Читать книгу William Wycherley [Four Plays] - William Wycherley - Страница 21

SCENE II.—Mrs. Crossbite's Dining-room.

Оглавление

Enter Dapperwit and Ranger.

Dap. This is the cabinet in which I hide my jewel; a small house, in an obscure, little, retired street, too.

Ran. Vulgarly, an alley.

Dap. Nay, I hide my mistress with as much care as a spark of the town does his money from his dun after a good hand at play; and nothing but you could have wrought upon me for a sight of her, let me perish.

Ran. My obligation to you is great; do not lessen it by delays of the favour you promised.

Dap. But do not censure my honour; for if you had not been in a desperate condition—for as one nail must beat out another, one poison expel another, one fire draw out another, one fit of drinking cure the sickness of another—so, the surfeit you took last night of Christina's eyes shall be cured by Lucy's this morning; or as—

Ran. Nay, I bar more similitudes.

Dap. What, in my mistress's lodging? that were as hard as to bar a young parson in the pulpit, the fifth of November, railing at the Church of Rome; or as hard as to put you to bed to Lucy and defend you from touching her; or as—

Ran. Or as hard as to make you hold your tongue.—I shall not see your mistress, I see.

Dap. Miss Lucy! Miss Lucy!—[Knocks at the door and returns.]—The devil take me, if good men (I say no more) have not been upon their knees to me, to see her, and you at last must obtain it.

Ran. I do not believe you.

Dap. 'Tis such as she; she is beautiful without affectation; amorous without impertinency; airy and brisk without impudence; frolic without rudeness; and, in a word, the justest creature breathing to her assignation.

Ran. You praise her as if you had a mind to part with her; and yet you resolve, I see, to keep her to yourself.

Dap. Keep her! poor creature, she cannot leave me; and rather than leave her, I would leave writing lampoons or sonnets almost.

Ran. Well, I'll leave you with her then.

Dap. What, will you go without seeing her?

Ran. Rather than stay without seeing her.

Dap. Yes, yes, you shall see her; but let me perish if I have not been offered a hundred guineas for a sight of her; by—I say no more.

Ran. [Aside.] I understand you now.—[Aloud.] If the favour be to be purchased, then I'll bid all I have about me for't.

Dap. Fy, fy, Mr. Ranger! you are pleasant, i'faith. Do you think I would sell the sight of my rarity?—like those gentlemen who hang out flags at Charing Cross, or like—

Ran. Nay, then I'm gone again.

Dap. What, you take it ill I refuse your money? rather than that should be, give us it; but take notice I will borrow it. Now I think on't, Lucy wants a gown and some knacks.

Ran. Here.

Dap. But I must pay it you again: I will not take it unless you engage your honour I shall pay it you again.

Ran. You must pardon me; I will not engage my honour for such a trifle. Go, fetch her out.

Dap. Well, she's a ravishing creature: such eyes and lips, Mr. Ranger!

Ran. Prithee go.

Dap. Such neck and breasts, Mr. Ranger!

Ran. Again, prithee go.

Dap. Such feet, legs, and thighs, Mr. Ranger!

Ran. Prithee let me see 'em.

Dap. And a mouth no bigger than your ring!—I need say no more.

Ran. Would thou wert never to speak again!

Dap. And then so neat, so sweet a creature in bed, that, to my knowledge, she does not change her sheets in half a year.

Ran. I thank you for that allay to my impatience.

Dap. Miss Lucy! Miss Lucy! Miss!—[Knocking at the door.

Ran. Will she not open? I am afraid my pretty miss is not stirring, and therefore will not admit us. Is she not gone her walk to Lamb's Conduit?[38]

Dap. Fy, fy, a quibble next your stomach in a morning! What if she should hear us? would you lose a mistress for a quibble? that's more than I could do, let me perish!—She's within, I hear her.

Ran. But she will not hear you; she's as deaf as if you were a dun or a constable.

Dap. Pish! give her but leave to gape, rub her eyes, and put on her day pinner; the long patch under the left eye; awaken the roses on her cheeks with some Spanish wool, and warrant her breath with some lemon-peel; the doors fly off the hinges, and she into my arms. She knows there is as much artifice to keep a victory as to gain it; and 'tis a sign she values the conquest of my heart.

Ran. I thought her beauty had not stood in need of art.

Dap. Beauty's a coward still without the help of art, and may have the fortune of a conquest but cannot keep it. Beauty and art can no more be asunder than love and honour.

Ran. Or, to speak more like yourself, wit and judgment.

