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‘In an enlightened world, Weekend would sell like lottery tickets … Among the most compelling and convincing characters is the Updikian-sounding Harry Beck, whose party banter could have been scripted by a whisky-soaked Woody Allen.’

Alan Taylor, Sunday Herald

‘A poignantly funny variation on a French farce … wonderfully witty and wistful’

John Harding, Daily Mail

‘It’s more than 10 years since William McIlvanney’s last novel, The Kiln. That book, and his much earlier Docherty, are two of the best novels of the last half century … Now, long awaited, comes Weekend, and it is every bit as good’

Allan Massie, Scotland on Sunday

‘Deftly switching the narration between characters, McIlvanney examines the frailties of human nature, and the underlying motives that drive the often-inexplicable behaviour we all indulge in when it comes to sexual relationships. Adeptly, he also makes us empathise with several difficult, self-involved characters, and juxtaposes the highbrow literary theory of the weekend’s study with the base human desires wonderfully, pulling the two together in a climax which is considered yet surprisingly moving. A subtly thrilling return.’

Doug Johnstone, The List

‘McIlvanney offers a masterclass in how to treat our very ancient modern condition: with as much high seriousness and sly wit as it deserves, with compassion for our foolishness and awe at our powers of endurance’

Ronald Frame, Scottish Review of Books

‘All his old characteristics are there – the finely wrought style, the deft one-liners, the arresting authorial interventions, the omnipresent mockery (self-mockery), the undertow of sadness at the harlequinade of life – but his writing, cleansed of all traces of rage and violence, now has a deftness and gentleness not always evident before … [a] fine novel’

Joseph Farrell, Times Literary Supplement

Weekend

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