Читать книгу The Red House Mystery and Other Novels - A. A. Milne - Страница 7

The next dance was at its height. In a dream of happiness Gwendolen revolved with closed eyes round Lord Beltravers of Beltravers Castle, Beltravers.

Suddenly above the music rose a voice, commanding, threatening.

"Stop!" cried the Lady Beltravers.

As if by magic the band ceased and all the dancers were still.

"There is an intruder here," said Lady Beltravers in a cold voice. "A milkmaid, a common farmer's daughter. Gwendolen French, leave my house this instant!"

Dazed, hardly knowing what she did, Gwendolen moved forward. In an instant Lord Beltravers was after her. "No, mother," he said, with the utmost dignity. "Not a common milkmaid, but the future Lady Beltravers."

An indescribable thrill of emotion ran through the crowded ball-room. Lord Hobble's stud fell out; and Lady Susan Golightly hurried across the room and fainted in the arms of Sir James Batt.

"What!" cried the Lady Beltravers. "My son, the Last of the Beltraverses, the Beltraverses who came over with Julius Wernher (I should say Csar), marry a milkmaid?"

"No, mother. He is marrying what any man would be proud to marry--a simple English girl."

There was a cheer, instantly suppressed, from a Socialist in the band.

For just a moment words failed the Lady Beltravers. Then she sank into a chair, and waved her guests away.

"The ball is over," she said slowly. "Leave me. My son and I must be alone."

One by one, with murmured thanks for a delightful evening, the guests trooped out. Soon mother and son were alone. Lord Beltravers, gazing out of the window, saw the 'cellist laboriously dragging his 'cello across the park.

CHAPTER V

WEDDED

[And now, dear readers, I am in a difficulty. How shall the story go on? The editor of _The Seaside Library_ asks quite frankly for a murder. His idea was that the Lady Beltravers should be found dead in the park next morning and that Gwendolen should be arrested. This seems to me both crude and vulgar. Besides I want a murder for No. XCIX of the series--The Severed Thumb.

No, I think I know a better way out.]

* * * * *

Old John French sat beneath a spreading pear-tree and waited. Early that morning a mysterious note had been brought to him, asking for an interview on a matter of the utmost importance. This was the trysting-place.

"I have come," said a voice behind him, "to ask you to beg your daughter----"

"_I have come_" cried the Lady Beltravers, "_to ask you_----"

"I HAVE COME," shouted her ladyship, "TO----"

John French wheeled round in amazement. With a cry the Lady Beltravers shrank back.

"Eustace," she gasped--"Eustace, Earl of Turbot!"

"Eliza!"

"What are you doing here? I came to see John French."

"What?" he asked, with his hand to his ear.

She repeated her remark loudly several times.

"I am John French," he said at last. "When you refused me and married Beltravers I suddenly felt tired of Society; and I changed my name and settled down here as a simple farmer. My daughter helps me on the farm."

"Then your daughter is----"

"Lady Gwendolen Hake."

* * * * *

A beautiful double wedding was solemnised at Beltravers in October, the Earl of Turbot leading Eliza, Lady Beltravers, to the altar, while Lord Beltravers was joined in matrimony to the beautiful Lady Gwendolen Hake. There were many presents on both sides, which partook equally of the beautiful and the costly.

Lady Gwendolen Beltravers is now the most popular hostess in the county; but to her husband she always seems the simple English milkmaid that he first thought her. Ah!

OUT-OF-DOORS

XXII. THE FIRST OF SPRING

There may be gardeners who can appear to be busy all the year round--doing even in the winter, their little bit under glass. But for myself I wait reverently until the 22nd of March is here. Then, Spring having officially arrived, I step out on to the lawn and summon my head-gardener.

"James," I say, "the winter is over at last. What have we got in that big brown-looking bed in the middle there?"

"Well, Sir," he says, "we don't seem to have anything do we, like?"

"Perhaps there's something down below that hasn't pushed through yet?"

"Maybe there is."

"I wish you knew more about it," I say angrily; "I want to bed out the macaroni there. Have we got a spare bed, with nothing going on underneath?"

"I don't know, Sir. Shall I dig 'em up and have a look?"

"Yes, perhaps you'd better," I say.

Between ourselves, James is a man of no initiative. He has to be told everything.

However mention of him brings me to my first rule for young gardeners--

"_Never sow Spring Onions and New Potatoes in the same bed._"

I did this by accident last year. The fact is, when the onions were given to me, I quite thought they were young daffodils; a mistake any one might make. Of course I don't generally keep daffodils and potatoes together; but James swore that the hard round things were tulip bulbs. It is perfectly useless to pay your head-gardener half-a-crown a week if he doesn't know the difference between potatoes and tulip bulbs. Well, anyhow, there they were, in the Herbaceous Border together, and they grew up side by side; the onions getting stronger every day, and the potatoes more sensitive. At last, just when they were ripe for picking, I found that the young onions had actually brought tears to the eyes of the potatoes--to such an extent that the latter were too damp for baking or roasting, and had to be mashed. Now, as everybody knows, mashed potatoes are beastly.

THE RHUBARB BORDER

gives me more trouble than all the rest of the garden. I started it a year ago with the idea of keeping the sun off the young carnations. It acted excellently, and the complexion of the flowers improved tenfold. Then one day I discovered James busily engaged in pulling up the rhubarb.

"What are you doing?" I cried. "Do you want the young carnations to go all brown?"

"I was going to send some in to the cook," he grumbled.

"To the cook! What do you mean? Rhubarb isn't a vegetable."

"No, it's a fruit."

I looked at James anxiously. He had a large hat on, and the sun couldn't have got to the back of his neck.

"My dear James," I said, "I don't pay you half-a-crown a week for being funny. Perhaps we had better make it two shillings in future."

However, he persisted in his theory that in the spring people stewed rhubarb in tarts, and ate it!

Well, I have discovered since that this is actually so. People really do grow it in their gardens, not with the idea of keeping the sun off the young carnations, but under the impression that it is a fruit. Consequently I have found it necessary to adopt a firm line with my friends' rhubarb. On arriving at any house for a visit, the first thing I say to my host is, "May I see your rhubarb bed? I have heard such a lot about it."

"By all means," he says, feeling rather flattered, and leads the way into the garden.

"What a glorious sunset," I say, pointing to the west.

"Isn't it?" he says, turning round; and then I surreptitiously drop a pint of weed-killer on the bed.

Next morning I get up early and paint the roots of the survivors with iodine.

Once my host, who for some reason had got up early too, discovered me.

"What are you doing?" he asked.

"Just painting the roots with iodine," I said, "to prevent the rhubarb falling out."

"To prevent what?"

"To keep the green fly away," I corrected myself. "It's the new French intensive system."

But he was suspicious, and I had to leave two or three stalks untreated. We had those for lunch that day. There was only one thing for a self-respecting man to do. I obtained a large plateful of the weed and emptied the sugar basin and cream jug over it. Then I took a mouthful of the pastry, gave a little start, and said, "Oh, is this rhubarb? I'm sorry, I didn't know." Whereupon I pushed my plate away and started on the cheese.

ASPARAGUS

Asparagus wants watching very carefully. It requires to be tended like a child. Frequently I wake up in the middle of the night and wonder if James has remembered to put the hot-water bottle in the asparagus bed. Whenever I get up to look I find that he has forgotten.

He tells me to-day that he is beginning to think that the things which are coming up now are not asparagus after all, but young hyacinths. This is very annoying. I am inclined to fancy that James is not the man he was. For the sake of his reputation in the past I hope he is not.

POTTING OUT

I have spent a very busy morning potting out the nasturtiums. We have them in three qualities, mild, medium, and full. Nasturtiums are extremely peppery flowers, and take offence so quickly that the utmost tact is required to pot them successfully. In a general way all the red or reddish flowers should be potted as soon as they are old enough to stand it, but it is considered bad form among horticulturists to pot the white.

James has been sowing the roses. I wanted all the pink ones in one bed, and all the yellow ones in another, and so on; but James says you never can tell for certain what colour a flower is going to be until it comes up. Of course, any fool could tell then.

"You should go by the picture on the outside of the packet," I said.

"They're very misleading," said James.

"Anyhow, they must be all brothers in the same packet."

"You might have a brother with red hair," says James.

I hadn't thought of that.

GRAFTING

Grafting is when you try short approaches over the pergola in somebody else's garden, and break the best tulip. You mend it with a ha'-penny stamp and hope that nobody will notice; at any rate not until you have gone away on the Monday. Of course in your own garden you never want to graft.

I hope, at some future time to be allowed--even encouraged--to refer to such things as The Most Artistic Way to Frame Cucumbers, How to Stop Tomatoes Blushing (the homoeopathic method of putting them next to the French beans is now discredited), and Spring Fashions in Fox Gloves. But for the moment I have said enough. The great thing to remember in gardening is that flowers, fruits and vegetables alike can only be cultivated with sympathy. Special attention should be given to backward and delicate plants. They should be encouraged to make the most of themselves. Never forget that flowers, like ourselves, are particular about the company they keep. If a hyacinth droops in the celery bed, put it among the pansies.

But above all, mind, a firm hand with the rhubarb.

XXIII. THE COMING OF THE CROCUS

"It's a bootiful day again, Sir," said my gardener, James, looking in at the study window.

"Bootiful, James, bootiful," I said, as I went on with my work.

"You might almost say as Spring was here at last, like."

"Cross your fingers quickly, James, and touch wood. Look here, I'll be out in a minute and give you some orders, but I'm very busy just now."

"Thought you'd like to know there's eleven crocuses in the front garden."

"Then send them away--we've got nothing for them."

"Crocuses," shouted James.

I jumped up eagerly and climbed through the window.

"My dear man," I said, shaking him warmly by the hand, "this is indeed a day. Crocuses! And in the front gar--on the South Lawn! Let us go and gaze at them."

There they were--eleven of them. Six golden ones, four white, and a little mauve chap.

"This is a triumph for you, James. It's wonderful. Has anything like this ever happened to you before?"

"There'll be some more up to-morrow, I won't say as not."

"Those really are growing, are they? You haven't been pushing them in from the top? They were actually born on the estate?"

"There'll be a fine one in the back bed soon," said James proudly.

"In the back--my dear James! In the spare bed on the North-east terrace, I suppose you mean? And what have we done in the Dutch Ornamental Garden?"

"If I has to look after ornamental gardens and South aspics and all, I ought to have my salary raised," said James, still harping on his one grievance.

"By all means raise some celery," I said coldly. "Take the spade and raise some for lunch. I shall be only too delighted."

"This here isn't the season for celery, as you know well. This here's the season for crocuses, as any one can see if they use their eyes."

"James, you're right. Forgive me. It is no day for quarrelling."

It was no day for working either. The sun shone upon the close-cropped green of the deer park, the sky was blue above the rose garden, in the tapioca grove a thrush was singing. I walked up and down my estate and drank in the good fresh air.

"James!" I called to my head-gardener.

"What is it now?" he grumbled.

"Are there no daffodils, to take the winds of March with beauty?"

"There's these eleven croc----"

"But there should be daffodils, too. Is not this March?"

"It may be March, but 'tisn't the time for daffodils--not on three shillings a week."

"Do you only get three shillings a week? I thought it was three shillings an hour."

"Likely an hour!"

"Ah well, I knew it was three shillings. Do you know, James, in the Scilly Islands there are fields and fields and fields of nodding daffodils out now."

"Lor'!" said James.

