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THE CLUE IN THE BOOK

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Subway passengers sitting opposite Jane Strong as she rode up-town from Mr. Fleck's office, if they observed her at all--and most of them did--saw only a slim, good-looking young girl, dressed in a chic tailormade suit, crowned with a dashing Paris hat tilted at the proper angle to display best the sheen of her black, black hair, which after the prevailing fashion was pulled forward becomingly over her ears. Outwardly Jane was unchanged, but within her nerves were all atingle at the thought of the tremendous and fascinating responsibility so unexpectedly thrust upon her. Her mind, too, was aflame with patriotic ardor, but coupled with these new sensations was a persisting sense of dread, an intangible, unforgettable feeling of horror that kept cropping up every time her fingers touched the little metal disk in her purse.

The man who had carried it yesterday, the other "K-19" who had undertaken to shadow those people next door, now lay dead with a bullet through his heart. Was there, she wondered, a similar peril confronting her? Would her life be in danger, too? Was that the reason Mr. Fleck had told her of her predecessor's fate--to warn her how desperate were the men against whom she was to match her wits? Yet no sense of fear that projected itself into her busy brain as she cogitated over the task before her held her back. If anything she was rather thrilled at the prospect of meeting actual danger. What bothered her most was how she could best go about aiding Mr. Fleck and his men in their work.

Her opportunity came far more quickly than she had anticipated. She had gotten off the train at the 96th Street station, purposing to walk the twenty odd blocks to her home as she pondered over the work that lay ahead of her. Busy with a horde of struggling new thoughts she proceeded along Broadway, for once in her life unheeding the rich gowns and feminine dainties so alluringly displayed in the shop windows. Suddenly she pulled herself together with a start. Directly ahead of her, plodding along in the same direction, was a figure that from behind seemed strangely familiar. She quickened her step until she caught up sufficiently with the man ahead to get a good glimpse of his side face. Nervously she caught her breath. Without any doubt it was the gray Van Dyke beard of old Otto Hoff.

Where was he going? What was he doing? She paused and looked behind her, scanning the pavement on both sides of the street. She was half-hoping that she would discover Carter or some of his men shadowing their quarry, but her hope was vain. There was no one in the block at the moment but herself and Mr. Hoff. If Fleck's men had been watching his movements, the old man certainly seemed to have eluded them.

What should she do? Vividly there flashed into her mind her chief's parting words.

"Watch everything," he had charged her. "Remember everything, report everything. No detail is too unimportant. If you see one of the Hoffs leave the house, don't merely report to me that the old man or the young man left the house about three o'clock. That won't do at all. I want to know the exact time. Was it six minutes after three or eleven minutes after three? I must know what direction he went, if he was alone, how long he was absent, where he went, what he did, to whom he talked. Here in my office I take your reports, Carter's reports, a dozen other reports, and study them together. Things that in themselves seem trifling, unimportant, of no value, coupled with other seemingly unimportant trifles sometimes develop most important evidence."

To prove his point he had told her of the seemingly innocent wireless message that an operator, listening in, had picked up, at a time when Germans were still permitted to use the wireless station on Long Island for commercial messages to the Fatherland. On the face of it, it was the mere announcement of the death of a relative with a few details. But a little later the same operator caught the same message coming from another part of the country, with the details slightly different, and still later another message of the same purport. Evidently, by comparing the messages, the United States authorities had been able to work out a code.

Remembering this, Jane decided that it was her particular duty just now to follow the old German and note everything he did. For several blocks she trailed along behind him, without arousing any suspicion on his part that he was being followed. He stopped once to light a cigarette, the girl behind him diverting suspicion by hastily turning to a shop window. Again he stopped, this time before the display of viands in the window of a delicatessen store. Thoughtfully Jane noted the number, observing, too, that the name of the proprietor above the door was obviously Teutonic. She was half-expecting to see her quarry turn in here, but he walked on to the middle of the next block, where he entered a stationery store.

Hesitating but a second, to decide on a course of action, she followed him boldly into the store. She felt that she must ascertain just what he was doing in there. As she entered she saw that in the back part of the store was a lending library. Mr. Hoff had gone back to it and was inspecting the books displayed there. Unhesitatingly she, too, approached the book counter.

"Have you 'Limehouse Nights'?" she asked the attendant, naming the first book that came into her head. She had a copy of the book at home, but that seemed to be the only title she could think of.

"We have several copies," the girl in charge answered, "but I think they are all out. I'll look."

As the clerk examined the shelves, Jane kept up a desultory talk with her, questioning her about various books on the shelves, all the while watching the old German out of the corner of her eye. His back was toward her, and he seemed to be examining various books on the shelves, turning over the pages as if unable to decide what he wanted. Curious as to what his taste in reading was, Jane endeavored to locate each book that he removed from its place, her idea being that she would later try to discover their titles. To her amazement she found that it was invariably the third book in each shelf that he removed and examined--the third from the end. It did not appear to her that he was examining the contents of the pages so much as searching them as if he expected to find something there.

All at once, as she furtively watched from behind him, she heard him give a little pleased grunt and she saw him picking out from between the leaves of the book a fragment of paper, which he held concealed in his hand. Watching closely, Jane saw him thrust this same hand into his trousers pocket, and when he brought it out she was certain that the hand was empty. What did this curious performance mean? What was the little slip of paper he had found in the book? Why had he concealed it in his pocket?

Still keeping her attention riveted on him, she picked up a book to mask her occupation and pretended to be turning its pages. She was glad she had done so, for a minute later old Hoff wheeled suddenly and looked sharply about him. Apparently having his suspicions disarmed by seeing only herself and the clerk there, he turned again to the bookshelves. Jane this time saw him thrust his fingers into his waistcoat pocket and withdraw therefrom,--she was almost certain of it,--a little slip of paper. She saw him remove from the second row of books the fifth from the end, open it quickly and close it again and then restore it to its place. As he did so he turned to leave the store.

"Didn't you find anything to read to-day, Mr. Hoff?" the clerk asked.

"Nodding," he answered. "You keep novels, trash, nodding worth while."

Her nerves aquiver, Jane waited until he was out of the store and then stepped briskly to the place where he had stood. Hastily she pulled forth the fifth book from the end in the second row. Turning its pages she came upon what she had anticipated,--a strip of yellow manila paper,--the paper she was sure she had seen him take from his pocket. Hastily she examined it, expecting to find some message written there. To her chagrin it was just a meaningless jumble of figures in three columns.

The Apartment Next Door

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