Dap. Don't you hear the door wag yet?

Ran. Not a whit.

Dap. Miss! miss! 'tis your slave that calls. Come, all this tricking for him!—Lend me your comb, Mr. Ranger.

Ran. No, I am to be preferred to-day, you are to set me off. You are in possession, I will not lend you arms to keep me out.

Dap. A pox! don't let me be ungrateful; if she has smugged herself up for me, let me prune and flounce my peruke a little for her. There's ne'er a young fellow in the town but will do as much for a mere stranger in the playhouse.

Ran. A wit's wig has the privilege of being uncombed in the very playhouse, or in the presence.

Dap. But not in the presence of his mistress; 'tis a greater neglect of her than himself. Pray lend me your comb.

Ran. I would not have men of wit and courage make use of every fop's mean arts to keep or gain a mistress.

Dap. But don't you see every day, though a man have never so much wit and courage, his mistress will revolt to those fops that wear and comb perukes well. I'll break off the bargain, and will not receive you my partner.

Ran. Therefore you see I am setting up for myself. [Combs his peruke.

Dap. She comes, she comes!—pray, your comb. [Snatches Ranger's comb.

Enter Mrs. Crossbite.

Mrs. Cros. Bargain!—what, are you offering us to sale?

Dap. A pox! is't she?—Here take your comb again, then. [Returns the comb.

Mrs. Cros. Would you sell us? 'tis like you, y'fads.

Dap. Sell thee!—where should we find a chapman? Go, prithee, mother, call out my dear Miss Lucy.

Mrs. Cros. Your Miss Lucy! I do not wonder you have the conscience to bargain for us behind our backs, since you have the impudence to claim a propriety in us to my face.

Ran. How's this, Dapperwit?

Dap. Come, come, this gentleman will not think the worse of a woman for my acquaintance with her. He has seen me bring your daughter to the lure with a chiney-orange, from one side of the playhouse to the other.

Mrs. Cros. I would have the gentleman and you to know my daughter is a girl of reputation, though she has been seen in your company; but is now so sensible of her past danger, that she is resolved never more to venture her pitcher to the well, as they say.

Dap. How's that, widow? I wonder at your confidence.

Mrs. Cros. I wonder at your old impudence, that where you have had so frequent repulses you should provoke another, and bring your friend here to witness your disgrace.

Dap. Hark you, widow, a little.

Mrs. Cros. What, have you mortgaged my daughter to that gentleman; and now would offer me a snip to join in the security!

Dap. [Aside.] She overhead me talk of a bargain;—'twas unlucky.—[Aloud.] Your wrath is grounded upon a mistake; Miss Lucy herself shall be judge; call her out, pray.

Mrs. Cros. She shall not; she will not come to you.

Dap. Till I hear it from her own mouth, I cannot believe it.

Mrs. Cros. You shall hear her say't through the door.

Dap. I shall doubt it unless she say it to my face.

Mrs. Cros. Shall we be troubled with you no more then?

Dap. If she command my death, I cannot disobey her.

Mrs. Cros. Come out, child.

Enter Lucy, holding down her head.

Dap. Your servant, dearest miss: can you have—

Mrs. Cros. Let me ask her.

Dap. No, I'll ask her.

Ran. I'll throw up cross or pile[39] who shall ask her.

Dap. Can you have the heart to say you will never more break a cheese-cake with me at New Spring Garden,[40] the Neat-house, or Chelsea? never more sit in my lap at a new play? never more wear a suit of knots of my choice? and, last of all, never more pass away an afternoon with me again in the Green Garret?—do not forget the Green Garret.

Lucy. I wish I had never seen the Green Garret.—Damn the Green Garret!

Dap. Damn the Green Garret!—You are strangely altered!

Lucy. 'Tis you are altered.

Dap. You have refused Colby's Mulberry-garden, and the French houses, for the Green Garret; and a little something in the Green Garret pleased you more than the best treat the other places could yield; and can you of a sudden quit the Green Garret?

Lucy. Since you have a design to pawn me for the rent, 'tis time to remove my goods.

Dap. Thou art extremely mistaken.

Lucy. Besides, I have heard such strange things of you this morning.

Dap. What things?

Lucy. I blush to speak 'em.

Dap. I know my innocence, therefore take my charge as a favour. What have I done?

Lucy. Then know, vile wit, my mother has confessed just now thou wert false to me, to her too certain knowledge; and hast forced even her to be false to me too.

Dap. Faults in drink, Lucy, when we are not ourselves, should not condemn us.

