Читать книгу Kid Scanlan - Witwer Harry Charles - Страница 2

Success has ruined more guys than failure ever will. It's like a Santa Cruz rum milk punch on an empty stomach – there's very few people can stand it. Many a guy that's a regular fellow at a hundred a month, becomes a boob at a hundred a week. What beat Napoleon, Caesar and Nero – failure? No, success! Give the thing the once over some time and you'll see that I'm right.

Success is the large evenin' with the boys at the lodge and failure is the mornin' after. As a matter of fact, they're twins. Often you can be a success without knowin' it, so if you been a failure all your life accordin' to your own dope, cheer up. But when you get up to the top where you can look down at all these other guys tryin' to sidestep the banana peels of life and climb up with you, knock off thinkin' what a big guy you are for a minute and give ten minutes to thinkin' what a tough time you had gettin' there. Give five minutes more to ruminatin' on how long the mob remembers a loser and you'll find it the best sixteen minutes you ever spent in your life.

In these days when the world is just a great big baby yellin' for a new toy every second, any simp can beat his way to the top. The real stunt is stayin' there after you arrive!

Kid Scanlan was a good sample of that. When the Kid was fightin' for bean money and the exercise, he never spent nothin' but the evenin' and very little of that. He didn't know whether booze was a drink or a liniment and the only ladies he was bothered about was his mother. But when he knocked out One-Punch Ross for the title and eased himself into the movies, it was all different. He begin to spend money like a vice-investigating committee, knock around with bartenders and give in to all the strange desires that hits a guy with his health and a bankroll. I stood by and cheered for a while until he crashes in love with this movie queen, Miss Vincent, that got more money a start than the Kid did in a season and more letters from well wishin' males than a newly elected mayor. Then I stepped in and saved the Kid just before he become a total loss.

I was standin' by the African Desert one day watchin' them take a picture called "Rapacious Rupert's Revenge," when the Kid comes over and calls me aside. Since he had become a actor he had gave himself up to dressin' in panama hats, Palm Beach suits and white shoes. He reminded me of the handsome young lieutenant in a musical comedy. Every time I seen him in that outfit I expected to hear him burst into some song like, "All hail, the Queen comes thither!" Know what I mean?

Well, havin' lured me away under the shade of some palm trees, the Kid tells me he's goin' over to Frisco on a little shoppin' expedition, and he wants me to come with him. I says I can't drink a thing because I have had a terrible headache since the night before when him and me and some camera men went to Montana Bill's and toyed with the illegal brew for a few hours.

"That last round," I says, "which I'll always remember because it come to six eighty-five, was what ruined me. The bartender must have gone crazy and put booze in them cocktails, because I've had that headache ever since!"

"It ain't the cocktails that give you the headache," the Kid tells me, "it was the check. And you must have had a bun on before that, anyhow, because you paid it! But that's got nothin' to do with this here trip to Frisco. I'm not goin' to stop anywheres for no powders. I'm gonna get somethin' I've needed for a long time!"

"What is it," I asks him, "a clean collar?"

"I wish you'd save that comedy for some rainy Sunday," he says; "that stuff of yours is about as funny as a broken arm! Since I been out here with these swell actors, I been changin' my clothes so often that I'll bet my body thinks I'm kiddin' it. Stop knockin' and come over to Frisco with me and – "

I don't know what else he was goin' to say, because just at that minute a Kansas cyclone on wheels come between us and I come to in a ditch about five feet from where the Kid is tryin' to see can he really stand on his head. When I had picked up enough ambition to get to my feet, I went over and jacked up the Kid. About half a mile up the road the thing which had attacked us is turnin' around.

"Run for your life!" I yells to the Kid. "It's comin' back!"

Before we could pick our hidin' places, the thing has drawed up in front of us and we see it's one of them trick autos known to the trade as racin' cars. I recognized it right away as belongin' to Miss Vincent. The owner was in the car and beside her was Edmund De Vronde, the shop-girls' delight. The Kid and De Vronde had took to each other from the minute they first met like a ferret does to a rat. It was a case of hate at first sight. So you can figure that this little incident did nothin' to cement the friendship. Miss Vincent leaps out of the thing and comes runnin' over to us.

"Good Heavens!" she says. "You're not hurt, are you?"

She's lookin' right past me and at the Kid like it made little or no difference whether I was damaged or not.

The Kid throws half an acre of California out of his collar and removes a few pebbles and a cigar butt from his ear.

