Читать книгу Self Condemned - Wyndham Lewis - Страница 5

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'If you call five six, you embarrass five, seeing that people then are going to expect of him the refulgence of six.' He looked up, coughed and continued. 'If you rename six seven, far more bustle is expected of him. I have been speaking, naturally, of the ante-meridian. In the post-meridian it is the reverse. Put your clock on, call five-thirty six-thirty, and people will exclaim how much more light six-thirty has. You push back the night. If you call Clara Stella, people would say how dull Stella has become, or how bright Clara has become. Five and six, post-meridian, are like Stella and Clara. See?'

'The little girl sees,' Essie Harding said.

From the other side of the breakfast table Essie had stared at her husband under a wide clear brow, with blankly bold, large, wide-open eyes. It was a mature face, the natural wide-openness not disagreeably exploited: the remains of the child-mind were encouraged to appear in the clear depths of the grey-blue. But as he spoke of five and six, she thought, rather, of forty-seven and of thirty-seven (but not of thirty-four and twenty-four). She renamed ages: as her husband spoke of renaming the hours of daybreak and the sunset, she shuffled about the years of life, calling thirty forty and vice versa. As to the explanation of what occurred when you put the clock forward or backward, Essie did not follow or would not follow. Allergic to learning, as are many children, for her the teacher was a life-long enemy. As she had stared, wide-eyed and with her mind a wilful blank, at her mistress as a child, her eyes hung open like a gaping mouth; and the fact that her husband was a professional teacher, a trained imparter of knowledge, caused Essie all the more readily to drop back into the mulish trance of childhood; expertly unreceptive she stripped her large defiant eyes of all intelligence, and left them there staring at his face, while her moist red lips were parted as she slowly raised a fresh spoonful of sugared porridge.

'Have I made it clear what it means to put the clock on?' he enquired, with no expectancy that the reply would be that he had.

'No.' She shook her head.

He laughed.

'You are lazy,' he told her. 'Had you been a boy, and had you lived a few decades ago, your bottom would have been furrowed up by the cane; fessée after fessée would have been your lot.'

She slowly sucked the spoon, and there was substituted in her eyes for the aggressive blank, an amorous and inviting light, as he had expected.

Deliberately he had referred to the caned posterior, as if it were a bait the other way round in order to provoke the reaction in question. He looked at her curiously. For a moment he almost embarked upon a didactic account of the periodic nature of sexual desire in the animal kingdom. Instead he enquired, 'Why this sudden interest in daylight saving?'

'Rosemary . . .'

'Ah. I see. Just repeat what I said about calling five six. She is a bright child, you will not have to interpret.'

Essie laughed. 'Any more questions of that sort and I shall explain that I am dumb, and that she must wait until Gladys gets well. She has one of those enquiring minds. I think she is an awful little brat, between ourselves.'

'Her mama has an enquiring mind, too. It's a beastly thing to have, I agree.'

He lighted a cigarette and watched her almost furtively for a few seconds. Then he placed his hand upon an open letter at the side of his plate.

'What shall we do about Richard?'

'When does he want us to go?'

'About the tenth, I think, of next month. How do you feel about it?'

She sat with her hands behind her head, staring silently at the wall behind his head. Neither spoke for some minutes.

'I do not feel terribly like the idyllic landscape of England just at present,' he observed. 'Do you feel like going down yourself for a week-end? It would do you good.'

'Not by myself; because I look countryfied, they would want me to milk their cow and draw water from their well. I came back last time from their place thoroughly worn out.'

'Right. Anything would be better than bucolic England just at present, for me. I must write him.'

A bell in the little hallway exploded into hysterical life. A door, from behind which the hum of a vacuum cleaner had for some time been heard, opened, and one of London's Dickensian charladies stood there without moving for a moment, a small bird-like figure with a white crest, which bobbed backwards and forwards, and an irascible eye. This eye was directed across the breakfast table towards the front door. The charlady propelled herself around the room, head shooting in and out, and darted at the front door, ready for battle. Her small raucous challenge was heard, 'What is it? Ooder ye want?' The landing was extremely dark, and Mrs. Harradson never could see who her enemy was. In the present case a telegram appeared out of the shadows impolitely near her little beak. She seized it, and, with considerable suspicion, holding it between thumb and forefinger, she re-entered the breakfast room.

'It's for you Professor Harding, sir.'