"Did you say 'lor'' or 'liar'?" I asked suspiciously.

"To think of that now," said James cautiously.

He wandered off to the tapioca grove, leant against it in thought for a moment, and came back to me.

"What's wrong with this little bit of garden--this here park," he began, "is the soil. It's no soil for daffodils. Now what daffodils like is clay."

"Then for heaven's sake get them some clay. Spare no expense. Get them anything they fancy."

"It's too alloovial--that's what's the matter. Too alloovial. Now crocuses like a bit of alloovial. That's where you have it."

The matter with James is that he hasn't enough work to do. The rest of the staff is so busily employed that it is hardly ever visible. William, for instance, is occupied entirely with what I might call the poultry; it is his duty, in fact, to see that there are always enough ants' eggs for the gold-fish. All these prize Leghorns you hear about are the merest novices compared with William's _proteges_. Then John looks after the staggery; Henry works the coloured fountain; and Peter paints the peacocks' tails. This keeps them all busy, but James is for ever hanging about.

"Almost seems as if they were yooman," he said, as we stood and listened to the rooks.

"Oh, are you there, James? It's a beautiful day. Who said that first? I believe you did."

"Them there rooks always make a place seem so home-like. Rooks and crocuses I say; and you don't want anything more."

"Yes; well, if the rooks want to build in the raspberry canes this year, let them, James. Don't be inhospitable."

"Course, some do like to see primroses, I don't say. But----"

"Primroses--I knew there was something. Where are they?"

"It's too early for them," said James hastily. "You won't get primroses now before April."

"Don't say 'now,' as if it were my fault. Why didn't you plant them earlier? I don't believe you know any of the tricks of your profession, James. You never seem to graft anything or prune anything, and I'm sure you don't know how to cut a slip. James, why don't you prune more? Prune now--I should like to watch you. Where's your pruning-hook? You can't possibly do it with a rake."

James spends most of his day with a rake--sometimes leaning on it, sometimes working with it. The beds are always beautifully kept. Only the most hardy annual would dare to poke his head up and spoil the smooth appearance of the soil. For those who like circles and rectangles of unrelieved brown, James is undoubtedly the man.

As I stood in the sun I had a brilliant idea.

"James," I said, "we'll cut the croquet lawn this afternoon."

"You can't play croquet to-day, it's not warm enough."

"I don't pay you to argue, but to obey. At the same time I should like to point out that I never said I was going to play croquet. I said that we, meaning you, would cut the lawn."

"What's the good of that?"

"Why, to encourage the wonderful day, of course. Where is your gratitude, man? Don't you want to do something to help? How can we let a day like this go past without some word of welcome? Out with the mower, and let us hail the passing of winter."

James looked at me in disgust.

"Gratitude!" he said indignantly to Heaven. "And there's my eleven crocuses in the front all a-singing together like anything on three bob a week!"

XXIV. THE LANDSCAPE GARDENER

Really I know nothing about flowers. By a bit of luck, James, my gardener, whom I pay half-a-crown a week for combing the beds, knows nothing about them either; so my ignorance remains undiscovered. But in other people's gardens I have to make something of an effort to keep up appearances. Without flattering myself I may say that I have acquired a certain manner; I give the impression of the garden lover, or the man with shares in a seed-company, or--or something.

For instance, at Creek Cottage, Mrs. Atherley will say to me, "That's an _Amphilobertus Gemini_," pointing to something which I hadn't noticed behind a rake.

"I am not a bit surprised," I say calmly.

"And a _Gladiophinium Banksii_ next to it."

"I suspected it," I confess in a hoarse whisper.

Towards flowers whose names I know I adopt a different tone.

"Aren't you surprised to see daffodils out so early?" says Mrs. Atherley with pride.

"There are lots out in London," I mention casually. "In the shops."

"So there are grapes," says Miss Atherley.

"I was not talking about grapes," I reply stiffly.

However at Creek Cottage just now I can afford to be natural; for it is not gardening which comes under discussion these days, but landscape-gardening, and any one can be an authority on that. The Atherleys, fired by my tales of Sandringham, Chatsworth, Arundel, and other places where I am constantly spending the week-end, are re-adjusting their two-acre field. In future it will not be called "the garden," but "the grounds."

I was privileged to be shown over the grounds on my last visit to Creek Cottage.

"Here," said Mrs. Atherley, "we are having a plantation. It will keep the wind off; and we shall often sit here in the early days of summer. That's a weeping ash in the middle. There's another one over there. They'll be lovely, you know."

"What's that?" I asked, pointing to a bit of black stick on the left; which, even more than the other trees, gave the impression of having been left there by the gardener while he went for his lunch.

"That's a weeping willow."

"This is rather a tearful corner of the grounds," apologised Miss Atherley. "We'll show you something brighter directly. Look there--that's the oak in which King Charles lay hid. At least, it will be when it's grown a bit."

"Let's go on to the shrubbery," said Mrs. Atherley. "We are having a new grass path from here to the shrubbery. It's going to be called Henry's Walk."

Miss Atherley has a small brother called Henry. Also there were eight Kings of England called Henry. Many a time and oft one of those nine Henrys has paced up and down this grassy walk, his head bent, his hands clasped behind his back; while behind his furrowed brow, who shall say what world-schemes were hatching? Is it the thought of Wolsey which makes him frown--or is he wondering where he left his catapult? Ah! who can tell us? Let us leave a veil of mystery over it ... for the sake of the next visitor.

"The shrubbery," said Mrs. Atherley proudly, waving her hand at a couple of laurel bushes, and a--I've forgotten its name now, but it is one of the few shrubs I really know.

"And if you're a gentleman," said Miss Atherley, "and want to get asked here again, you'll always _call_ it the shrubbery."

"Really, I don't see what else you could call it," I said, wishing to be asked down again.

"The patch."

"True," I said. "I mean, Nonsense."

I was rather late for breakfast next morning; a pity on such a lovely spring day.

"I'm so sorry," I began, "but I was looking at the shrubbery from my window and I quite forgot the time."

"Good," said Miss Atherley.

"I must thank you for putting me in such a perfect room for it," I went on, warming to my subject. "One can actually see the shrubs--er--shrubbing. The plantation too seems a little thicker to me than yesterday."

"I expect it is."

"In fact, the tennis lawn----" I looked round anxiously. I had a sudden fear that it might be the new deer-park. "It still is the tennis lawn?" I asked.

"Yes. Why, what about it?"

"I was only going to say the tennis lawn had quite a lot of shadows on it. Oh, there's no doubt that the plantation is really asserting itself."

Eleven o'clock found me strolling in the grounds with Miss Atherley.

"You know," I said, as we paced Henry's Walk together, "the one thing the plantation wants is for a bird to nest in it. That is the hallmark of a plantation."

"It's Mother's birthday to-morrow. Wouldn't it be a lovely surprise for her?"

"It would indeed. Unfortunately this is a matter in which you require the co-operation of a feathered friend."

"Couldn't you try to persuade a bird to build a nest in the weeping ash? Just for this once."

"You're asking me a very difficult thing," I said doubtfully. "Anything else I would do cheerfully for you; but to dictate to a bird on such a very domestic affair---- No, I'm afraid I must refuse."

"It need only just begin to build one," pleaded Miss Atherley, "because Mother's going up town by your train to-morrow. As soon as she's out of the house the bird can go back to anywhere else it likes better."

"I will put that to any bird I see to-day," I said, "but I am doubtful."

"Oh, well," sighed Miss Atherley, "never mind."

* * * * *

"What do you think?" cried Mrs. Atherley as she came in to breakfast next day. "There's a bird been nesting in the plantation!"

Miss Atherley looked at me in undisguised admiration. I looked quite surprised--I know I did.

"Well, well!" I said.

"You must come out afterwards and see the nest and tell me what bird it is. There are three eggs in it. I am afraid I don't know much about these things."

"I'm glad," I said thankfully. "I mean, I shall be glad to."

We went out eagerly after breakfast. On about the only tree in the plantation with a fork to it a nest balanced precariously. It had in it three pale-blue eggs splotched with light-brown. It appeared to be a black-bird's nest with another egg or two to come.

"It's been very quick about it," said Miss Atherley.

"Of our feathered bipeds," I said, frowning at her, "the blackbird is notoriously the most hasty."

"Isn't it lovely?" said Mrs. Atherley.

She was still talking about it as she climbed into the trap which was to take us to the station.

"One moment," I said, "I've forgotten something." I dashed into the house and out by a side door, and then sprinted for the plantation. I took the nest from the weeping and overweighted ash and put it carefully back in the hedge by the tennis-lawn. Then I returned more leisurely to the house.

If ever you want a job of landscape-gardening thoroughly well done, you can always rely upon me.

XXV. PAT-BALL

"You'll play tennis?" said my hostess absently. "That's right. Let me introduce you to Miss--er--um."

"Oh, we've met before," smiled Miss--I've forgotten the name again now.

"Thank you," I said gratefully. I thought it was extremely nice of her to remember me. Probably I had spilt lemonade over her at a dance, and in some way the incident had fixed itself in her mind. We do these little things, you know, and think nothing of them at the moment, but all the time----

"Smooth," said a voice.

I looked up and found that a pair of opponents had mysteriously appeared, and that my partner was leading the way on to the court.

"I'll take the right-hand side, if you don't mind," she announced. "Oh, and what about apologising?" she went on. "Shall we do it after every stroke, or at the end of each game, or when we say good-bye, or never? I get so tired of saying 'sorry.'"

"Oh, but we shan't want to apologise; I'm sure we're going to get on beautifully together."

"I suppose you've played a lot this summer?"

"No, not at all yet, but I'm feeling rather strong, and I've got a new racquet. One way and another, I expect to play a very powerful game."

Our male opponent served. He had what I should call a nasty swift service. The first ball rose very suddenly and took my partner on the side of the head. ("Sorry," she apologised. "It's all right," I said magnanimously.) I returned the next into the net; the third clean bowled my partner; and off the last I was caught in the slips. (_One, love._)

"Will you serve?" said Miss--I wish I could remember her surname. Her Christian name was Hope or Charity or something like that; I know, when I heard it, I thought it was just as well. If I might call her Miss Hope for this once? Thank you.

"Will you serve?" said Miss Hope.

In the right-hand court I use the American service, which means that I never know till the last moment which side of the racquet is going to hit the ball. On this occasion it was a dead heat--that is to say, I got it in between with the wood; and the ball sailed away over beds and beds of the most beautiful flowers.

"Oh, is _that_ the American service?" said Miss Hope, much interested.

"South American," I explained. "Down in Peru they never use anything else."

In the left-hand court I employ the ordinary Hampstead Smash into the bottom of the net. After four Hampstead Smashes and four Peruvian Teasers (_love, two_) I felt that another explanation was called for.

"I've got a new racquet I've never used before," I said. "My old one is being pressed; it went to the shop yesterday to have the creases taken out. Don't you find that with a new racquet you--er--exactly."

In the third game we not only got the ball over the net but kept it between the white lines on several occasions--though not so often as our opponents (_three, love_); and in the fourth game Miss Hope served gentle lobs, while I, at her request, stood close up to the net and defended myself with my racquet. I warded off the first two shots amidst applause (_thirty, love_), and dodged the next three (_thirty, forty_), but the last one was too quick for me and won the cocoanut with some ease. (_Game. Love, four._)

"It's all right, thanks," I said to my partner; "it really doesn't hurt a bit. Now then, let's buck up and play a simply dashing game."