"No!" he growls, with a sarcastical smile. "Was they many killed?"

She takes out a little trick silk handkerchief and wipes off his face with it.

"I meant to step on the foot brake," she explains, "and I must have stepped on the gas by mistake!"

"You must have stepped on the dynamite," I butts in, "because it blowed me into the ditch!"

The Kid shakes a bucket or so of sand out of his hair and looks over at the car where De Vronde is examin' us through a pair of cheaters and enjoyin' himself scandalously.

"I see you got Foolish with you," says the Kid to Miss Vincent. "What's the matter – are you off me now?"

She smiles and wipes some mud off the Kid's collar.

"Why, no," she tells him. "Genaro is putting on 'The Escapes of Eva' this morning and I'm playing the lead opposite Mr. De Vronde. I happened to pick him up on the road and I'm bringing him in, that's all."

"Yeh?" says the Kid, still lookin' over at the car. "What are you laughin' at, Stupid?" he snarls suddenly at De Vronde.

De Vronde give a shiver and the glasses fell off in the bottom of the car. While he was stoopin' down to look for 'em, the Kid turns to Miss Vincent.

"I only wish he had been drivin' the thing," he says, "because then I'd have some excuse for bouncin' him! On the level, now," he goes on, winkin' at her, "he was drivin' the thing, wasn't he?"

"Oh, no!" she answers. "I was at the wheel."

The Kid frowns and thinks for a minute.

"Well," he says finally, takin' another look at De Vronde, "ain't the brakes or somethin' where he was sittin'?"

"No!" she tells him, grabbin' him by the arm. "Please don't lose your head now and start a fuss! I'm awfully sorry this happened, but as long as neither of you were hurt and – "

"It didn't do me no good, that's a cinch!" butts in the Kid, with a meanin' look at his spoiled scenery. He walks over to the car and glares up at De Vronde. "Hey!" he snarls. "What d'ye mean by bein' in a automobile that runs over me, eh?"

De Vronde moves as far over as the seat will let him, and then falls back on prayer.

"I must decline to enter any controversy with you," he pipes, after a minute. "You were standing in the right of way and – "

The Kid grins and holds up his hand. His face has lighted all up and he's lickin' his lips like he always did in the ring when he seen the other guy was pickin' out a place to fall. He's walked around to where De Vronde had been sittin' and piped a little handle stickin' up.

"What's this?" he calls to Miss Vincent, who's climbin' in the other side.

"That's just the oil pump," she says.

The Kid suddenly reaches up, grabs De Vronde by the arm and jerks him out of the car.

"You big stiff!" he roars. "Why didn't you pump that oil, hey? If you had done that, the thing wouldn't have hit us! I knowed it was all your fault – you deliberately laid off that pump, hopin' we'd get killed!"

With that he starts an uppercut from the ground, but I yanked him away just as De Vronde murmurs, "Safety first!" and takes a dive. Miss Vincent gets out and gives me a hand with the Kid, and De Vronde sits up and menaces us with his cane.

"That isn't a bit nice!" Miss Vincent frowns at the Kid. "That's ruffianly! You never should have struck him!"

"I didn't hit him!" yells the Kid. "The big tramp quit! If I had hit him he wouldn't be gettin' up."

He starts over again, but I held him until she has climbed into the car with De Vronde and they shoot up the road. Just before they disappeared, De Vronde turns around in the seat and shakes his finger at us.

"Only the presence of the lady," he calls, "saves you from my wrath!"

"Come on!" says the Kid, grabbin' my arm. "Let's get the next train for Frisco, before I run after that guy and flatten him! Believe me," he goes on, lookin' up the road after the car, "I'll get that bird before the day is over if I have to bust a leg!"

And that's just what he did – both!

All the way over in the train I tried to work the third degree on the Kid to find out what he was goin' to buy, but there was nothin' doin'. He stalled me off until we pull into the town and then he takes me to a street that was so far from the railroad station I come near castin' a shoe on the way over. About half way down this boulevard there's a garage and the Kid stops in front of it.

"Wait here!" he tells me. "And don't let nobody give you no babies to mind. I'll be right out!"