'Thank you, Mrs. Harradson.'

'Shall I tell 'im there's an answer, sir?'

Harding opened the telegram, and shook his head. 'No, thank you, no reply.'

Having banged the front door upon the uniformed intruder, Mrs. Harradson with her violent gait re-entered the bedroom, from whence she had come, and almost on the instant there came the angry hum of the indignant vacuum.

It was a large, gaunt and very dark room in which they sat. It was lighted only by one window in the extreme corner, opening on to the central air-hole. Between the window and the front door was a shadowy dresser, and a minute water-closet nestled indelicately in the small hall, the first thing to confront the visitor. The room in which the Hardings sat was eccentrically withdrawn from the light of day, as though London had been Cadiz: had it not been for the electric light they could not have seen to eat. For more than half the year no more than a token daylight found its way through the corner window. 'The house was designed by an imbecile or an Eskimo,' Harding would say. 'Why do we stop here?' To which Essie would reply, 'That I have often wondered myself.' It was an incomplete cylinder, for its central air-hole was little more than a semi-circle, the back yard of another house completing it on one side. Opening off this cavernous chamber (dining-room, kitchen, 'store-room', all in one) were a bedroom and sitting-room. Both of these were, in the ordinary way, day-lit: but because of the tower-like design of the building, they had a somewhat eccentric shape.

Rainfall was occurring, a thunderstorm threatening London, and the immured Hardings felt the need of more light. René Harding sprang up to switch on a standing lamp.

'Another beastly day,' he said absentmindedly.

'From whom is the telegram?' Essie enquired.

'From Canada. It is from a colleague of mine with some information I required.'

Essie was looking at him, as if expecting the answer about the telegram to complete itself. Professor René Harding was tall, about five foot eleven with broad shoulders and such markedly narrow hips that the lower part of his jacket was inclined to flap. His beard did not crudely blot out his face, nesting his eyes in a blue-black bush or surrounding them with a disturbing red vegetation. It merely lengthened the face, and stylistically grained and striped it with a soft material not differing greatly from it in tone, reminiscent of the elegant stone hair which leaved, curled upon, and grooved the long French faces upon the west façade at Chartres. His eyes were of a brown to match the somewhat sallow skin. When he laughed, rather than bisecting his face laterally, he thrust forward his bristling mouth in what might be called the ho-ho-ho position, employed by the actor if he wishes to give the idea of something stiltedly primitive. Should it be one of an archaically masculine, bearded chorus of uncouth warriors that he has to represent, that is when he ho-ho-ho's (not ha-ha-ha's). René's eyes were at the cat-like angle, glittering out of a slit rather than, as with his wife, showing the eye in its full circular expansion. He was one of those men it is difficult to imagine without a beard: and who one felt was very handsome bearded, but did not feel sure about its being so becoming were he to be beardless.

Speaking generally, he was inclined to furrow up his forehead à la Descartes, and to assume half-recumbent attitudes by choice, rather than to sit erect.

These physical idiosyncrasies corresponded to an innate preference for the dressed rather than the undressed, even if the costume or the disguise was nothing more than hair. His wife was of course a born nudist; and he had recently, it is true, come to feel, especially at breakfast time, that he was in a nudist camp.

But this was a very abstracted man. He seldom saw his wife in full focus, but behind, or through, something else. He did not often completely withdraw himself from the intellectual problem he had in hand, when conversing with an intimate or even with a stranger. Inside him, he left simmering as it were, in the background of his mind, the dominant problem, in the way that a housewife reduces to a simmer something she has in hand, to leave her free for a short while for action elsewhere, in response to a sudden summons.

As he sat down he placed the telegram in his pocket and picked up the Daily Express. Filling himself a fresh cup of coffee he drank this in a long gulp. Replacing the cup in the saucer with fracas he continued to stare dully and angrily at the Daily Express headlines.

Monday, 15th May, 1939.

THE KING WILL BE TWO DAYS LATE

IT'S THAT OTHER MAN AGAIN

DUCE SAYS PEACE

'Nothing to Justify a War.'

Essie was still looking at him, and now she asked, 'What is in your paper, René?'

'It's that "Other Man Again",' he replied, almost mechanically, echoing the headlines. He looked up at her, his face wrinkled, with a dismally roguish smile. 'The German Chancellor, you know.'