Lucy. And now to let me out to hire like a hackney!—I tell you my own dear mother shall bargain for me no more; there are as little as I can bargain for themselves now-a-days, as well as properer women.

Mrs. Cros. Whispering all this while!—Beware of his snares again: come away, child.

Dap. Sweet, dear miss—

Lucy. Bargain for me!—you have reckoned without your hostess, as they say. Bargain for me! bargain for me! [Exit.

Dap. I must return, then, to treat with you.

Mrs. Cros. Treat me no treatings, but take a word for all. You shall no more dishonour my daughter, nor molest my lodgings, as you have done at all hours.

Dap. Do you intend to change 'em, then, to Bridewell, or Long's powdering-tub?[41]

Mrs. Cros. No, to a bailiff's house, and then you'll be so civil, I presume, as not to trouble us.

Ran. Here, will you have my comb again, Dapperwit?

Dap. A pox! I think women take inconstancy from me worse than from any man breathing.

Mrs. Cros. Pray, sir, forget me before you write your next lampoon. [Exit.

Enter Sir Simon Addleplot in the dress of a Clerk.—Ranger retires to the background.

Sir Sim. Have I found you? have I found you in your by-walks, faith and troth? I am almost out of breath in following you. Gentlemen when they get into an alley walk so fast, as if they had more earnest business there than in the broad streets.

Dap. [Aside.]—How came this sot hither? Fortune has sent him to ease my choler.—You impudent rascal, who are you, that dare intrude thus on us? [Strikes him.

Sir Sim. Don't you know me, Dapperwit? sure you know me. [Softly.

Dap. Will thou dishonour me with thy acquaintance too? thou rascally, insolent, pen-and-ink man. [Strikes him again.

Sir Sim. Oh! oh! sure you know me! pray know me. [Softly.

Dap. By thy saucy familiarity, thou shouldst be a marker at a tennis-court, a barber, or a slave that fills coffee.

Sir Sim. Oh! oh!

Dap. What art thou? [Kicks him.

Sir Sim. Nay, I must not discover myself to Ranger for a kick or two. Oh, pray hold, sir: by that you will know me. [Delivers him a letter.

Dap. How, Sir Simon!

Sir Sim. Mum, mum, make no excuses, man; I would not Ranger should have known me for five hundred—kicks.

Dap. Your disguise is so natural, I protest, it will excuse me.

Sir Sim. I know that, prithee make no excuses, I say. No ceremony between thee and I, man:—read the letter.

Dap. What, you have not opened it!

Sir Sim. Prithee, don't be angry, the seal is a little cracked: for I could not help kissing Mrs. Martha's letter. The word is, now or never. Her father she finds will be abroad all this day, and she longs to see your friend Sir Simon Addleplot:—faith 'tis a pretty jest; while I am with her, and praising myself to her at no ordinary rate. Let thee and I alone at an intrigue.

Dap. Tell her I will not fail to meet her at the place and time. Have a care of your charge; and manage your business like yourself, for yourself.

Sir Sim. I warrant you.

Dap. The gaining Gripe's daughter will make me support the loss of this young jilt here. [Aside.

Ran. [Coming forward.] What fellow's that?

Dap. A servant to a friend of mine.

Ran. Methinks he something resembles our acquaintance Sir Simon; but it is no compliment to tell him so: for that knight is the most egregious coxcomb that ever played with lady's fan.

Sir Sim. So! thanks to my disguise, I know my enemies! [Aside.

Ran. The most incorrigible ass, beyond the reproof of a kicking rival or a frowning mistress. But, if it be possible, thou dost use him worse than his mistress or rival can; thou dost make such a cully of him.

Sir Sim. Does he think so too? [Aside.

Dap. Go, friend, go about your business.—[Exit Sir Simon.] A pox! you would spoil all, just in the critical time of projection. He brings me here a summons from his mistress, to meet her in the evening; will you come to my wedding?

Ran. Don't speak so loud, you'll break poor Lucy's heart. Poor creature, she cannot leave you; and, rather than leave her, you would leave writing of lampoons or sonnets—almost.

Dap. Come, let her go, ungrateful baggage!—But now you talk of sonnets, I am no living wit if her love has not cost me two thousand couplets at least.

Ran. But what would you give, now, for a new satire against women, ready made?—'Twould be as convenient to buy satires against women ready made, as it is to buy cravats ready tied.

Dap. Or as—

Ran. Hey, come away, come away, Mr., or as—[Exeunt.

William Wycherley [Four Plays]

Подняться наверх