He slips inside and I'm lookin' the joint over when a big sign catches my eye. I took one good flash at the thing, and then I starts right in after the Kid. A friend of mine in New York had gone into a place with a sign on it like that one time and made a purchase. Six months later when he come out of the hospital, he claimed the bare smell of gasoline made him faint Here's what it said on that sign,

J. MARKOWITZ

USED AND NEARLY NEW AUTOS

FOR SALE

It was kinda dark inside and it takes me a minute to get my bearin's, but finally I see the Kid and a snappy dressed guy standin' in front of what I at first thought was a Pullman sleeper. When I get a close up, though, I find it's only a tourin' car. It was the biggest automobile I ever seen in my life; a sightseein' bus would have looked like a runabout alongside of it. There was one there and it did! The thing hadn't been painted since the Maine was blowed up, and you could see the guy that had been keepin' it was fond of the open air, because there was samples of mud from probably all over the world on it.

"You could believe it, you're gettin' it a practically brand new car!" the young feller is tellin' the Kid. "The shoes are in A number one condition – all they need is now vulcanizin', and Oi! – how that car could travel!"

"Just a minute!" I butts in. "Before you make this sale, I want to speak to my friend here."

Both him and the Kid glares at me, and the Kid pushes me aside.

"Lay off!" he says. "I know just what you're gonna say. There's no use of you tryin' to discourage me, because I'm gonna buy a car. Here I am makin' all kinds of money and I might as well be a bum! – no automobile or nothin'. I should have had a car long ago; all the big leaguers own their own tourin' cars. There's no class to you any more, if you don't flit from place to place in your own bus!"

"Yeh?" I comes back. "Well, Washington never had no car, but that didn't stop him from gettin' over! I never heard of Columbus gettin' pinched for speedin' and Shakespeare never had no trouble with blowouts. Yet all them birds was looked on as the loud crash in their time. What's the answer to that?"

In butts I. Markowitz, shovin' his hat back on his ears.

"That brings us right down to the present!" he says. "And I could tell you why none of your friends had oitermobiles. Cars was too expensive in them days – a millionaire even would have to talk it over with his wife before they should buy one. But now, almost they give them away! Materials is cheaper, in Europe the war is over and now competition is – is – more! That's why I'm able to let your friend have this factory pet here for eight hundred dollars. A bargain you ask me? A man never heard a bargain like that!"

"Don't worry!" I tells him. "Nobody will ever hear about it from me. If you made him a present of it and throwed in the garage, it would still be expensive!"

"Who's buyin' this car?" snarls the Kid. "You or me?"

"Not guilty!" I says. "If you got to have a car, why don't you buy a new one?"

"This is the same as new!" pipes I. Markowitz.

"Speak when you're spoken to, Stupid!" I says.

"Don't start nothin' here," the Kid tells me, pullin' me away. "I don't want none of them new cars. They're too stiff and I might go out and hit somebody the first crack out of the box. I want one that's been broke in."

"Well," I laughs, "that's what you're gettin', believe me! That there thing has been broke in and out!" I turns to I. Markowitz. "What make is the old boiler?" I asks him.

"Boiler he calls it!" he says, throwin' up his hands and lookin' at the ceilin'. "It's an A. G. F. I suppose even you know what an A number one car that is, don't you?"

"No!" I answers. "But I know what A. G. F. means."

He falls.

"What?" he wants to know.

"Always Gettin' Fixed!" I tells him. "They make all them used cars. I know a guy had two of them and between 'em they made a fortune for three garages and five lawyers! How old is it?"

"Old!" says I. Markowitz, recovering "Who said it was old? Your wife should be as young as that car! It was turned in here last week, only eight short days from the factory. The owner was sudden called he should go out of town and – "

"And he went somewheres and got an automobile to make the trip," I cuts him off, "and left this thing here!"

"Don't mind him!" says the Kid, gettin' impatient. "Gimme a receipt." He digs down for the roll.

While I. Markowitz is countin' the money with lovin' fingers, I went around to one side of the so called auto and looked at the speedometer. One flash at the little trick clock was ample.

"Stop!" I yells, glarin' at him. "How long did you say this car had been out of the factory?"

"Right away he hollers at me!" says I. Markowitz to the Kid. "A week."

"Well," I tells him, "all I got to say is that the bird that had it must have been fleein' the police! He certainly seen a lot of the world, but I can't figure how he slept. He was what you could call a motorin' fool. It says on this speedometer here, 45,687 miles and if that guy did it in a week, I got to hand it to him! I'll bet he's so nutty over speed that he's goin' around now bein' shot out of cannons from place to place, eh?"