Miss Hope excelled herself in that fifth game, but I was still unable to find a length. To be more accurate, I was unable to find a shortness--my long game was admirably strong and lofty.

"Are you musical?" said my partner at the end of it. (_Five, love._) She had been very talkative all through.

"Come, come," I said impatiently, "you don't want a song at this very moment. Surely you can wait till the end of the set?"

"Oh, I was only just wondering."

"I quite see your point. You feel that Nature always compensates us in some way, and that as----"

"Oh, no!" said Miss Hope in great confusion. "I didn't mean that at all."

She must have meant it. You don't talk to people about singing in the middle of a game of tennis; certainly not to comparative strangers who have only spilt lemonade over your frock once before. No, no. It was an insult, and it nerved me to a great effort. I discarded--for it was my serve--the Hampstead Smash; I discarded the Peruvian Teaser. Instead, I served two Piccadilly Benders from the right-hand court and two Westminster Welts from the left-hand. The Piccadilly Bender is my own invention. It can only be served from the one court, and it must have a wind against it. You deliver it with your back to the net, which makes the striker think that you have either forgotten all about the game, or else are apologising to the spectators for your previous exhibition. Then with a violent contortion you slue your body round and serve, whereupon your opponent perceives that you _are_ playing, and that it is just one more ordinary fault into the wrong court. So she calls "Fault!" in a contemptuous tone and drops her racquet ... and then adds hurriedly, "Oh, no, sorry, it wasn't a fault, after all." That being where the wind comes in.

The Westminster Welt is in theory the same as the Hampstead Smash, but goes over the net. One must be in very good form (or have been recently insulted) to bring this off.

Well, we won that game, a breeze having just sprung up; and, carried away by enthusiasm and mutual admiration, we collected another. (_Five, two._) Then it was Miss Hope's serve again.

"Good-bye," I said; "I suppose you want me in the forefront again?"

"Please."

"I don't mind _her_ shots--the bottle of scent is absolutely safe; but I'm afraid he'll win another packet of woodbines."

Miss Hope started off with a double, which was rather a pity, and then gave our masculine adversary what is technically called "one to kill." I saw instinctively that I was the one, and I held my racquet ready with both hands. Our opponent, who had been wanting his tea for the last two games, was in no mood of dalliance; he fairly let himself go over this shot. In a moment I was down on my knees behind the net ... and the next moment I saw through the meshes a very strange thing. The other man, with his racquet on the ground, was holding his eye with both hands!

"Don't you think," said Miss Hope (_two, five--abandoned_) "that your overhead volleying is just a little severe?"

XXVI. TEN AND EIGHT

The only event of importance last week was my victory over Henry by ten and eight. If you don't want to hear about that, then I shall have to pass on to you a few facts about his motor-bicycle. You'd rather have the other? I thought so.

The difference between Henry and me is that he is what I should call a good golfer, and I am what everybody else calls a bad golfer. In consequence of this he insults me with offers of bisques.

"I'll have ten this time," I said, as we walked to the tee.

"Better have twelve. I beat you with eleven yesterday."

"Thank you," I said haughtily, "I will have ten." It is true that he beat me last time, but then owing to bad management on my part I had nine bisques left at the moment of defeat simply eating their heads off.

Henry teed up and drove a "Pink Spot" out of sight. Henry swears by the "Pink Spot" if there is anything of a wind. I use either a "Quo Vadis," which is splendid for going out of bounds, or an "Ostrich," which has a wonderful way of burying itself in the sand. I followed him to the green at my leisure.

"Five," said Henry.

"Seven," said I; "and if I take three bisques it's my hole."

"You must only take one at a time," protested Henry.

"Why? There's nothing in Baedeker about it. Besides, I will only take one at a time if it makes it easier for you. I take one, and that brings me down to six, and then another one and that brings me down to five, and then another one and that brings me down to four. There! And as you did the hole in five, I win."

"Well, of course, if you like to waste them all at the start----"

"I'm not wasting them, I'm creating a moral effect. Behold, I have won the first hole; let us be photographed together."

Henry went to the next tee slightly ruffled and topped his ball into the road. I had kept mine well this side of it and won in four to five.

"I shan't take any bisques here," I said. "Two up."

At the third tee my "Quo Vadis" darted off suddenly to the left and tried to climb the hill. I headed it off and gave it a nasty dent from behind when it wasn't looking, and with my next shot started it rolling down the mountains with ever-increasing velocity. Not until it was within a foot of the pin did it condescend to stop. Henry, who had reached the green with his drive and had taken one putt too many, halved the hole in four. I took a bisque and was three up.

The fourth hole was prettily played by both of us, and with two bisques I had it absolutely stiff. Unnerved by this, Henry went all out at the fifth and tried to carry the stream in two. Unfortunately (I mean unfortunately for him) the stream was six inches too broad in the particular place at which he tried to carry it. My own view is that he should either have chosen another place or else have got a narrower stream from somewhere. As it was I won in an uneventful six, and took with a bisque the short hole which followed.

"Six up," I pointed out to Henry, "and three bisques left. They're jolly little things, bisques, but you want to use them quickly. _Bisque dat qui cito dat._ Doesn't the sea look ripping to-day?"

"Go on," growled Henry.

"I once did a two at this hole," I said, as I teed my ball. "If I did a two now and took a bisque, you'd have to do it in nothing in order to win. A solemn thought."

At this hole you have to drive over a chasm in the cliffs. My ball made a bee line for the beach, bounced on a rock, and disappeared into a cave. Henry's "Pink Spot," which really seemed to have a chance of winning a hole at last, found the wind too much for it and followed me below.

"I'm in this cave," I said, when we had found Henry's ball; and with a lighted match in one hand and a niblick in the other I went in and tried to persuade the "Ostrich" to come out. My eighth argument was too much for it, and we reappeared in the daylight together.

"How many?" I asked.

"Six," he said, as he hit the top of the cliff once more, and shot back on to the beach.

I left him and chivied my ball round to where the cliffs are lowest; then I got it gradually on to a little mound of sand (very delicate work, this), took a terrific swing and fairly heaved it on to the grass. Two more strokes put me on to the green in twenty. I lit a pipe and waited for Henry to finish his game of rackets.

"I've played twenty-five," he shouted.

"Then you'll want some of my bisques," I said. "I can lend you three till Monday."

Henry had one more rally and then picked his ball up. I had won seven holes and I had three bisques with which to win the match. I was a little doubtful if I could do this, but Henry settled the question by misjudging yet again the breadth of the stream. What is experience if it teaches us nothing? Henry must really try to enlarge his mind about rivers.

"Dormy nine," I said at the tenth tee, "and no bisques left."

"Thank Heaven for that," sighed Henry.

"But I have only to halve one hole out of nine," I pointed out. "Technically I am on what is known as velvet."

"Oh, shut up and drive."

I am a bad golfer, but even bad golfers do holes in bogey now and then. In the ordinary way I was pretty certain to halve one of the nine holes with Henry, and so win the match. Both the eleventh and the seventeenth, for instance, are favourites of mine. Had I halved one of those, he would have admitted cheerfully that I had played good golf and beaten him fairly. But as things happened----

What happened, put quite briefly, was this. Bogey for the tenth is four. I hooked my drive off the tee and down a little gully to the left, put a good iron shot into a bunker on the right, and then ran down a hundred-yard putt with a niblick for a three. One of those difficult down-hill putts.

"Luck!" said Henry, as soon as he could speak.

"I've been missing those lately," I said.

"Your match," said Henry; "I can't play against luck like that."

It was true that he had given me ten bisques, but, on the other hand, I could have given him a dozen at the seventh and still have beaten him.

However, I was too magnanimous to point that out. All I said was, "Ten and eight."

And then I added thoughtfully, "I don't think I've ever won by more than that."

XXVII. AN INLAND VOYAGE

Thomas took a day off last Monday in order to play golf with me. For that day the Admiralty had to get along without Thomas. I tremble to think what would have happened if war had broken out on Monday. Could a Thomasless Admiralty have coped with it? I trow not. Even as it was, battleships grounded, crews mutinied, and several awkward questions in the House of Commons had to be postponed till Tuesday.

Something--some premonition of this, no doubt--seemed to be weighing on him all day.

"Rotten weather," he growled, as he came up the steps of the club.

"I'm very sorry," I said. "I keep on complaining to the secretary about it. He does his best."

"What's that?"

"He taps the barometer every morning, and says it will clear up in the afternoon. Shall we go out now, or shall we give it a chance to stop?"

Thomas looked at the rain and decided to let it stop. I made him as comfortable as I could. I gave him a drink, a cigarette, and _Mistakes with the Mashie_. On the table at his elbow I had in reserve _Faulty Play with the Brassy_ and a West Middlesex Directory. For myself I wandered about restlessly, pausing now and again to read enviously a notice which said that C. D. Topping's handicap was reduced from 24 to 22. Lucky man!

At about half-past eleven the rain stopped for a moment, and we hurried out.

"The course is a little wet," I said apologetically, as we stood on the first tee, "but with your naval experience you won't mind that. By the way, I ought to warn you that this isn't all casual water. Some of it is river."

"How do you know which is which?"

"You'll soon find out. The river is much deeper. Go on--your drive."

Thomas won the first hole very easily. We both took four to the green, Thomas in addition having five splashes of mud on his face while I only had three. Unfortunately the immediate neighbourhood of the hole was under water. Thomas, the bounder, had a small heavy ball which he managed to sink in nine. My own, being lighter, refused to go into the tin at all, and floated above the hole in the most exasperating way.

"I expect there's a rule about it," I said, "if we only knew, which gives me the match. However, until we find that out, I suppose you must call yourself one up."

"I shall want some dry socks for lunch," he muttered, as he splashed off to the tee.

"Anything you want for lunch you can have, my dear Thomas. I promise you that you shall not be stinted. The next green is below sea level altogether, I'm afraid. The first in the water wins."

Honours, it turned out, were divided. I lost the hole, and Thomas lost his ball. The third tee having disappeared, we moved on to the fourth.

"There's rather a nasty place along here," I said. "The secretary was sucked in the other day, and only rescued by the hair."

Thomas drove a good one. I topped mine badly, and it settled down in the mud fifty yards off. "Excuse me," I shouted, as I ran quickly after it, and I got my niblick on to it, just as it was disappearing. It was a very close thing.

"Well," said Thomas, as he reached his ball, "that's not what I call a brassy lie."

"It's what we call a corkscrew lie down here," I explained. "If you haven't got a corkscrew you'd better dig round it with something, and then when the position is thoroughly undermined--Oh, good shot!"

Thomas had got out of the fairway in one, but he still seemed unhappy.

"My eye," he said, bending down in agony; "I've got about half Middlesex in it."

He walked round in circles saying strange nautical things, and my suggestions that he should (1) rub the other eye and (2) blow his nose suddenly were received ungenerously.

"Anything you'd like me to do with my ears?" he asked bitterly. "If you'd come and take some mud out for me, instead of talking rot----"

I approached with my handkerchief and examined the eye carefully.

"See anything?" asked Thomas.

"My dear Thomas, it's _full_ of turf. We mustn't forget to replace this if we can get it out. What the secretary would say--There! How's that?"

"Worse than ever."

"Try not to think about it. Keep the _other_ eye on the ball as much as possible. This is my hole, by the way. Your ball is lost."

"How do you know?"

"I saw it losing itself. It went into the bad place I told you about. It's gone to join the secretary. Oh, no, we got him out, of course; I keep forgetting. Anyhow, it's my hole."