'So I gathered,' Essie said, and slowly lowered her head to look at her own paper, the Daily Telegraph.

For about ten minutes, husband and wife read their papers without speaking. Rather abruptly Harding rose, wiped his moustache, and exclaimed, 'Are you going out to the shops, my dear?'

Hester Harding rose too.

'A little later, yes.'

'See if you can get me The Times, will you? Also the Manchester Guardian. I am going in to work now. If anyone should telephone, do not put them through.'

'No one?'

'No one at all!'

'All right,' said Essie. 'You look preoccupied. Is there anything in the papers you don't like?'

'A damn lot, but not more so than usual! I shall be through with what I have to do about one o'clock!'

They had rented the next-door flat, a one-room affair, the front doors facing one another across the dark landing. He was inserting his key in the opposite door, that of No. 7, as he was closing his own. This other flat, which he used as a study, was walled with books. There was a small desk at which he now seated himself hurriedly and drew the telegram out of his pocket.

*****

For her part, Hester went into the room where Mrs. Harradson was still at work with the vacuum cleaner, a novelty she greatly appreciated.

'Oo, ma'am, Mrs. Harding, I didn't hear you, m'am,' said Mrs. Harradson jumping up and down, an excitable marionette, as she heard Essie's voice. She turned off the vacuum.

'What do you think that old wretch Hitler has done now, Mrs. Harradson?'

'Oo! I'm sure I don't know, m'am. What is it, m'am, the nasty ole man?'

'Yes, he's a horrid old beast. He says woman's place is in the kitchen. What do you say to that, Mrs. Harradson?'

'Oo, 'e do do 'e, ma'am! What does that dirty ole German want to be givin' us orders for, where we oughter be, nasty ole man.'

'I don't know what their wives are doing. That is a man's country where women seem to have no rights at all. The men shave their heads in the most disgusting way; they don't mind what they look like. If my husband shaved his head I would sue for divorce on the spot!'

'Nasty ole man!' Mrs. Harradson barked: and it was not clear whether she was referring to Professor Harding or to 'That Other Man', except that her employer did not belong to that evil category, which she classified invariably as 'nasty ole men'.

After a little more desultory conversation about the political scene, the lot of women, and the arbitrary behaviour of men generally, especially those that rang the front-door bell, Essie strolled away into the sitting-room, the Daily Telegraph and an illustrated tabloid in her hand. She propped herself upon cushions on the settee and plunged into the tabloid. It was not long before she heard Mrs. Harradson at work in the large 'cooking' and 'eating' room; there was also a piano there and she could hear her dusting the keys. Essie read in the tabloid how a woman had gone into a neighbour's house about ten in the morning for a nice chat and had not returned till the afternoon. She discovered her two children both dead: they had swallowed all her aspirin tablets, which she had left by the side of her bed. Essie reflected how careless the lower classes were, and yawned. Mrs. Harradson's voice was heard in the next room, furiously apostrophizing someone as she scrubbed the sink.

'Nasty ole man—nasty ole maaan.' She heard 'maaan' repeated several times: it could be none other than Hitler, and Essie, smiling, got up and moved, with a smile still on her face, into the next room.

'Who are you talking about, Mrs. Harradson, Herr Hitler?'

'Not Hitler, not him!' Mrs. Harradson replied, after a violent start at the sound of her employer's voice. 'It's that Lucifer, nasty ole man. Walking the earth, nasty ole man!' She scrubbed harder, as if to scrub him away.

Lucifer was a new one on Essie. She thought in terms of Hitler and such minor devils. But Mrs. Harradson was a devout catholic and she of course saw that the Führer was nothing but a minion of Lucifer's.

Mrs. Harradson was a perpetual Punch and Judy show for Essie. But also, in her way, she had become attached to this little being as she would to a small disgruntled squirrel, had she received so eccentric a gift. One of Essie's morning amusements, for instance, was to ask Mrs. Harradson to TIM it for her on the telephone, to check the exact time. Mrs. Harradson was always very diffident, polite and nervous while speaking on the telephone. It was a piece of pagan music to which she never grew used. The deference she exhibited on these occasions was quite unlike her usual behaviour. She would dial TIM, in obedience to Essie's request, but when the voice began saying, 'At the third stroke, it will be e-l-e-v-e-n forty-three and ten seconds,' she began nodding, bowing and smiling into the telephone, 'Yes, Miss, thank you, Miss. Yes, Miss, twenty seconds. No, Miss, thirty seconds. Yes, Miss, thank you, Miss, forty seconds—thank you, Miss,' a little confused and nervous at the last at the continued affability of this young woman, whose habit it was to say a different time whenever she spoke. Essie was obliged literally to drag her away from the telephone. She became positively mesmerised and without this intervention of her employer, might have stood there all day bowing and smiling.