I. Markowitz gets kinda balled up and blows his nose twice.

"That must be the – the – motor number!" he stammers.

"Sure!" nods the Kid. "Don't mind him, he's always got the hammer out. Count that change and gimme a receipt."

"Wait!" I says. "Gimme one more chance to save you from givin' yourself the work. Have you heard the motor turn over? Does the clutch slip in all right? Do the brakes work? Has the – "

"Say!" butts in the Kid. "What d'ye think I been doin' – workin' here at nights? Don't mind him," he tells I. Markowitz, who ain't. "Hurry up with that receipt!"

"How is the motor?" I asks that brigand. "Tell me that, will you?"

"Convalescent!" he sneers, tuckin' the Kid's bankroll away.

"Some motor, eh?" pipes the Kid. "And it's got a one-man top on it besides, ain't it?" he asks I. Markowitz.

"Why not?" says he. "Everything new and up to date you would find on this car which only yesterday I could have sold to a feller for a thousand dollars!"

After pullin' that, he walks over to the thing and climbs in the back. "An example!" he says. "If you're alone in the car and there's nobody with you, you only should stand up on the seat and pull up the top like this, if it comes up a rain. Then you – "

I didn't hear the rest on account of him havin' trouble makin' his voice travel from under the seat, because he reached up and pulled somethin' here and jerked somethin' there – and that one-man top made good! I thought at first the ceilin' of the joint had fell in, and I'll bet I. Markowitz knowed it had, but then I seen it was only the thing that keeps the rain out of the car. Me and the Kid drags him out, and as soon as he gets on his feet and felt to see if he had his watch and so forth, he wipes the dirt out of his eyes and turns on me.

"It's a wonder I ain't now dead on account from you?" he snarls. "I suppose you're one of them wise fellers from New Jersey, which they got to be showed everything, heh?"

"Missouri!" I says. "Not New Jersey. If I was from New Jersey, I would probably be fightin' with the Kid to let me buy the car!"

"It's got a self-commencer on it, too!" yelps the Kid, climbin' into the front seat. "See – lookit!" He presses a button with his foot and a laughin' hyena or somethin' in the hood moans a couple of times and then passes away.

"The first time I wouldn't be surprised you should have to crank it," says I. Markowitz. "The motor has been standin' so long – I mean – that is – speakin' of motors, I think that one is maybe a little cold! Once she gets runnin' everything will be A number one!"

I goes around the front of the thing and stoops down.

"Put her on battery, if there's any on there," I calls to the Kid, "and I'll spin the motor!"

I. Markowitz steps over and lays his hand on my arm. His face is as serious as prohibition.

"Its only fair I should tell you," he whispers, "that she kicks a little!"

I give him a ungrateful look and grabs hold of the crank. After turnin' the thing ninety-four times without gettin' nothin' but a blister on my thumb, I quit.

"Nothin' stirrin'," I remarks to I. Markowitz.

"Believe me, that's funny!" he tells me, shakin' his head like he had ball bearin's in his neck.

"Ain't it?" I says. "Are you positive they's a motor inside there?"

He makes a funny little noise in his throat and not knowin' him long, I didn't know what he meant. There's a big husky in overalls walkin' by with plenty of medium oil on his face and a monkey wrench in his hand. I. Markowitz hisses at him, and they exchange jokes in some foreign language for a minute and then the new-comer grabs hold of that crank like the idea was to see if he could upset the car in three twists. He gives it a turn, and I guess the Kid had got to monkeyin' around them little buttons on the steerin' wheel because it went off like a cannon. First, there was a great big bang! And then a cloud of smoke rolls out of the back of the car and the bird that had wound the thing up come to in an oil can, half way across the floor. The Kid fell off the seat and me and I. Markowitz busted the hundred yard record to the front door.

"That was a rotten trick, wasn't it?" I asks him when we stopped.

"What do you talk tricks?" he pants.

"Why," I tells him, "puttin' that dynamite in the hood!"

"That wasn't dynamite," he says. "She only backfired a little. I wouldn't be surprised if it turned out there was, now, too much air in the carburetor. The only reason I ran out here is because I seen it passin' a friend of mine and – "

"I know," I cuts him off. "I seen it too!"

We go back to the Kid and his play toy, and he's leanin' up against the side of it rubbin' his shoulder and scowlin'.

"What kind of stuff was that, eh?" he growls at I. Markowitz. "I liked to broke my neck!"

