Читать книгу We / Мы. Книга для чтения на английском языке - Евгений Замятин, Евгений Иванович Замятин - Страница 5

Until now, everything in life was clear to me (no wonder I seem to have a predilection for the very word “clear”). Yet today… I cannot understand it.

First: I was, indeed, assigned to auditorium 112, as she had told me. Although the probability was

(1500 being the number of auditoriums; 10,000,000, the number of numbers).

And, second… But let me tell it in order, as it happened.

The auditorium – an enormous, sun-drenched hemisphere of massive glass. Circular rows of nobly spherical, smooth-shaven heads. With a slightly palpitating heart I looked around me. I think I was searching for the sight of a rosy crescent – O’s sweet lips – over the blue waves of unifs. A flash of someone’s extraordinarily white, sharp teeth, like… No, but it wasn’t that. O was to come to me at twenty-one that evening. It was entirely natural for me to wish to see her there.

The bell rang. We stood up and sang the Hymn of the One State. And then, from the stage, the voice of the phono-lecturer, glittering with its golden loud-speakers and wit.

“Respected numbers! Our archeologists have recently dug up a certain twentieth-century book in which the ironic author tells the story of a savage and a barometer. The savage noticed that every time the barometer indicated ‘rain’ it actually rained. And since he wanted it to rain, he picked out exactly enough mercury from the column to leave it at ‘rain.’ ” (On the screen – a savage, dressed in feathers, picking out the mercury. Laughter.) “You are laughing. But does it not seem to you that the European of that period was even more ridiculous? Like the savage, the European wanted ‘rain’ – rain with a capital letter, algebraic rain. But all he did was stand before the barometer like a limp wet hen. The savage, at least, had more courage and energy and logic, if only primitive logic He had been able to discover that there was a connection between effect and cause. Picking out the mercury, he was able to take the first step on that great road along which…”

At this point (I repeat, I write these notes without concealing anything) – at this point I became as though impermeable to the vitalizing stream that flowed from the loud-speakers. I was suddenly overcome by the feeling that I had come there for nothing (why “for nothing,” and how could I not have come, since I had been assigned there?). Everything seemed empty to me, nothing but mere husks. And when, by dint of a considerable effort, I managed to switch on my attention again, the phono-lecturer had already gone on to his main topic: our music, mathematical composition. (The mathematician as the cause, music as the effect.) He was describing the recently devised musicometer.

“Simply by turning this handle, any of you can produce up to three sonatas an hour. Yet think how much effort this had cost your forebears! They were able to create only by whipping themselves up to fits of ‘inspiration’ – an unknown form of epilepsy. And here you have a most amusing illustration of what they produced: Scriabin, the twentieth century. They called this black box” (a curtain parted on the stage, revealing their most ancient instrument) “a ‘grand,’ a ‘royal’ instrument, which only shows once more to what extent their entire music…”

And then I lost the thread again, perhaps because… Yes, I will be frank, because she, I-330, came out to the “royal” box. I suppose I was simply startled by her sudden appearance on the stage.

She wore the fantastic costume of the ancient epoch: a closely fitting black dress, which sharply emphasized the whiteness of her bare shoulders and breast, with that warm shadow, stirring with her breath, between… and the dazzling, almost angry teeth…

A smile – a bite – to us, below. Then she sat down and began to play. Something savage, spasmodic, variegated, like their whole life at that time – not a trace of rational mechanical method. And, of course, all those around me were right, they all laughed.

Except for a few… but why was it that I, too… I?

Yes, epilepsy, a sickness of the spirit, pain… Slow, sweet pain – a bite – and you want it still deeper, still more painful. Then, slowly, the sun. Not ours, not that bluish, crystal, even glow through glass bricks, no – a wild, rushing, scorching sun – and off with all your clothing, tear everything to shreds.

The number next to me glanced to the left, at me, and snorted. Somehow, a vivid memory remains: a tiny bubble of saliva blew out on his lips and burst. The bubble sobered me. I was myself again.

Like all the others, I now heard only senseless, hurried clattering. I laughed. There was a feeling of relief; everything was simple. The clever phono-lecturer had given us too vivid a picture of that primitive age. That was all.

With what enjoyment I listened afterward to our present music! (It was demonstrated at the end, for contrast.) The crystalline chromatic measures of converging and diverging infinite series and the synthesizing chords of Taylor and McLauren formulas; the full-toned, square, heavy tempos of “Pythagoras’ Trousers”; the sad melodies of attenuating vibrations; vivid beats alternating with Frauenhofer lines of pauses – like the spectroscopic analysis of planets… What grandeur! What imperishable logic! And how pathetic the capricious music of the ancients, governed by nothing but wild fantasies…

As usual, we walked out through the wide doors of the auditorium in orderly ranks, four abreast. The familiar, doubly bent figure flashed past; I bowed respectfully.

O was to come in an hour. I felt pleasantly and beneficially excited. At home I stepped hurriedly into the office, handed in my pink coupon, and received the certificate permitting me to lower the shades. This right is granted only on sexual days. At all other times we live behind our transparent walls that seem woven of gleaming air – we are always visible, always washed in light We have nothing to conceal from one another. Besides, this makes much easier the difficult and noble task of the Guardians. For who knows what might happen otherwise? Perhaps it was precisely those strange, opaque dwellings of the ancients that gave rise to their paltry cage psychology. “My (sic!) home is my castle.” What an idea!

At twenty-two I lowered the shades, and at the same moment O entered, slightly out of breath. She held up to me her pink lips and her pink coupon. I tore off the stub – and could not tear myself away from her pink mouth until the very last second – twenty-two-fifteen.

Afterward I showed her my “notes” and spoke (I think I spoke very well) about the beauty of the square, the cube, the straight line. She listened with such enchanting pink attention, and suddenly a tear dropped from the blue eyes, then a second, a third, right on the open page (page 7). The ink ran. Now I shall have to copy the page.

“Darling D, if only you – if…”

“If” what? If… Her old song again about a child? Or, perhaps, something new – about… about the other one? But this would… No, really, it would be too absurd.