The house was run on a principle of extreme parsimony: should the ball-valve in a lavatory cease to do its work a shrivelled and diminutive plumber would, sooner or later, appear, a certain Mr. Shotstone. Since the ball-valve was constantly in need of attention, the Hardings were very familiar with Mr. Shotstone, and it was seldom that he failed to diversify his professional visits in the following manner. Indeed, with this difficulty of Mr. Shotstone's Essie was so familiar that she took it as a matter of course when the summons arrived. A hoarse whispered call would reach her from the little lavatory in the hall. ''Ere, Missis, come 'ere.' When she approached, finding him standing on the lavatory seat, she would distinguish the words hissed hoarsely over his shoulder—'Me truss is slipping—ask 'er to come'—Essie would signal Mrs. Harradson and repeat the message. 'His truss is slipping,' she would say. Mrs. Harradson would be transfixed with indignation, her head would shoot in and out, her white crest weirdly flashing. In a high-pitched staccato grunt came the usual sounds, 'Oo . . . disgusting . . . what, Madam? . . . What? . . . Did 'ee? . . . Did 'ee say that? . . . nasty ole man. . . .' Shooting her head in and out, she hurtled across to the water closet. There her sharp liquid grunts could be heard as she adjusted the truss. In a few minutes she returned. Mr. Shotstone was a prostatic elder and at times literally stank the lavatory out. Herself slightly impregnated with this disagreeable odour, Mrs. Harradson shot angry glances over her shoulder in the direction of the hall and continued to snarl, 'Dirty ole man—dirty ole man.'

Harding showed what can only be described as apprehension where the charlady was concerned. It was as though he had been called upon to enjoy the antics of a demented person. He would join Essie in explosions of mirth, sometimes in spite of himself, but on the whole he was uneasy.

If Mrs. Harradson was a source of cheap amusement for Hester, she had been born, as it were, with the house in which they lived: the House that Jack Built, as René called it. She was as if she had been one of its bricks, cemented into it. And if she was absurd, so was the house and its cast. Essie watched it, mainly through the rapportage of Mrs. Harradson, through which medium its events were magnified and distorted. Her husband, too, was entertained by the continuation of Mrs. Harradson, namely the house. But, as with her, this building, so replete with absurdity, produced in him a malaise, which he endeavoured to conceal, although he would say to Essie, 'Is it not unusually absurd? Or is it just the average human mean? What do you think?' But she would answer, 'As you know, darling, the philosophy of the absurd is not in my line. But if you really want to know what I think. . . .'—'Yes? You mean that we are part of the house. That is the difficulty.'

It might be argued that all the absurdity flowed from the owner of the house. This large, circular, red-brick building, containing some twenty flats standing back a little pretentiously from the other houses in the street, was the property of a strong-minded, disagreeable moustachioed old lady, named Mrs. Abbott. She was one of several sisters who had inherited various properties. This house had been her share, and the least desirable legacy. She heartily disliked the house and all her tenants. Her refusal to spend a penny on it had a number of comic consequences. One of the climaxes was when slates began raining on the heads of those leaving or entering it. It needed badly 'pointing': the cement was disintegrating between the bricks. Any day it might begin to collapse. Then half a dozen of the tenants appealed to the local Town Hall. Eventually one morning a notice was found posted inside the front doors, 'To whom it may concern'—and a statement declaring that 'This building is not safe.' Mrs. Abbott immediately served a week's notice on the six rebellious tenants, but some repairs were thereupon undertaken.

Mrs. Harradson was the caretaker, at a salary of four and sixpence a week. For this she was needed to wash all the stairs and all the windows that lighted them. She was forbidden to accept any other employment, her charing for the Hardings being a breach of trust. But she was also provided with a small flat. So, legally, she had a roof over her head and four and sixpence a week.