"'Snothin'!" says he, pattin' the Kid on the back and smilin'. "You could do that with a new car, you could take my word for it. It's all, now, experience!" He looks around. "Herschel!" he hollers.

It turns out that Herschel is the guy that had wound the thing up, and he gets out of the oil can and comes over, mutterin' to himself and glarin' at all of us. He takes off the hood and stalls around it with a hammer and a monkey wrench for a minute, still mutterin' away, and you could see he wasn't wishin' us no luck. Finally, he puts the hood on again and walks around to the crank.

"As soon as you could hear it buzz," he grunts at the Kid, "you should give her some gas."

I stood aside and picked out my exit, and I. Markowitz seen his friend passin' again so he started for the door. The Kid says we're both yellah and climbs gamely back into the seat. Herschel stops mutterin' long enough to give the crank a turn, which same he did. This time there was no shots fired, but the thing begins the darndest racket I ever heard in my life. A boiler factory would have quit cold alongside of that motor and a cavalry charge would have gone unnoticed on the same floor. I asked I. Markowitz what broke, and he says nothin' but that the noise is caused by the motor bein' so powerful, fifty horse power, he claimed.

"You can't tell me," I says, backin' away from the thing, "that no fifty horses could make that much noise, not even if they was crazy! The guy that brought that in here must have tied a lot of machine guns together with a fuse and Stupid there set 'em off when he turned the crank!"

He runs around to the side where the Kid is and shuts down the gas and I seen half of Frisco lookin' in the door, figurin' the Japs had got started at last, or else somebody was puttin' on a dress rehearsal of the Civil War.

"Ain't she a beauty?" screams I. Markowitz to the Kid, barely makin' himself heard over the din. "Give a listen how that motor turns over – not a break or a miss and as smooth like glass! That's hittin' on six, all right!"

"I'm glad to hear that," I says. "I'm glad it's only six, because the thing will have to quit pretty soon. There ain't no six nothin's could stand up under that hittin' much longer!"

I. Markowitz steps on the runnin' board and holds on with both hands. He had to, because that motor had got the car doin' a muscle dance.

"Where d'ye want to go?" he yells to the Kid. "I'll have Herschel take you out so he should show you everything."

"Tell him to wash his face instead!" the Kid hollers back. "I don't need nobody to show me nothin' about a car. Come on!" he yells at me. "All aboard for Film City!"

"Ha! Ha!" I sneers. "Rave on! I wouldn't get in that thing for Rockefeller's bankroll!"

I had to holler at the top of my voice to drown out that motor.

"C'mon!" yells the Kid. "Don't be so yellah – you got everybody lookin' at you. She's all right now, and as soon as she gets warmed up she'll be rollin' along in great shape!"

"Yes!" I says. "And so will I – in a day coach of the Sante Fe!"

Well, he coaxed, threatened and so-forthed me, until finally I took a chance and climbed in beside him. The populace at the doors give three cheers and wished us good luck as we banged and rattled through their midst. We went on down the street, attractin' no more attention than the German army would in London, and every time we turned a new corner people run out of their houses to see was there a parade comin'. We passed several sure enough automobiles and they sneered at us, and one of them little flivvers got so upset by the noise that it blowed out a tire as we went by. Finally, we come to the city line and the Kid says he figures it's about time to see can the thing travel. He monkeys around them strange buttons on the steerin' wheel, pulls a handle here and there and presses a lever with his foot. The minute he did that we got action! That disappearin' cannon in the back went off three times and I bet it blowed up all the buildin's in the block. There was a horse and buggy passin' at the time and the guy that was drivin' it don't know what happened yet, because at the first bang, that horse started for the old country and it must have been Lou Dillon – believe me, it could run! I looked back and watched it. A big cloud of smoke rolls up from the back of the car, and I seen guys runnin' out of stores and wavin' to us with their fists and then a couple of brave and bold motorcycle cops jumps on their fiery steeds and falls in behind.

I guess the ex-owner of this bus was on the level at that about doin' them forty-five thousand miles in a week, because this car could have beat a telegram across the country, "when she got warmed up!" as I. Markowitz says. Every one of them six cylinders was in there trying and when they worked together like little pals and forgot whatever private quarrels they had, the result was speed, believe me! The Kid was hangin' on to the steerin' wheel and havin' the time of his young life and I was hangin' on to the seat and wishin' I had listened to that insurance agent in New York. We come to the top of a hill and as we start down the other side the prize boob of the county is waterin' the pavement around his real estate. When he hears us, he drops the hose which makes it all wet in front of us.

