Читать книгу Crash - J. G. Ballard, John Lanchester, Robert MacFarlane - Страница 11

‘YOU'RE GOING TO drive? But your legs – James, you can barely walk!’

As we sped along the Western Avenue clearway at over seventy miles an hour Catherine's voice sounded a reassuring note of wifely despair. I sat back in the leaping bucket seat of her sports car, watching happily while she fought her blonde hair out of her eyes, slim hands swerving to and from the leopard-skin glove of the miniature steering wheel. Since my accident Catherine's driving had become worse, not better, as if she were confident now that the unseen powers of the universe would guarantee her erratic passage down these high-speed concrete avenues.

I pointed at the last moment to a truck looming in front of us, its refrigerated trailer bounding from side to side on over-inflated tyres. Catherine drove her small foot on to the brake pedal, pulling us around the truck into the slow lane. I put away the rental-car company brochure and gazed through the perimeter fence at the deserted standby runways of the airport. An immense peace seemed to preside over the shabby concrete and untended grass. The glass curtain-walling of the terminal buildings and the multi-storey car-parks behind them belonged to an enchanted domain.

‘You're renting a car – how long for?’

‘A week. I'll be near the airport. You'll be able to keep an eye on me from your office.’

‘I will.’

‘Catherine, I've got to get out more.’ I drummed at the windshield with both fists. ‘I can't sit on the veranda for ever – I'm beginning to feel like a potted plant.’

‘I understand.’

‘You don't.’

For the past week, after being brought home in a taxi from the hospital, I had been sitting in the same reclining chair on the veranda of our apartment, looking down through the anodized balcony rails at the unfamiliar neighbourhood ten storeys below. On the first afternoon I had barely recognized the endless landscape of concrete and structural steel that extended from the motorways to the south of the airport, across its vast runways to the new apartment systems along Western Avenue. Our own apartment house at Drayton Park stood a mile to the north of the airport in a pleasant island of modern housing units, landscaped filling stations and supermarkets, shielded from the distant bulk of London by an access spur of the northern circular motorway which flowed past us on its elegant concrete pillars. I gazed down at this immense motion sculpture, whose traffic deck seemed almost higher than the balcony rail against which I leaned. I began to orientate myself again round its reassuring bulk, its familiar perspectives of speed, purpose and direction. The houses of our friends, the wine store where I bought our liquor, the small art-cinema where Catherine and I saw American avant-garde films and German sex-instruction movies, together realigned themselves around the palisades of the motorway. I realized that the human inhabitants of this technological landscape no longer provided its sharpest pointers, its keys to the borderzones of identity. The amiable saunter of Frances Waring, bored wife of my partner, through the turnstiles of the local supermarket, the domestic wrangles of our well-to-do neighbours in our apartment house, all the hopes and fancies of this placid suburban enclave, drenched in a thousand infidelities, faltered before the solid reality of the motorway embankments, with their constant and unswerving geometry, and before the finite areas of the car-park aprons.