"I think I shall turn my trousers up again," said Thomas, bending down to do so. "Is there a local rule about it?"

"No; it is left entirely to the discretion and good taste of the members. Naturally a little extra license is allowed on a very muddy day. Of course, if--Oh, I see. You meant a local rule about losing your ball in the mud? No, I don't know of one, unless it comes under the heading of casual land. Be a sportsman, Thomas, and don't begrudge me the hole."

The game proceeded, and we reached the twelfth tee without any further _contretemps_; save that I accidentally lost the sixth, ninth and tenth holes, and that Thomas lost his iron at the eighth. He had carelessly laid it down for a moment while he got out of a hole with his niblick, and when he turned round for it the thing was gone.

At the twelfth tee it was raining harder than ever. We pounded along with our coat-collars up and reached the green absolutely wet through.

"How about it?" said Thomas.

"My hole, I think, and that makes us all square."

"I mean how about the rain? And it's just one o'clock."

"Just as you like. Well, I suppose it is rather wet. All right, let's have lunch."

We had lunch. Thomas had it in the only dry things he had brought with him--an ulster and a pair of Vardon cuffs, and sat as near the fire as possible. It was still raining in torrents after lunch, and Thomas, who is not what I call keen about golf, preferred to remain before the fire. Perhaps he was right. I raked up an old copy of _Stumers with the Niblick_ for him, and read bits of the Telephone Directory out aloud.

After tea his proper clothes were dry enough in places to put on, and as it was still raining hard, and he seemed disinclined to come out again, I ordered a cab for us both.

"It's really rotten luck," said Thomas, as we prepared to leave, "that on the one day when I take a holiday, it should be so beastly."

"Beastly, Thomas?" I said in amazement. "The _one_ day? I'm afraid you don't play inland golf much?"

"I hardly ever play round London."

"I thought not. Then let me tell you that today's was the best day's golf I've had for three weeks."

"Golly!" said Thomas.

XXVIII. ONE OF OUR SUFFERERS

There is no question before the country of more importance than that of National Health. In my own small way I have made something of a study of it, and when a Royal Commission begins its enquiries, I shall put before it the evidence which I have accumulated. I shall lay particular stress upon the health of Thomson.

"You'll beat me to-day," he said, as he swung his club stiffly on the first tee; "I shan't be able to hit a ball."

"You should have some lessons," I suggested.

Thomson gave a snort of indignation.

"It's not that," he said. "But I've been very seedy lately, and----"

"That's all right; I shan't mind. I haven't played a thoroughly well man for a month, now."

"You know, I think my liver----"

I held up my hand.

"Not before my caddie, please," I said severely, "he is quite a child."

Thomson said no more for the moment but hit his ball hard and straight along the ground.

"It's perfectly absurd," he said with a shrug; "I shan't be able to give you a game at all. Well, if you don't mind playing a sick man----"

"Not if you don't mind being one," I replied, and drove a ball which also went along the ground, but not so far as my opponent's. "There! I'm about the only man in England who can do that when he's quite well."

The ball was sitting up nicely for my second shot, and I managed to put it on the green. Thomson's, fifty yards farther on, was reclining in the worst part of a bunker which he had forgotten about.

"Well, really," he said, "there's an example of luck for you. Your ball----"

"I didn't do it on purpose," I pleaded. "Don't be angry with me."

He made two attempts to get out and then picked his ball up. We walked in silence to the second tee.

"This time," I said, "I shall hit the sphere properly," and with a terrific swing I stroked it gently into a gorse bush. I looked at the thing in disgust and then felt my pulse. Apparently I was still quite well. Thomson, forgetting about his liver, drove a beauty. We met on the green.

"Five," I said.

"Only five?" asked Thomson suspiciously.

"Six," I said, holing a very long putt.

Thomson's health had a relapse. He took four short putts and was down in seven.

"It's really rather absurd," he said, in a conversational way, as we went to the next tee, "that putting should be so ridiculously important. Take that hole, for instance. I get on the green in a perfect three; you fluff your drive completely and get on in--what was it?"

"Five," I said again.

"Er--five. And yet you win the hole. It is rather absurd, isn't it?"

"I've often thought so," I admitted readily. "That is to say, when I've taken four putts. I'm two up."

On the third tee Thomson's health became positively alarming. He missed the ball altogether.

"It's ridiculous to try to play," he said with a forced laugh. "I can't see the ball at all."

"It's still there," I assured him.

He struck at it again and it hurried off into a ditch.

"Look here," he said, "wouldn't you rather play the pro.? This is not much of a match for you."

I considered. Of course a game with the pro. would be much pleasanter than a game with Thomson, but ought I to leave him in his present serious condition of health? His illness was approaching its critical stage, and it was my duty to pull him through if I could.

"No, no," I said. "Let's go on. The fresh air will do you good."

"Perhaps it will," he said hopefully. "I'm sorry I'm like this, but I've had a cold hanging about for some days, and that on the top of my liver----"

"Quite so," I said.

The climax was reached at the next hole, when, with several strokes in hand, he topped his approach shot into a bunker. For my sake he tried to look as though he had meant to run it up along the ground, having forgotten about the intervening hazard. It was a brave effort to hide from me the real state of his health, but he soon saw that it was hopeless. He sighed and pressed his hand to his eyes. Then he held his fingers a foot away from him, and looked at them as if he were trying to count them correctly. His state was pitiable, and I felt that at any cost I must save him.

I did. The corner was turned at the fifth, where I took four putts.

"You aren't going to win _all_ the holes," he said grudgingly, as he ran down his putt.

Convalescence set in at the sixth when I got into an impossible place and picked up.

"Oh, well, I shall give you a game yet," he said. "Two down."

The need for further bulletins ceased at the seventh hole, which he played really well and won easily.

"A-ha, you won't beat me by much," he said, "in spite of my liver."

"By the way, how is the liver?" I asked.

"Your fresh-air cure is doing it good. Of course it may come on again, but----" He drove a screamer. "I think I shall be all right," he announced.

"All square," he said cheerily at the ninth. "I fancy I'm going to beat you now. Not bad, you know, considering you were four up. Practically speaking, I gave you a start of four holes."

I decided that it was time to make an effort again, seeing that Thomson's health was now thoroughly re-established. Of the next seven holes I managed to win three and halve two. It is only fair to say, though (as Thomson did several times), that I had an extraordinary amount of good luck, and that he was dogged by ill-fortune throughout. But this, after all, is as nothing so long as one's health is above suspicion. The great thing was that Thomson's liver suffered no relapse; even though, at the seventeenth tee, he was one down and two to play.

And it was on the seventeenth tee that I had to think seriously how I wanted the match to end. Thomson at lunch when he has won is a very different man from Thomson at lunch when he has lost. The more I thought about it, the more I realised that I was in rather a happy position. If I won, I won--which was jolly; if I lost, Thomson won--and we should have a pleasant lunch.

However, as it happened, the match was halved.

"Yes, I was afraid so," said Thomson; "I let you get too long a start. It's absurd to suppose that I can give you four holes up and beat you. It practically amounts to giving you four bisques. Four bisques is about six strokes; I'm not really six strokes better than you."

"What about lunch?" I suggested.

"Good; and you can have your revenge afterwards." He led the way into the pavilion. "Now I wonder," he said, "what I can safely eat. I want to be able to give you _some_ sort of a game this afternoon."

Well, if there is ever a Royal Commission upon the national physique I shall insist on giving evidence. For it seems to me that golf, far from improving the health of the country, is actually undermining it. Thomson, at any rate, since he has taken to the game, has never been quite fit.

XXIX. CHUM

It is Chum's birthday to-morrow and I am going to buy him a little whip for a present, with a whistle at the end of it. When I next go into the country to see him I shall take it with me and explain it to him. Two day's firmness would make him quite a sensible dog. I have often threatened to begin the treatment on my very next visit, but somehow it has been put off; the occasion of his birthday offers a last opportunity.

It is rather absurd, though, to talk of birthdays in connection with Chum, for he has been no more than three months old since we have had him. He is a black spaniel who has never grown up. He has a beautiful astrachan coat which gleams when the sun is on it; but he stands so low in the water that the front of it is always getting dirty, and his ears and the ends of his trousers trail in the mud. A great authority has told us that, but for three white hairs on his shirt (upon so little do class distinctions hang), he would be a Cocker of irreproachable birth. A still greater authority has sworn that he is a Sussex. The family is indifferent--it only calls him a Silly Ass. Why he was christened Chum I do not know; and as he never recognises the name it does not matter.

When he first came to stay with us I took him a walk round the village. I wanted to show him the lie of the land. He had never seen the country before and was full of interest. He trotted into a cottage garden and came back with something to show me.

"You'll never guess," he said. "Look!" and he dropped at my feet a chick just out of the egg.

I smacked his head and took him into the cottage to explain.

"My dog," I said, "has eaten one of your chickens."

Chum nudged me in the ankle and grinned.

"_Two_ of your chickens," I corrected myself, looking at the fresh evidence which he had just brought to light.

"You don't want me any more?" said Chum, as the financial arrangements proceeded. "Then I'll just go and find somewhere for these two."

And he picked them up and trotted into the sun.

When I came out I was greeted effusively.

"This is a wonderful day," he panted, as he wriggled his body. "I didn't know the country was like this. What do we do now?"

"We go home," I said, and we went.

That was Chum's last day of freedom. He keeps inside the front gate now. But he is still a happy dog; there is plenty doing in the garden. There are beds to walk over, there are blackbirds in the apple-tree to bark at. The world is still full of wonderful things. "Why only last Wednesday," he will tell you, "the fishmonger left his basket in the drive. There was a haddock in it, if you'll believe me, for Master's breakfast, so of course I saved it for him. I put it on the grass just in front of his study window, where he'd be _sure_ to notice it. Bless you, there's always _something_ to do in this house. One is never idle."

And even when there is nothing doing he is still happy, waiting cheerfully upon events until they arrange themselves for his amusement. He will sit for twenty minutes opposite the garden bank, watching for a bumble bee to come out of its hole. "I saw him go in," he says to himself, "so he's bound to come out. Extraordinary interesting world." But to his inferiors (such as the gardener) he pretends that it is not pleasure but duty which keeps him. "Don't talk to me, fool. Can't you see that I've got a job on here?"

Chum has found, however, that his particular mission in life is to purge his master's garden of all birds. This keeps him busy. As soon as he sees a blackbird on the lawn he is in full cry after it. When he gets to the place and finds the blackbird gone he pretends that he was going there anyhow; he gallops round in circles, rolls over once or twice, and then trots back again. "You didn't _really_ think I was such a fool as to try to catch a _blackbird_?" he says to us. "No, I was just taking a little run--splendid thing for the figure."

And it is just Chum's little runs over the beds which call aloud for firmness--which, in fact, have inspired my birthday present to him. But there is this difficulty to overcome first. When he came to live with us, an arrangement was entered into (so he says) by which one bed was given to him as his own. In that bed he could wander at will, burying bones and biscuits, hunting birds. This may have been so, but it is a pity that nobody but Chum knows definitely which is the bed.

"Chum, you bounder," I shout, as he is about to wade through the herbaceous border.

He takes no notice; he struggles through to the other side. But a sudden thought strikes him, and he pushes his way back again.

"Did you call me?" he says.

"How _dare_ you walk over the flowers?"

He comes up meekly.

"I suppose I've done _something_ wrong," he says, "but I can't _think_ what."