"Hold tight!" screams the Kid to me. "We're gonna do a piece of skiddin'. I forgot to get chains!"

Just about then we hit the damp spot and the Kid puts on the brakes. Sweet Cookie! You should have seen that car! It must have got sore at the man with the hose and went crazy, because it made eight complete turns tryin' to get at him and the poor simp was too scared to run. Finally the thing gives it up and shoots down to the bottom of the hill. We hit a log and I hit the one-man top. Then the motor calls it a day and stops dead. The Kid hops out and walks around to the crank. He gives it a couple of turns and it turns right back at him. He grabs it again and it was short with a left hook to the jaw, and then the Kid shakes his head and takes off one side of the hood. He sticks his hand down inside and pulls out a little brown thing that looks like a cup with a cover on it.

"No wonder she stopped!" he says, holdin' it up. "Look what I just found in here."

I give it the once over.

"What d'ye think of that, eh?" he says. "It's a wonder she run at all! I'll bet that boob mechanic left that in there when he started us off at the garage." He throws the thing in a ditch and puts the hood on. "Now," he says, "we're off for Film City!"

He grabs hold of the crank and gives it about eleven whirls, but there ain't a thing doin' and while we're stuck there like that, along comes a guy in another car.

"Can I help you fellows out?" he hollers.

"Yes!" I yells back. "Have you got a rope?"

He comes over and looks at the thing.

"What seems to be the trouble?" he asks the Kid.

"Nothin' in particular," the Kid tells him. "She's a great little car only we can't get her goin'."

"Have you got gas?" asks the stranger.

"Plenty!" says the Kid. "D'ye think I would try to run a car without gasoline?"

"I don't know," says the other guy. "I never seen you before! Is your spark all right?"

"A number one!" pipes the Kid.

"And she won't run?" he asks.

"She won't run!" we both says together.

"Hmph!" he snorts, scratchin' his head. He opens the hood and fusses around on both sides for a minute and then he rubs the side of his nose with his finger. He looks like he was up against a tough proposition.

"How far have you run this car?" he asks the Kid finally.

"All the way from Frisco," answers the Kid.

"Like this?" he says, pointin' to the motor.

"No!" I cuts in. "It was movin'."

"Why you couldn't have gone three feet with this car!" he busts out suddenly. "I never seen nothin' like this before in my life!"

"Why don't you go out at nights, then?" growls the Kid, gettin' sore. "Stop knockin' and tell us what's the matter with it."

"There ain't nothin' the matter with it," says the other guy with an odd little grin. "Not a thing —only it ain't got no carburetor in it, that's all!"

If he figured on creatin' a sensation on that remark – and from the way he said it, he did – he lost the bet. The Kid just gives him the baby stare and shrugs his shoulders like it's past him.

"No which?" he says.

"Carburetor!" explains the native. "The little cup where your gasoline mixes with the air to start the motor."

The Kid claps his hands together and yells,

"That little crook back in Frisco must have held out on me!"

But I had been doin' some thinkin' and I looks the Kid in the eye,

"What does this carburetor thing look like?" I asks the other guy.

He describes it to me, and when he got all through I gives the Kid another meanin' look and walks over to the ditch. After pawin' around in the mud for a while I found the little cup the Kid had throwed away.

"Is this it?" I asks the native.

"It is," he says. "What was it doin' over there?"

"It must have fell off!" answers the Kid quickly, kickin' at me to keep quiet.

Well, this guy finally fixes us up and about an hour later we hit the little road that leads into Film City, without havin' no further mishaps except the noise from that motor. About half a mile from the gates I seen a familiar lookin' guy standin' in the middle of the road and wavin' his hands at us.

"Slow up!" I says to the Kid. "Here's Genaro!"

The Kid reaches down to the side of his seat and yanks a handle that was stickin' up. It come right off in his hand and we kept right on goin'.

"That's funny!" says the Kid, holdin' up the handle and lookin' at it like it's the first one he ever seen. "We should have stopped right away – that's the emergency brake!"

He stamps on the floor with his foot a couple of times and shuts off the gas. We drift right on, and, if Genaro had had rheumatism, he would have been killed outright. As it was, he jumped aside just in time and the car comes to a stop of its own free will about twenty feet past him down the road.

