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NUTTING

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———It seems a day

(I speak of one from many singled out),

One of those heavenly days that cannot die;

When, in the eagerness of boyish hope,

I left our cottage threshold, sallying forth 5

With a huge wallet o'er my shoulders slung,

A nutting-crook in hand, and turned my steps

Toward some far-distant wood, a Figure quaint,

Tricked out in proud disguise of cast-off weeds,

Which for that service had been husbanded, 10

By exhortation of my frugal Dame—

Motley accoutrement, of power to smile

At thorns, and brakes, and brambles, and, in truth,

More ragged than need was! O'er pathless rocks,

Through beds of matted fern and tangled thickets, 15

Forcing my way, I came to one dear nook

Unvisited, where not a broken bough

Drooped with its withered leaves, ungracious sign

Of devastation; but the hazels rose

Tall and erect, with tempting clusters hung, 20

A virgin scene! A little while I stood,

Breathing with such suppression of the heart

As joy delights in; and with wise restraint

Voluptuous, fearless of a rival, eyed

The banquet; or beneath the trees I sate 25

Among the flowers, and with the flowers I played;

A temper known to those, who, after long

And weary expectation, have been blest

With sudden happiness beyond all hope.

Perhaps it was a bower beneath whose leaves 30

The violets of five seasons reappear

And fade, unseen by any human eye;

Where fairy water-breaks do murmur on

Forever; and I saw the sparkling foam,

And, with my cheek on one of those green stones 35

That, fleeced with moss, under the shady trees,

Lay round me, scattered like a flock of sheep,

I heard the murmur and the murmuring sound,

In that sweet mood when pleasure loves to pay

Tribute to ease; and of its joy secure, 40

The heart luxuriates with indifferent things,

Wasting its kindliness on stocks and stones,

And on the vacant air. Then up I rose,

And dragged to earth both branch and bough, with crash

And merciless ravage: and the shady nook 45

Of hazels, and the green and mossy bower,

Deformed and sullied, patiently gave up

Their quiet being: and unless I now

Confound my present feelings with the past,

Ere from the mutilated bower I turned 50

Exulting, rich beyond the wealth of kings,

I felt a sense of pain when I beheld

The silent trees, and saw the intruding sky.—

Then, dearest Maiden, move along these shades

In gentleness of heart; with gentle hand 55

Touch—for there is a spirit in the woods.

5. OUR COTTAGE THRESHOLD. "The house at which I was boarded during the time I was at school." (Wordsworth's note, 1800). The school was the Hawkshead School.

9. TRICKED OUT=dressed. The verb "to trick"="to dress" is derived probably from the noun, "trick" in the sense of 'a dexterous artifice,' 'a touch.' See "Century Dictionary."

CAST-OFF WEEDS=cast-off clothes. Wordsworth originally wrote 'of Beggar's weeds.' What prompted him to change the expression?

10. FOR THAT SERVICE. i.e., for nutting.

12–13. OF POWER TO SMILE AT THORNS=able to defy, etc. Not because of their strength, but because so ragged that additional rents were of small account.

21. VIRGIN=unmarred, undevastated.

31. Explain the line. Notice the poetical way in which the poet conveys the idea of solitude, (l. 30–32).

33. FAIRY WATER-BREAKS=wavelets, ripples. Cf.:—

Many a silvery water-break Above the golden gravel. Tennyson, The Brook.

36. FLEECED WITH MOSS. Suggest a reason why the term "fleeced" has peculiar appropriateness here.

39–40. Paraphrase these lines to bring out their meaning.

43–48. THEN UP I ROSE. Contrast this active exuberant pleasure not unmixed with pain with the passive meditative joy that the preceding lines express.

47–48. PATIENTLY GAVE UP THEIR QUIET BEING. Notice the attribution of life to inanimate nature. Wordsworth constantly held that there was a mind and all the attributes of mind in nature. Cf. l. 56, "for there is a spirit in the woods."

53. AND SAW THE INTRUDING SKY. Bring out the force of this passage.

54. THEN, DEAREST MAIDEN. This is a reference to the poet's Sister, Dorothy Wordsworth.

56. FOR THERE IS A SPIRIT IN THE WOODS. Cf. Tintern Abbey, 101 f.

A motion and a spirit that impels

All thinking things, all objects of all thought,

And rolls through all things.

Selections from Wordsworth and Tennyson

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