I smack his head for him. He waits until he is quite sure I have finished and then jumps up with a bark, wipes his paws on my trousers and trots into the herbaceous border again.

"Chum!" I cry.

He sits down in it and looks all round him in amazement.

"My own bed!" he murmurs. "_Given_ to me!"

I don't know what it is in him which so catches hold of you. His way of sitting, a reproachful statue, motionless outside the window of whomever he wants to come out and play with him--until you can bear it no longer, but must either go into the garden or draw down the blinds for one day; his habit when you _are_ out, of sitting up on his back legs and begging you with his front paws to come and _do_ something--a trick entirely of his own invention, for no one would think of teaching him anything; his funny nautical roll when he walks, which is nearly a swagger, and gives him always the air of having just come back from some rather dashing adventure; beyond all this there is still something. And whatever it is, it is something, which every now and then compels you to bend down and catch hold of his long silky ears, to look into his honest eyes and say----

"You silly old ass! You _dear_ old _silly_ old ass!"

XXX. "UNDER ENTIRELY NEW MANAGEMENT"

I know a fool of a dog who pretends that he is a Cocker Spaniel, and is convinced that the world revolves round him wonderingly. The sun rises so it may shine on his glossy morning coat; it sets so his master may know that it is time for the evening biscuit; if the rain falls it is that a fool of a dog may wipe on his mistress's skirts his muddy boots. His day is always exciting, always full of the same good thing; his night a repetition of his day, more gloriously developed. If there be a sacred moment before the dawn when he lies awake and ponders on life, he tells himself confidently that it will go on for ever like this--a life planned nobly for himself, but one in which the master and mistress whom he protects must always find a place. And I think perhaps he would want a place for me too in that life, who am not his real master but yet one of the house. I hope he would.

What Chum doesn't know is this: his master and mistress are leaving him. They are going to a part of the world where a fool of a dog with no manners is a nuisance. If Chum could see all the good little London dogs, who at home sit languidly on their mistress's lap, and abroad take their view of life through a muff much bigger than themselves; if he could see the big obedient dogs, who walk solemnly through the Park carrying their master's stick, never pausing in their impressive march unless it be to plunge into the Serpentine and rescue a drowning child, he would know what I mean. He would admit that a dog who cannot answer to his own name and pays but little more attention to "Down, idiot," and "Come here, fool," is not every place's dog. He would admit it, if he had time. But before I could have called his attention to half the good dogs I had marked out, he would have sat down beaming in front of a motor-car ... and then he would never have known what now he will know so soon--that his master and mistress are leaving him.

It has been my business to find a new home for him. It is harder than you think. I can make him sound lovable, but I cannot make him sound good. Of course I might leave out his doubtful qualities, and describe him merely as beautiful and affectionate; I might ... but I couldn't. I think Chum's habitual smile would get larger, he would wriggle the end of himself more ecstatically than ever if he heard himself summed up as beautiful and affectionate. Anyway, I couldn't do it, for I get carried away when I speak of him and I reveal all his bad qualities.

"I am afraid he is a snob," I confessed to one woman of whom I had hopes. "He doesn't much care for what he calls the lower classes."

"Oh?" she said.

"Yes, he hates badly dressed people. Corduroy trousers tied up at the knee always excite him. I don't know if any of your family--no, I suppose not. But if he ever sees a man with his trousers tied up at the knee he goes for him. And he can't bear tradespeople; at least not the men. Washer-women he loves. He rather likes the washing-basket too. Once, when he was left alone with it for a moment, he appeared shortly afterwards on the lawn with a pair of--well, I mean he had no business with them at all. We got them away after a bit of a chase, and then they had to go to the wash again. It seemed rather a pity when they'd only just come back. Of course I smacked his head for him; but he looks so surprised and reproachful when he's done wrong that you never feel it's quite his fault."

"I doubt if I shall be able to take him after all," she said. "I've just remembered----"

I forget what it was she remembered, but it meant that I was still without a new home for Chum.

"What does he eat?" somebody else asked me. It seemed hopeful; I could see Chum already installed.

"Officially," I said, "he lives on puppy biscuits; he also has the toast-crusts after breakfast and an occasional bone. Privately he is fond of bees; I have seen him eat as many as six bees in an afternoon. Sometimes he wanders down to the kitchen-garden and picks the gooseberries; he likes all fruit, but gooseberries are the things he can reach best. When there aren't any gooseberries about, he has to be content with the hips and haws from the rose-trees. But really, you needn't bother, he can eat anything. The only thing he doesn't like is whitening. We were just going to mark the lawn one day, and while we were busy pegging it out he wandered up and drank the whitening out of the marker. It is practically the only disappointment he has ever had. He looked at us, and you could see that his opinion of us had gone down. 'What did you _put_ it there for, if you didn't mean me to drink it?' he said reproachfully. Then he turned and walked slowly and thoughtfully back to his kennel. He never came out till next morning."

"Really?" said my man. "Well, I shall have to think about it. I'll let you know."

Of course, I knew what that meant.

With a third dog-lover to whom I spoke the negotiations came to grief, not apparently because of any faults of Chum's but because, if you will believe it, of my own shortcomings. At least, I can suppose nothing else. For this man had been enthusiastic about him. He had revelled in the tale of Chum's wickedness; he had adored him for being so conceited. He had practically said that he would take him.

"Do," I begged, "I'm sure he'd be happy with you. You see, he's not everybody's dog; I mean I don't want any odd man whom I don't know to take him. It must be a friend of mine, so that I shall often be able to see Chum afterwards."

"So that--what?" he asked anxiously.

"So that I shall often be able to see Chum afterwards. Week-ends, you know, and so on. I couldn't bear to lose the silly old ass altogether."

He looked thoughtful; and, when I went on to speak about Chum's fondness for chickens, and his other lovable ways, he changed the subject altogether. He wrote afterwards that he was sorry he couldn't manage with a third dog. And I like to think he was not afraid of Chum--but only of me.

But I have found the right man at last. A day will come soon when I shall take Chum from his present home to his new one. That will be a great day for him. I can see him in the train, wiping his boots effusively on every new passenger, wriggling under the seat and out again from sheer joy of life; I can see him in the taxi, taking his one brief impression of a world that means nothing to him; I can see him in another train joyous, eager, putting his paws on my collar from time to time and saying excitedly, "What a day this is!" And if he survives the journey; if I can keep him on the way from all delightful deaths he longs to try; if I can get him safely to his new house, then I can see him----

Well, I wonder. What will they do to him? When I see him again, will he be a sober little dog, answering to his name, careful to keep his muddy feet off the visitor's trousers, grown up, obedient, following to heel round the garden, the faithful servant of his master? Or will he be the same old silly ass, no use to anybody, always dirty, always smiling, always in the way, a clumsy, blundering fool of a dog who knows you can't help loving him? I wonder....

Between ourselves, I don't think they _can_ alter him now.... Oh, I hope they can't.

XXXI. A FAREWELL TOUR

This is positively Chum's last appearance in print--for his own sake no less than for yours. He is conceited enough as it is, but if once he got to know that people are always writing about him in books his swagger would be unbearable. However, I have said good-bye to him now; I have no longer any rights in him. Yesterday I saw him off to his new home, and when we meet again it will be on a different footing. "Is that your dog?" I shall say to his master. "What is he? A Cocker? Jolly little fellows, aren't they? I had one myself once."

As Chum refused to do the journey across London by himself, I met him at Liverpool Street. He came up, in a crate; the world must have seemed very small to him on the way. "Hallo, old ass," I said to him through the bars, and in the little space they gave him he wriggled his body with delight. "Thank Heaven there's _one_ of 'em alive," he said.

"I think this is my dog," I said to the guard, and I told him my name.

He asked for my card.

"I'm afraid I haven't one with me," I explained. When policemen touch me on the shoulder and ask me to go quietly; when I drag old gentlemen from underneath motor-'buses, and they decide to adopt me on the spot; on all the important occasions when one really wants a card, I never have one with me.

"Can't give him up without proof of identity," said the guard, and Chum grinned at the idea of being thought so valuable.

I felt in my pockets for letters. There was only one, but it offered to lend me 10,000 on my note of hand alone. It was addressed to "Dear Sir," and though I pointed out to the guard that I was the "Sir," he still kept tight hold of Chum. Strange that one man should be prepared to trust me with 10,000, and another should be so chary of confiding to me a small black spaniel.

"Tell the gentleman who I am," I said imploringly through the bars, "Show him you know me."

"He's _really_ all right," said Chum, looking at the guard with his great honest brown eyes. "He's been with us for years."

And then I had an inspiration. I turned down the inside pocket of my coat, and there, stitched into it, was the label of my tailor's with my name written on it. I had often wondered why tailors did this; obviously they know how stupid guards can be.

"I suppose that's all right," said the guard reluctantly. Of course I might have stolen the coat. I see his point.

"You--you wouldn't like a nice packing case for yourself?" I said timidly. "You see, I thought I'd put Chum on the lead. I've got to take him to Paddington, and he must be tired of his shell by now. It isn't as if he were _really_ an armadillo."

The guard thought he would like a shilling and a nice packing case. Wood, he agreed, was always wood, particularly in winter, but there were times when you were not ready for it.

"How are you taking him?" he asked, getting to work with a chisel. "Underground?"

"Underground?" I cried in horror. "Take Chum on the Underground? Take---- Have you ever taken a large live conger-eel on the end of a string into a crowded carriage?"

The guard never had.

"Well, don't. Take him in a taxi instead. Don't waste him on other people."

The crate yawned slowly, and Chum emerged all over straw. We had an anxious moment, but the two of us got him down and put the lead on him. Then Chum and I went off for a taxi.

"Hooray," said Chum, wriggling all over, "isn't this splendid? I say, which way are you going? I'm going this way.... No, I mean the other way."

Somebody had left some of his milk-cans on the platform. Three times we went round one in opposite directions and unwound ourselves the wrong way. Then I hauled him in, took him, struggling, in my arms and got into a cab.

The journey to Paddington was full of interest. For a whole minute Chum stood quietly on the seat, rested his fore-paws on the open window and drank in London. Then he jumped down and went mad. He tried to hang me with the lead, and then in remorse tried to hang himself. He made a dash for the little window at the back; missed it and dived out of the window at the side, was hauled back and kissed me ecstatically in the eye with his sharpest tooth.... "And I thought the world was at an end," he said, "and there were no more people. Oh, I am an ass. I say, did you notice I'd had my hair cut? How do you like my new trousers? I must show you them." He jumped on to my lap. "No, I think you'll see them better on the ground," he said, and jumped down again. "Or no, perhaps you _would_ get a better view if----" he jumped up hastily, "and yet I don't know----" he dived down, "though of course, if you---- Oh lor'! this _is_ a day," and he put both paws lovingly on my collar.

Suddenly he was quiet again. The stillness, the absence of storm in the taxi, was so unnatural that I began to miss it. "Buck up, old fool," I said, but he sat motionless by my side, plunged in thought. I tried to cheer him up. I pointed out King's Cross to him; he wouldn't even bark at it. I called his attention to the poster outside Euston Theatre of The Two Biffs; for all the regard he showed he might never even have heard of them. The monumental masonry by Portland Road failed to uplift him.

At Baker Street he woke up, and grinned cheerily. "It's all right," he said, "I was trying to remember what happened to me this morning--something rather miserable, I thought, but I can't get hold of it. However it's all right now. How are _you_?" And he went mad again.