"What's a mat?" yells Genaro, rushin' up to us. "Why you no stoppa the car when you see me?"

"Why don't they stop prohibition?" I hollers back at him. "We must have lost the stopper off this one, we – "

But he runs around the other side to where the Kid is sitting examinin' all them handles and buttons.

"Sapristi!" he yells at the Kid. "Where you go, Meester Kid Scanlan? Everybody she's a look for you – Meester Potts he'sa want you right away! We starta firsta reel of your picture to-day. Everybody she'sa got to wait for you!"

"Keep your shirt on!" growls the Kid. "You told me this mornin' I had lots of time, didn't you?"

Genaro grabs hold of a tree and does a little dance.

"Aha!" he remarks to the sky. "He'sa make me crazee! What you care what I tole you this a morning? Joosta now I want you queek! You maka mucha talk with me while Meester Potts and everybody she'sa wait for you!"

"Well," says the Kid. "Get in here and we'll go there right away."

Genaro climbs in the back of the car.

"Hurry up!" he says, holdin' his ears. "Anything so she'a stop that terrible noise. Hurry up!"

"I'll do that little thing!" pipes the Kid – and we was off.

I climbed over the seat and in the back with Genaro so's he wouldn't feel lonesome, and, so's if the Kid hit anything, I'd have a little more percentage in my favor. Genaro seems to be sore about something and to make conversation I ask him what's the matter.

"Everything she's the matter!" he tells me, while the Kid keeps his foot on the gas and we bump and clatter along the road. "Everything she's the matter! I work all morning on lasta reel of 'The Escapes of Eva.' Got two hundred extra people stand around do nothing. De Vronde, the bigga bunk, he's a play lead with Miss Vincent." He stops and kisses his hand at a tree we was passing "Ah!" he goes on. "She'sa fina girl! Some time maybe I ask her – pardone, I talka too fast! Lasta reel De Vronde he'sa get what you call lynched. They putta rope around he'sa neck and he's a stand under bigga tree. Joosta as they pulla rope to keel him, Miss Vincent," he throws another kiss at a tree. "Ah! sucha fina girl!" he whispers at me rollin' his eyes. "Sometime I – pardone, everytime I forget! Miss Vincent she'sa come along on horse and sava he'sa life – you see?"

"I got you!" I tells him. "Then what happens?"

"Sapristi!" he says. "That's all! What you want for five reels? But thisa morning, Meester Potts he'sa come up and watch. He'sa president of company and knows much about money, but acting – bah! he'sa know nothing! Gotta three year old boy he'sa know more! He'sa standa there and smile and rub he'sa hands together lika barber while we taka lasta reel. Everything she'sa fine till we come to place where De Vronde he'sa get lynch and Miss Vincent – ah! – she'sa come up on horse and sava him. Then Meester Potts he'sa rush over and stoppa the cameras. 'No!' he'sa yell. 'No, by Heaven, I won't stand for that! That's a rotten! You got to get difference ending froma that!'"

"What was the matter?" I asks him. "Didn't he want De Vronde saved?"

His shoulders does one of them muscle dances.

"Ask me!" he says. "I couldn't tella you! He'sa know nothing about art! Joosta money – that's all. He'sa tella me girl saving leading man from lynch lika that is old as he'sa fren' Methuselah! He'sa want something new for finish that picture – bran' new, he'sa holler or no picture! All morning I worka, worka, worka, he'sa maka faces at everything I do!"

"Well!" I says. "If you – "

I happened to look up just then and I seen the well known gates of Film City about a hundred yards away, and if we was makin' a mile an hour, we was makin' fifty. I leaned over and tapped the Kid on the shoulder.

"Don't you think you had better slow up a trifle?" I asks him.

"I don't think nothin' about it!" he throws over his shoulder. "I know it! I been tryin' to stop this thing for the last fifteen minutes and there's nothin' doin'!"

"Throw her in reverse!" I screams, as them great big iron gates looms up over the front mud guards.

"I can't!" he shouts. "The darned thing's stuck in high and I can't budge it!"

One of them gates was open and the Kid steers for it, while I closed my eyes and give myself over to prayer. We shot through leavin' one lamp, both mudguards and a runnin' board behind.

"Hey!" yells Genaro. "What's a mat? Thisa too fasta for me! Stoppa the car before something she'sa happen!"

"Somethin' she'sa gonna happen right now!" I says. "Be seated!"