The tenants were a typical set of tenants. 'All houses have the same tenants, however much they may be disguised, just as all worlds have congenial inhabitants,' René Harding commented. On the street floor a flat had, much against the grain, been sacrificed by Mrs. Abbott, a three-pound-a-week flat; a family obligation. Her brother, Mr. Buckland, and his wife occupied their flat rent-free, until Mr. Buckland lost his reason. The first notice that the neighbours had had of his approaching derangement were certain violent noises which could be heard within the flat. The next thing they knew was that Mr. Buckland would rush out, and thunder on their doors crying, 'Let him out!' Then one day a coal-man with a sack of coals on his back was climbing the stairs when Mr. Buckland pursued him, and seized the bag of coals shouting, 'Let him out! Let him out!' The coal and the coal-man fell on top of Mr. Buckland, who was madly convulsed in the midst of a torrent of glistening carbon, and ended by nearly murdering the amazed coal-man. At this point Mr. Buckland left for Colney Hatch. For some years Mrs. Buckland had occupied the flat alone. She was a barmaid-like woman, amiably blonde and somewhat fat.

Now upon the floor immediately above the Hardings dwelt a certain Mr. Whitaker. He was a bank-manager of a most morose and reticent type and not very neighbourly. But he was noticed descending the stairs a little furtively, about nine-thirty in the evening, and on these occasions he would be admitted to Mrs. Buckland's flat, which he would leave about midnight; and it was said that he was at times intoxicated. But in the flat facing that of Mr. Whitaker dwelt a Mr. Ambrose Dewes. Mr. Dewes was an actor of some thirty-six summers, much addicted to gallantry. If any good-looking girl happened, for whatever reason, to ascend the stairs, and if Mr. Dewes chanced to see her, he would undoubtedly say, 'What a fine day it is, and yet how awfully dark on the staircase'; and then, all smiling charm, would produce an electric torch and render her every assistance in his power. And if she were the kind of girl who seemed to suffer from the heat—or from the cold—she might follow him into his flat to have a snort and a little friendly chat, before proceeding on her way. Nor did Mr. Dewes by any means rely upon such girls as might happen to ascend the stairs of this particular house. For great numbers of women were seen to enter his flat by his neighbours. These facts attracted the censorious comment of his immediate neighbour, Mr. Whitaker. But Mr. Dewes retorted by pointedly alluding to the bank manager's habit of nightly visiting the flat of the blonde downstairs. The actor was a very jovial young Casanova, an old Etonian, not disagreeably impressing Mrs. Hester Harding.

Upon the same landing as the Hardings was an elderly spinster-lady of great respectability who would especially enjoin Mrs. Harding to put a new bulb of somewhat superior power upon the landing when the Marchioness of Shewburyness came to visit her once a month. There were many other tenants of great typicality: in a word, the house was properly stocked, in all its little compartments, in such a way as emotionally to equip it for its passage through time. The Hardings were shortly to leave it. A certain percentage of its tenants were to leave it, too, when London was blitzed. The Blitz, indeed, changed it a great deal: it shook the decaying cement between its bricks, it shook the slates from its roof. Indeed, in the depths of the war-years it became somewhat a wild place. Mrs. Abbott had refused to spend any money on blacking-out the stair-windows, and consequently there was no illumination at night. It was not, however, at night that Mrs. Harradson plunged down the stairs and was killed. A pail of water and a brush made it plain what she had been doing. Those familiar with her repertoire of enemies spoke of foul play, and whispered that it was the postman, who had stopped her tongue with his boot. The actor still dwelt there, but he was a changed man, greying at the temples, it was said. By forty-five Mr. Dewes had lost the sight of both eyes. A woman-friend of the Hardings, who saw him not long after the Blitz, recalled how he had told her that the cellar was full of dead leaves and a wild cat had established its home there, a brood of wild kittens springing about among the leaves. This wild cat so terrorized the tenants that they dared not go down to their trash bins just outside the cellar-door. And then this same woman narrated how she had passed him down the street while a rain of incendiaries was falling in the district, and the roof of the building where the Hardings had dwelt was on fire and the tenants of the upper flats were flinging blazing cushions and other articles into the street. Professor Harding's comment was that the House that Jack Built was always built in the same way. And its destiny was in accordance with its architecture. Some houses built by Jack attracted incendiaries, some did not. But it did not matter whether they did or whether they did not. All in the end had wild cats in their cellars, for civilization never continued long enough to keep the wild cats out—if you call it civilization, René Harding would shout.