these Venuses had temples, and sacrifices, and priestesses. Their worship was naturally analogous to their name, and consistent with their history. Their devotees were every man in Greece. Yet it was in this society, trained to such spectacles, and nurtured in such a creed, that matrons and maidens were taught to lead a life of purity, seclusion, and self-sacrifice.

The consequence was obvious. While ignorance and forcible restraint prevented the women from generally breaking loose, the men grew more and more addicted to the society of hetairæ, and more liable to regard their wives as mere articles of furniture. Nor was the anomaly without effect upon the kept women. They alone of their sex saw the plays of Alexander and Aristophanes; they alone had the entrée of the studio of Phidias and Apelles; they alone heard Socrates reason, and discussed politics with Pericles; they alone shared in the intellectual movement of Greece. No women but hetairæ drove through the streets with uncovered face and gorgeous apparel. None but they mingled in the assemblages of great men at the Pnyx or the Stoa. None but they could gather round them of an evening the choicest spirits of the day, and elicit, in the freedom of unrestrained intercourse, wit and wisdom, flashing fancy and burning eloquence. What wonder that the Hetairæ should have filled so prominent a part in Greek society! And how small a compensation to virtuous women to know that their rivals could not stand by the altar when sacrifice was offered; could not give birth to a citizen!