The Kid swings around a corner and everybody in Film City is either lookin', runnin' or yellin' after us. I often wondered what a wide berth meant, and I found out that afternoon. That's what everybody in the place give us when we come through there hittin' on six as I. Markowitz would remark. A guy made up like a Indian chief jumped behind a tree and we only missed him by dumb luck.

"Hey!" he yells after us. "Are you fellows crazy? Look out for the Moorish Castle!"

I yelled back that we wouldn't miss nothin' of interest, if we could help it and the gas held out, and just then I got a flash at the Moorish Castle. It had been built the day before for a big five reel thriller that Genaro was gonna produce and I understand he was very partial to it. As soon as he sees it he jumps up in the back of the car and slaps the Kid on the shoulders.

"Hey, crazee man!" he hollers. "Stoppa the car, I, Genaro, command it! Don't toucha my castle!" his voice goes off in a shriek. "Sapristi! – I – "

That was all he said just then, because we went through the Moorish Castle like a cyclone through Kansas, and as we come out on the other side the whole thing tumbled down, bringin' with it a couple of Chinese pagodas that had just come from the paint shop. All we lost was half of the radiator and the windshield. The Kid pulls a kind of a sick grin and licks his lips.

"Some car, eh?" he says, takin' a fresh grip on the steerin' wheel.

I missed Genaro and lookin' back through the dust I seen him draped over a fence with his head touchin' the ground and his feet up in the air. A lot of daredevils was runnin' towards us and yellin' murder.

"Where's Genaro?" asks the Kid, as we miss a tree by a half inch.

I shivered and told him.

"The big quitter!" snarls the Kid. "Left us flat the minute somethin' happened, eh? I always knew that guy was yellah!"

We shot across the African Desert and comin' around another turn we bust right into "The Escapes of Eva." There's about two hundred supers dressed like cowboys and Duke, Genaro's assistant, is up on a little platform with the Big Boss Potts, directin' the thing. De Vronde is under a tree with a rope around his neck and another one that don't show in the picture under his arms so's he can be pulled up and it will look like he was bein' lynched. A little ways up the road is Miss Vincent on a horse, ready to make her dash to save De Vronde's life.

As all this comes into view, the Kid swings around on me and shoves somethin' big and round in my face.

"Now!" he hollers. "We're up against it for real! The steerin' wheel come off!"

I pushed open the door on the side and stood on the runnin' board.

"Let me know how you make out!" I yells. "I got enough!"

With that I jumps.

Just as I hit the ground, I hear Duke yellin' through a megaphone.

"C'mon, now – gimme action! Hey! Get two of those cameras at an angle. When I say 'Shoot!' you, Nelson, and Hardy pull that rope so De Vronde swings about five feet clear of the ground! Be sure the rope is under his arms, too! Hey, you extra people – a little ginger there! This is a lynching not a spelling bee! Dance around some – yell! That's it. Now, all ready?" He blows the whistle. "Shoot!" he yells, "and gimme all you got!"

Well, the Kid did what he could – he blowed the little trick horn on the side of the car about a second before he shot into the mob. Them bloodthirsty outlaws just melted away before him, and them that was slow-witted was picked up and tossed to one side before they knowed what hit 'em. They's a big stone wall at the other side of the tree and that's where the Kid was headed for. Just as he sails under De Vronde, who's hangin' from the rope over his head, the Kid sees the wall, grabs De Vronde by the legs and hangs there, lettin' that crazy, six cylinder A. G. F. proceed without him. De Vronde and the Kid crashes to the ground and the car dashed its brains out against the wall.

While great excitement is bein' had by all, Duke jumps from the platform to tell the camera men to cease firin' and a handful of actors runs over to jimmy the Kid and De Vronde apart. I thought this Duke guy was gonna explode, on the level it was two minutes before he could speak.

"What d'ye mean, you ivory-headed simp?" he screams at the Kid, finally. "What d'ye mean by that? You've ruined a hundred feet of film, you – "

I hear somebody puffin' along beside me as I come runnin' up and I see it's Potts. He's red in the face and mumblin' somethin' to himself as he waddles along. I felt real sorry for the Kid – car and job, both gone! Potts rushes up and grabs Duke by the shoulder.

"There!" he yells, pointin' to the Kid. "There stands a man that knows more about the picture game than the whole infernal lot of you! That's the kind of a finish I've been trying to get for this picture all morning!"