At Paddington I bought a label at the book-stall and wrote it for him. He went round and round my leg looking for me. "Funny thing," he said, as he began to unwind, "he was here a moment ago. I'll just go round once more. I rather think.... _Ow_! Oh, there you are!" I stepped off him, unravelled the lead and dragged him to the Parcels Office.

"I want to send this by the two o'clock train," I said to the man the other side of the counter.

"Send what?" he said.

I looked down. Chum was making himself very small and black in the shadow of the counter. He was completely hidden from the sight of anybody the other side of it.

"Come out," I said, "and show yourself."

"Not much," he said. "A parcel! I'm not going to be a jolly old parcel for anybody."

"It's only a way of speaking," I pleaded. "Actually you are travelling as a small black gentleman. You will go with the guard--a delightful man."

Chum came out reluctantly. The clerk leant over the counter and managed to see him.

"According to our regulations," he said, and I always dislike people who begin like that, "he has to be on a chain. A leather lead won't do."

Chum smiled all over himself. I don't know which pleased him more--the suggestion that he was a very large and fierce dog, or the impossibility now of his travelling with the guard, delightful man though he might be. He gave himself a shake and started for the door.

"Tut, tut, it's a great disappointment to me," he said, trying to look disappointed, but his back _would_ wriggle. "This chain business--silly of us not to have known--well, well, we shall be wiser another time. Now let's go home."

Poor old Chum; I _had_ known. From a large coat pocket I produced a chain.

"_Dash_ it," said Chum, looking up at me pathetically, "you might almost _want_ to get rid of me."

He was chained, and the label tied on to him. Forgive me that label, Chum; I think that was the worst offence of all. And why should I label one who was speaking so eloquently for himself; who said from the tip of his little black nose to the end of his stumpy black tail, "I'm a silly old ass, but there's nothing wrong in me, and they're sending me away!" But according to the regulations--one must obey the regulations, Chum.

I gave him to the guard--a delightful man. The guard and I chained him to a brake or something. Then the guard went away, and Chum and I had a little talk....

After that the train went off.

Good-bye, little dog.

INDOORS

XXXII. PHYSICAL CULTURE

"Why don't you sit up?" said Adela at dinner, suddenly prodding me in the back. Adela is old enough to take a motherly interest in my figure, and young enough to look extremely pretty while doing so.

"I always stoop at meals," I explained; "it helps the circulation. My own idea."

"But it looks so bad. You ought----"

"Don't improve me," I begged.

"No wonder you have----"

"Hush! I haven't. I got a bullet on the liver in the campaign of '03, due to over smoking; and sometimes it hurts me a little in the cold weather. That's all."

"Why don't you try the Hyperion?"

"I will. Where is it?"

"It isn't anywhere; you buy it."

"Oh, I thought you dined at it. What do you buy it for?"

"It's one of those developers with elastics and pulleys and so on. Every morning early, for half an hour before breakfast----"

"You _are_ trying to improve me," I said suspiciously.

"But they are such good things," went on Adela earnestly. "They really do help to make you beautiful----"

"I _am_ beautiful."

"Well, much more beautiful, and strong----"

"Are you being simply as tactful as you can be?"

"--and graceful."

"It isn't as though you were actually a relation," I protested.

Adela continued, full of her idea.

"It would do you so much good, you know. Would you promise me to use it every day if I sent you mine?"

"Why don't you want yours any more? Are you perfect now?"

"You can easily hook it to the wall----"

"I suppose," I reflected, "there is a limit of beauty beyond which it is dangerous to go. After that either the thing would come off its hook, or----"

"Well," said Adela suddenly, "aren't I looking well?"

"You're looking radiant," I said appreciatively; "but it may only be because you're going to marry Billy next month."

She smiled and blushed. "Well, I'll send it to you," she said. "And you try it for a week, and then tell me if you don't feel better. Oh, and don't do all the exercises to begin with; start with three or four of the easy ones."

"Of course," I said.

* * * * *

I undid the wrappings eagerly, took off the lid of the box, and was confronted with (apparently) six pairs of braces. I shook them out of the box and saw I had made a mistake. It was one pair of braces for Magog. I picked it up, and I knew that I was in the presence of the Hyperion. In five minutes I had screwed a hook into the bedroom wall and attached the beautifier. Then I sat on the edge of the bed and looked at it.

There was a tin plate fastened to the top, with the word "LADIES" on it. I got up, removed it with a knife, and sat down again. Everything was very dusty, and I wondered when Adela had last developed herself.

By-and-by I went into the other room to see if I had overlooked anything. I found on the floor a chart of exercises, and returned triumphantly with it.

There were thirty exercises altogether, and the chart gave you:

(1) A detailed explanation of how to do each particular exercise;

(2) A photograph of a lady doing it.

"After all," I reassured myself, after the first bashful glance, "it is Adela who has thrust this upon me; and she must have known." So I studied it.

Nos. 10, 15 and 28 seemed the easiest; I decided to confine myself to them. For the first of these you strap yourself in at the waist, grasp the handles, and fall slowly backwards until your head touches the floor--all the elastic cords being then at full stretch. When I had got very slowly halfway down, an extra piece of elastic which had got hitched somewhere came suddenly into play, and I did the rest of the journey without a stop, finishing up sharply against the towel-horse. The chart had said, "Inhale going down," and I was inhaling hard at the moment that the towel-horse and two damp towels spread themselves over my face.

"So much for Exercise 10," I thought, as I got up. "I'll just get the idea to-night, and then start properly to-morrow. Now for No. 15."

Somehow I felt instinctively that No. 15 would cause trouble. For No. 15 you stand on the right foot, fasten the left foot to one of the cords, and stretch it out as far as you can....

What--officially--you do then, I cannot say....

Some people can stand easily upon the right foot when the left is fastened to the wall ... others cannot.... It is a gift....

Having recovered from my spontaneous rendering of No. 15 I turned to No. 28. This one, I realised, was extremely important. I would do it twelve times.

You begin by lying flat on the floor roped in at the waist, and with your hands (grasping the elastic cords) held straight up in the air. The tension on your waist is then extreme but on your hands only moderate. Then taking a deep breath you pull your arms slowly out until they lie along the floor. The tension becomes terrific, the strain on every part of you is immense. While I lay there, taking a deep breath before relaxing, I said to myself, "The strain will be too much for me." I was wrong. It was too much for the hook. The hook whizzed out, everything flew at me at once, and I remembered no more....

As I limped into bed, I trod heavily upon something sharp. I shrieked and bent down to see what had bitten me. It was a tin plate bearing the word "LADIES."

* * * * *

"Well?" said Adela a week later.

I looked at her for a long time. "When did you last use the Hyperion?" I asked.

"About a year ago."

"Ah!... You don't remember the chart that went with it?"

"Not well. Except, of course, that each exercise was arranged for a particular object, according to what you wanted."

"Exactly. So I discovered yesterday. It was in very small type, and I missed it at first."

"Well, how many did you do?"

"I limited myself to exercises 10, 15 and 28. Do you happen to remember what those are for?"

"Not particularly."

"No. Well, I started with No. 10. No. 10 you may recall is one of the most perilous. I nearly died over No. 10. And when I had been doing it for a week I discovered what its particular object was."

"What?"

"_'To round the forearm'!_ Yes, madam," I said bitterly, "I have spent a week of agony ... and I have rounded one forearm."

"Why didn't you try another?"

"I did. I tried No. 15. Six times in the pursuit of No. 15 have I been shot up to the ceiling by the left foot ... and what for, Adela? _'To arch the instep'!_ Look at my instep! Why should I _want_ to arch it?"

"I wish I could remember which chart I sent you," said Adela, wrinkling her brow.

"It was the wrong one," I said....

There was a long silence.

"Oh," said Adela suddenly, "you never told me about No. 28."

"Pardon me," I said, "I cannot bear to speak of 28."

"Why, was it even more unsuitable than the other two?"

"I found, when I had done it six times that its object was stated to be, _'To remove double chin.'_ That, however, was not the real effect. And, so I crossed out the false comment and wrote the true one in its place."

"And what is that?" asked Adela.

"_To remove the hook_," I said gloomily.

XXXIII. AN INSURANCE ACT

Of course I had always known that a medical examination was a necessary preliminary to insurance, but in my own case I had expected the thing to be the merest formality. The doctor, having seen at a glance what a fine strong healthy fellow I was, would look casually at my tongue, apologise for having doubted it, enquire genially what my grandfather had died of, and show me to the door. This idea of mine was fostered by the excellent testimonial which I had written myself at the Company's bidding. "Are you suffering from any constitutional disease?--_No._ Have you ever had gout?--_No._ Are you deformed?--_No._ Are you of strictly sober and temperate habits?--- _No_, I mean _Yes._" My replies had been a model of what an Assurance Company expects. Then why the need of a doctor?

However, they insisted.

The doctor began quietly enough. He asked, as I had anticipated, after the health of my relations. I said that they were very fit; and not to be outdone in politeness, expressed the hope that his people, too, were keeping well in this trying weather. He wondered if I drank much. I said, "Oh, well, perhaps I will," with an apologetic smile, and looked round for the sideboard. Unfortunately he did not pursue the matter....

"And now," he said, after the hundredth question, "I should like to look at your chest."

I had seen it coming for some time. In vain I had tried to turn the conversation--to lead him back to the subject of drinks or my relations. It was no good. He was evidently determined to see my chest. Nothing could move him from his resolve.

Trembling, I prepared for the encounter. What terrible disease was he going to discover?

He began by tapping me briskly all over in a series of double-knocks. For the most part one double-knock at any point appeared to satisfy him, but occasionally there would be no answer and he would knock again. At one spot he knocked four times before he could make himself heard.

"This," I said to myself at the third knock, "has torn it. I shall be ploughed," and I sent an urgent message to my chest. "For 'eving's sake do something, you fool. Can't you hear the gentleman?" I suppose that roused it, for at the next knock he passed on to an adjacent spot....

"Um," he said when he called everywhere, "um."

"I wonder what I've done," I thought to myself. "I don't believe he likes my chest."

Without a word he got out his stethoscope and began to listen to me. As luck would have it, he struck something interesting almost at once, and for what seemed hours he stood there listening and listening to it. But it was boring for me, because I really had very little to do. I could have bitten him in the neck with some ease ... or I might have licked his ear. Beyond that, nothing seemed to offer.

I moistened my lips and spoke.

"Am I dying?" I asked in a broken voice.

"Don't talk," he said. "Just breathe naturally."

"I am dying," I thought, "and he is hiding it from me." It was a terrible reflection.

"Um," he said, and moved on.

By-and-by he went and listened behind my back. It is very bad form to listen behind a person's back. I did not tell him so however. I wanted him to like me.

"Yes," he said. "Now cough."

"I haven't a cough," I pointed out.

"Make the noise of coughing," he said severely.

Extremely nervous, I did my celebrated imitation of a man with an irritating cough.

"H'm! h'm! h'm! h'm!"

"Yes," said the doctor. "Go on."

"He likes it," I said to myself, "and he must obviously be an excellent judge. I shall devote more time to mimicry in future. H'm! h'm! h'm!..."

The doctor came round to where I could see him again.

"Now cough like this," he said. "Honk! Honk!"

I gave my celebrated imitation of a sick rhinoceros gasping out its life. It went well. I got an encore.

"Um," he said gravely, "um." He put his stethoscope away and looked earnestly at me.

"Tell me the worst," I begged. "I'm not bothering about this stupid insurance business now. That's off, of course. But--how long have I? I must put my affairs in order. Can you promise me a week?"

He said nothing. He took my wrists in his hands and pressed them. It was evident that grief over-mastered him and that he was taking a silent farewell of me. I bowed my head. Then, determined to bear my death-sentence like a man, I said firmly, "So be it," and drew myself away from him.

However, he wouldn't let me go.

"Come, come," I said to him, "you must not give way," and I made an effort to release one of my hands meaning to pat him encouragingly on the shoulder.

He resisted....

I realised suddenly that I had mistaken his meaning, and that he was simply feeling my pulses.

"Um," he said, "um," and continued to finger my wrists.

Clenching my teeth, and with the veins staring out on my forehead, I worked my pulses as hard as I could.

* * * * *

"Ah," he said, as I finished tying my tie; and he got up from the desk where he had been making notes of my disastrous case, and came over to me. "There is just one thing more. Sit down."

I sat down.

"Now cross your knees."

I crossed my knees. He bent over me and gave me a sharp tap below the knee with the side of his hand.

My chest may have disappointed him.... He may have disliked my back.... Possibly I was a complete failure with my pulses.... But I knew the knee-trick.

This time he should not be disappointed.

I was taking no risks. Almost before his hand reached my knee, my foot shot out and took him fairly under the chin. His face suddenly disappeared.

"I haven't got _that_ disease," I said cheerily.

XXXIV. GETTING THE NEEDLE

He was a pale, enthusiastic young man of the name of Simms; and he held forth to us at great length about his latest hobby.

"Now I'll just show you a little experiment," he wound up, "one that I have never known to fail. First of all I want you to hide a needle somewhere, while I am out of the room. You must stick it where it can be seen--on a chair--or on the floor if you like. Then I shall come back blindfolded and find it."

"Oh, Mr. Simms!" we all said.

"Now, which one of you has the strongest will?"

We pushed Jack forward. Jack is at any rate a big man.

"Very well. I shall want you to take my hand when I come in, and look steadily at the needle--concentrate all your thoughts on it. I, on the other hand, shall make my mind a perfect blank. Then your thoughts will gradually pass into my brain, and I shall feel myself as it were, dragged in the direction of the needle."

"And I shall feel myself, as it were, dragged after you?" said Jack.

"Yes; you mustn't put any strain on my arm at all. Let me go just where I like, only _will_ me to go in the right direction. Now then."

He took out his handkerchief, put it hastily back, and said: "First I shall want to borrow a handkerchief or something."

Well, we blindfolded him, and led him out of the room. Then Muriel got a needle, which, after some discussion, was stuck into the back of the Chesterfield. Simms returned and took Jack's left hand.

They stood there together, Jack frowning earnestly at the needle, and Simms swaying uncertainly at the knees. Suddenly his knees went in altogether, and he made a little zig-zag dash across the room, as though he were taking cover. Jack lumbered after him, instinctively bending his head, too. They were brought up by the piano, which Simms struck with great force. We all laughed, and Jack apologised.

"You told me to let you go where you liked, you know," he said.

"Yes, yes," said Simms rather peevishly, "but you should have willed me not to hit the piano."

As he spoke he tripped over a small stool and, flinging out an arm to save himself, swept two photograph frames off an occasional table.

"By Jove," said Jack, "that's jolly good. I saw you were going to do that, and I willed that the flower vase should be spared. I'm getting on."

"I think you had better start from the door again," I suggested. "Then you can get a clear run."

They took up their original positions.

"You must think hard, please," said Simms again. "My mind is a perfect blank, and yet I can feel nothing coming."

Jack made terrible faces at the needle. Then, without warning, Simms flopped on to the floor at full length, pulling Jack after him.

"You mustn't mind if I do that," he said, getting up slowly.

"No," said Jack, dusting himself.

"I felt irresistibly compelled to go down," said Simms.

"So did I," said Jack.

"The needle is very often hidden in the floor, you see. You are sure you are looking at it?"

They were in a corner with their back to it; and Jack, after trying in vain to get it over his right shoulder or his left, bent down and focussed it between his legs. This must have connected the current; for Simms turned right round and marched up to the needle.

"There!" he said triumphantly, taking off the bandage.

We all clapped, while Jack poured himself out a whisky. Simms turned to him.

"You have a very strong will indeed," he said, "one of the strongest I have met. Now, would one of the ladies like to try?"

"Oh, I'm sure I couldn't," said all the ladies.

"I should like to do it again," said Simms modestly. "Perhaps you, Sir?"

"All right, I'll try," I said.

When Simms was outside I told them my idea.

"I'll hold the needle in my other hand," I said, "and then I can always look at it easily, and it will always be in a different place, which ought to muddle him."

We fetched him in, and he took my left hand....

"No, it's no good," he said at last. "I don't seem to get it. Let me try the other hand."

I had no time to warn him. He clasped the other hand firmly; and from the shriek that followed it seemed that he got it. There ensued the "perfect blank" that he had insisted on all the evening. Then he pulled off the bandage, and showed a very angry face.

Well, we explained how accidental it was, and begged him to try again. He refused rather sulkily.

Suddenly Jack said: "I believe I could do it blindfolded. Miss Muriel, will you look at the needle, and see if you can will me?"

Simms bucked up a bit, and seemed keen on the idea. So Jack was blindfolded, the needle hid, and Muriel took his hand.

"Now is your mind a perfect blank?" said Simms to Jack.

"It always is," said Jack.

"Very well then. You ought soon to feel in a dreamy state, as though you were in another world. Miss Muriel, you must think only of the needle."

Jack held her hand tight, and looked most idiotically peaceful. After three minutes Simms spoke again.

"Well?" he said, eagerly.

"I've got the dreamy, other-world state perfectly," said Jack, and then he gave at the knees, just for the look of the thing.

"This is silly," said Muriel, trying to get her hand away.

Jack staggered violently, and gripped her hand again.

"Please, Miss Muriel," implored Simms. "I feel sure he is just going to do it."

Jack staggered again, sawed the air with his disengaged hand, and then turned right round and marched for the door, dragging Muriel behind him. The door slammed after them.

* * * * *

There is a little trick of sitting on a chair and picking a pin out of it with the teeth. I started Simms--who was all eagerness to follow the pair, and find out the mysterious force that was drawing them--upon this trick, for Jack is one of my best friends. When Jack and Muriel came back from the billiard-room and announced that they were engaged, Simms was on his back on the floor with the chair on the top of him--explaining, for the fourth time, that if the thing had not overbalanced at the critical moment he would have secured the object. There is much to be said for this view.

XXXV. DRESSING UP

"Then you really are coming?" said Queen Elizabeth.

"Yes, I really am," I sighed.

"What as?"

"I don't know at all--something with a cold. I leave it to you, partner, only don't go a black suit."

"What about Richelieu?"

"I should never be able to pronounce that," I confessed. "Besides, I always think that these great scientists--I should say philos--that is, of course, that these generals--er, which room is the Encyclopedia in?"

"You might go as one of the Kings of England. Which is your favourite King?"

"William and Mary. Now that would be an original costume. I should have----"

"Don't be ridiculous. Why not Henry VIII?"

"Do you think I should get a lot of partners as Henry VIII? Anyhow, I don't think it's a very becoming figure."

"But you don't wear fancy dress simply because it's becoming."

"Well, that is rather the point to settle. Are we going to enhance my natural beauty, or would you like it--er--toned down a little? Of course, I could go as the dog-faced man, only----"

"Very well then, if you don't like Henry, what about Edward I?"

"But why do you want to thrust royalty on me? I'd much sooner go as Perkin Warbeck. I should wear a brown perkin--I mean jerkin."

"Jack is going as Sir Walter Raleigh."

"Then I shall certainly touch him for a cigarette," I said, as I got up to go.

* * * * *

It was a week later that I met Elizabeth in Regent Street.

"Well," she said, "have you got your things?"

"I haven't," I confessed.

"I forgot who you said you were going as?"

"Somebody who had black hair," I said. "I have been thinking it over and I have come to the conclusion that I should have knocked them rather if I had had black hair. Instead of curly eyes and blue hair. Can you think of anybody for me?"

Queen Elizabeth regarded me as sternly as she might have regarded--Well, I'm not very good at history.

"Do you mean to say," she said at last, "that that is as far as you have got? Somebody who had black hair?"

"Hang it," I protested, "it's something to have been measured for the wig."

"Have you been measured for your wig?"

"Well--er--no. That is to say, not exactly what you might call measured. But--well, the fact is that I was just going along now, only--I say, where do I get a wig?"

"You've done nothing," said Elizabeth, "absolutely nothing."

"I say, don't say that," I began nervously, "I've done an awful lot, really. I've practically got the costume, I'm going as Harold the Boy Earl, or Jessica's last--Hallo, there's my bus; I've got a cold, I mustn't keep it waiting. Good-bye." And I fled.

* * * * *

"I am going," I said, "as Julius Csar. He was practically bald. Think how cool that will be."

"Do you mean to say," cried Elizabeth, "that you have altered again?"

"Don't be rough with me or I shall cry. I've got an awful cold."

"Then you've no business to go as Julius Csar."

"I say, now you're trying to unsettle me. And I was going to-morrow to order the clothes."

"What! You haven't----"

"I was really going this afternoon, only--only it's early closing day. Besides, I wanted to see if my cold would get better. Because if it didn't---- Look here, I'll be frank with you. I am going as Charlemagne."

"Oh!"

"Charlemagne in half-mourning, because Pepin the Short had just died. Something quiet in grey, with a stripe I thought. Only half-mourning because he only got half the throne. By-the-way, I suppose all these people wore pumps and white kid gloves all right? Yes, I thought so. I wonder if Charlemagne really had black hair. Anyhow, they can't prove he didn't, seeing when he lived. He flourished about 770, you know. As a matter of fact 770 wasn't actually his most flourishing year because the Radicals were in power then and land went down so. Now 771--Yes. Or else as Winston Churchill.

"Anyhow," I added indignantly a minute later, "I swear I'm going somehow."

* * * * *

"Hallo," I said cheerfully, as I ran into Her Majesty in Piccadilly, "I've just been ordering--that is to say, I've been going--I mean I'm just going to---- Let's see, it's next week, isn't it?"

For a moment Elizabeth was speechless--not at all my idea of the character.

"Now then," she said at last, "I am going to take you in hand. Will you trust yourself entirely to me?"

"To the death, Your Majesty. I'm sickening for something as it is."

"How tall are you?"

"Oh, more than that," I said quickly. "Gents' large medium, I am."

"Then I'll order a costume for you and have it sent round. There's no need for you to be anything historical; you might be a butcher."

"Quite--blue is my colour. In fact, I can do you the best end of the neck at tenpence, madam, if you'll wait a moment while I sharpen the knife. Let's see; you like it cut on the cross, I think? Bother, they've forgotten the strop."

"Well, it may not be a butcher," said Elizabeth; "it depends what they've got."

* * * * *

That was a week ago. This morning I was really ill at last; had hardly any breakfast; simply couldn't look a poached in the yolk. A day on the sofa in a darkened room and bed at seven o'clock was my programme. And then my eye caught a great box of clothes, and I remembered that the dance was to-night. I opened the box. Perhaps dressed soberly as a black-haired butcher I could look in for an hour or two ... and----

Help!

A yellow waistcoat, pink breeches, and--no, it's not an eider-down, it's a coat.

A yellow--Pink br----

I am going as Joseph.

I am going as a humming bird.

I am going--yes, that's it, I am going back to bed.

XXXVI. THE COMPLETE KITCHEN

I sat in the drawing-room after dinner with my knees together and my hands in my lap, and waited for the game to be explained to me.

"There's a pencil for you," said somebody.

"Thank you very much," I said and put it carefully away. Evidently I had won a forfeit already. It wasn't a very good pencil, though.

"Now, has everybody got pencils?" asked somebody else. "The game is called 'Furnishing a Kitchen.' It's quite easy. Will somebody think of a letter?" She turned to me. "Perhaps _you'd_ better."

"Certainly," I said, and I immediately thought very hard of N. These thought-reading games are called different things, but they are all the same, really, and I don't believe in any of them.

"Well?" said everybody.

"What?... Yes, I have. Go on.... Oh, I beg your pardon," I said in confusion. "I thought you--N is the letter."

"N or M?"

I smiled knowingly to myself.

"My godfather and my godmother," I went on cautiously----

"It was N," interrupted somebody. "Now then, you've got five minutes in which to write down everything you can beginning with N. Go." And they all started to write like anything.

I took my pencil out and began to think. I know it sounds an easy game to you now, as you sit at your desk surrounded by dictionaries; but when you are squeezed on to the edge of a sofa, given a very blunt pencil and a thin piece of paper, and challenged to write in five minutes (on your knees) all the words you can think of beginning with a certain letter--well, it is another matter altogether. I thought of no end of things which started with K, or even L; I thought of "rhinoceros" which is a very long word and starts with R; but as for----

I looked at my watch and groaned. One minute gone.

"I must keep calm," I said and in a bold hand I wrote _Napoleon_. Then after a moment's thought, I added _Nitro-glycerine_, and _Nats_.

"This is splendid," I told myself. "_Nottingham, Nobody and Noon._ That makes six."

At six I stuck for two minutes. I did worse than that in fact; for I suddenly remembered that gnats were spelt with a G. However, I decided to leave them, in case nobody else remembered. And on the fourth minute I added _Non-sequitur_.

"Time!" said somebody.

"Just a moment," said everybody. They wrote down another word or two (which isn't fair), and then began to add up. "I've got thirty," said one.

"Thirty-two."

"Twenty-five."

"Good Heavens," I said, "I've only got seven."

There was a shout of laughter.

"Then you'd better begin," said somebody. "Read them out."

I coughed nervously, and began.

"Napoleon."

There was another shout of laughter.

"I am afraid we can't allow that."

"Why ever not?" I asked in amazement.

"Well, you'd hardly find him in a kitchen, would you?"

I took out a handkerchief and wiped my brow. "I don't want to find him in a kitchen," I said nervously. "Why should I? As a matter of fact he's dead. I don't see what the kitchen's got to do with it. Kitchens begin with a K."

"But the game is called 'Furnishing a Kitchen.' You have to make a list of things beginning with N which you would find in a kitchen. You understood that, didn't you?"

"Y-y-yes," I said. "Oh, y-y-y-yes. Of course."

"So Napoleon----"

I pulled myself together with a great effort.

"You don't understand," I said with dignity. "The cook's name was Napoleon."

"Cooks aren't called Napoleon," said everybody.

"This one was. Carrie Napoleon. Her mistress was just as surprised at first as you were, but Carrie assured her that----"

"No, I'm afraid we can't allow it."

"I'm sorry," I said; "I'm wrong about that. Her name was Carrie Smith. But her young man was a soldier, and she had bought a Life of Napoleon for a birthday present for him. It stood on the dresser waiting for her next Sunday out."

"Oh! Oh, well, I suppose that is possible. Go on."

"Gnats," I went on nervously and hastily. "Of course I know that----"

"Gnats are spelt with a G," they shrieked.

"These weren't. They had lost the G when they were quite young, and consequently couldn't bite at all, and Cook said that----"

"No; I'm afraid not."

"I'm sorry," I said resignedly. "I had about forty of them--on the dresser. If you won't allow any of them, it pulls me down a lot. Er--then we have Nitro-glycerine."

There was another howl of derision.

"Not at all," I said haughtily. "Cook had chapped hands very badly, and she went to the chemist's one evening for a little glycerine. The chemist was out, and his assistant--a very nervous young fellow--gave her nitro-glycerine by mistake. It stood on the dresser, it did, really."

"Well," said everybody very reluctantly, "I suppose----"

I went on hastily.

"That's two. Then Nobody. Of course, you might easily find nobody in the kitchen. In fact you would pretty often, I should say. Three. The next is Noon. It could be noon in the kitchen as well as anywhere else. Don't be narrow-minded about that."

"All right. Go on."

"Non-sequitur," I said doubtfully.

"What on earth----"

"It's a little difficult to explain, but the idea is this. At most restaurants you can get a second help of anything for half-price, and that is technically called a 'follow.' Now, if they didn't give you a follow, that would be a Non-sequitur.... You do see that, don't you?"

There was a deadly silence.

"Five," I said cheerfully. "The last is Nottingham. I must confess," I added magnanimously, "that I am a bit doubtful whether you would actually find Nottingham in a kitchen."

"You don't say so!"

"Yes. My feeling is that you would be more likely to find the kitchen in Nottingham. On the other hand, it is just possible that as Calais was found engraven on Mary's heart, so--Oh, very well. Then it remains at five."

* * * * *

Of course you think that as I only had five, I came out last. But you are wrong. There is a pleasing rule in this game that, if you have any word in your list which somebody else has, you cannot count it. And as all the others had the obvious things--such as a nutmeg-grater or a neck of mutton, or a nomlette--my five won easily. And you will note that if only I had been allowed to count my gnats, it would have been forty-five.

XXXVII. AN INFORMAL EVENING

Dinner was a very quiet affair. Not a soul drew my chair away from under me as I sat down, and during the meal nobody threw bread about. We talked gently of art and politics and things; and when the ladies left there was no booby trap waiting for them at the door. In a word, nothing to prepare me for what was to follow.

We strolled leisurely into the drawing-room. A glance told me the worst. The ladies were in a cluster round Miss Power, and Miss Power was on the floor. She got up quickly as we came in.

"We were trying to go underneath the poker," she explained. "Can you do it?"

I waved the poker back.

"Let me see you do it again," I said. "I missed the first part."

"Oh, I can never do it. Bob, you show us."

Bob is an active young fellow. He took the poker, rested the end on the floor, and then twisted himself underneath his right arm. I expected to see him come up inside out, but he looked much the same after it. However, no doubt his organs are all on the wrong side now.

"Yes, that's how I should do it," I said hastily.

But Miss Power was firm. She gave me the poker. I pressed it hard on the floor, said good-bye to them all, and dived. I got half-way round, and was supporting myself upside down by one toe and the slippery end of the poker, when it suddenly occurred to me that the earth was revolving at an incredible speed on its own axis, and that, in addition, we were hurtling at thousands of miles a minute round the sun. It seemed impossible in these circumstances that I should keep my balance any longer; and as soon as I realised this the poker began to slip. I was in no sort of position to do anything about it, and we came down heavily together.

"Oh, what a pity!" said Miss Power. "I quite thought you'd done it."

"Being actually on the spot," I said, "I knew that I hadn't."

"Do try again."

"Not till the ground's a little softer."

"Let's do the jam-pot trick," said another girl.

"I'm not going under a jam-pot for anybody," I murmured.

However, it turned out that this trick was quite different. You place a book (Macaulay's _Essays_ or what not) on the jam-pot and sit on the book, one heel only touching the ground. In the right hand you have a box of matches, in the left a candle. The jam-pot, of course, is on its side, so that it can roll beneath you. Then you light the candle ... and hand it to anybody who wants to go to bed.

I was ready to give way to the ladies here, but even while I was bowing and saying, "Not at all," I found myself on one of the jam-pots with Bob next to me on another. To balance with the arms outstretched was not so difficult; but as the matches were then about six feet from the candle and there seemed no way of getting them nearer together the solution of the problem was as remote as ever. Three times I brought my hands together, and three times the jam-pot left me.

"Well played, Bob," said somebody. The bounder has done it.

I looked at his jam-pot.

"There you are," I said. "'Raspberry--1909.' Mine's 'Gooseberry--1911,' a rotten vintage. And look at my book, _Alone on the Prairie_; and you've got _The Mormon's Wedding_. No wonder I couldn't do it."

I refused to try it again as I didn't think I was being treated fairly; and after Bob and Miss Power had had a race at it, which Bob won, we got on to something else.

"Of course you can pick a pin out of a chair with your teeth?" said Miss Power.

"Not properly," I said. "I always swallow the pin."

"I suppose it doesn't count if you swallow the pin," said Miss Power thoughtfully.

"I don't know. I've never really thought about that side of it much. Anyhow, unless you've got a whole lot of pins you don't want, don't ask me to do it to-night."

Accordingly we passed on to the water-trick. I refused at this, but Miss Power went full length on the floor with a glass of water balanced on her forehead and came up again without spilling a single drop. Personally I shouldn't have minded spilling a single drop; it was the thought of spilling the whole glass that kept me back. Anyway it is a useless trick, the need for which never arises in an ordinary career. Picking up _The Times_ with the teeth, while clasping the left ankle with the right hand, is another matter. That might come in useful on occasions; as, for instance, if, having lost your left arm on the field and having to staunch with the right hand the flow of blood from a bullet wound in the opposite ankle, you desired to glance through the Financial Supplement while waiting for the ambulance.

"Here's a nice little trick," broke in Bob, as I was preparing myself in this way for the German invasion.

He had put two chairs together, front to front, and was standing over them, if that conveys it to you. Then he jumped up, turned round in the air, and came down facing the other way.

"Can _you_ do it?" I said to Miss Power.

"Come and try," said Bob to me. "It's not really difficult."

I went and stood over the chairs. Then I moved them apart and walked over to my hostess.

"Good-bye," I said; "I'm afraid I must go now."

"Coward!" said somebody, who knew me rather better than the others.

"It's much easier than you think," said Bob.

"I don't think it's easy at all," I protested. "I think it's impossible."

I went back and stood over the chairs again. For some time I waited there in deep thought. Then I bent my knees preparatory to the spring, straightened them up, and said,

"What happens if you just miss it?"

"I suppose you bark your shins a bit."

"Yes, that's what I thought."

I bent my knees again, worked my arms up and down, and then stopped suddenly and said:

"What happens if you miss it pretty easily?"

"Oh, _you_ can do it, if Bob can," said Miss Power kindly.

"He's practised. I expect he started with two hassocks and worked up to this. I'm not afraid, but I want to know the possibilities. If it's only a broken leg or two, I don't mind. If it's permanent disfigurement I think I ought to consult my family first."

I jumped up and came down again the same way for practice.

"Very well," I said. "Now I'm going to try. I haven't the faintest hope of doing it, but you all seem to want to see an accident, and anyhow, I'm not going to be called a coward. One, two, three...."

"Well done," cried everybody.

"Did I do it?" I whispered, as I sat on the floor and pressed a cushion against my shins.

"Rather!"

"Then," I said, massaging my ankles, "next time I shall try to miss."

XXXVIII. A BILLIARD LESSON

I was showing Celia a few fancy strokes on the billiard table. The other members of the house-party were in the library, learning their parts for some approaching theatricals--that is to say, they were sitting round the fire and saying to each other, "This _is_ a rotten play." We had been offered the position of auditors to several of the company, but we were going to see _Parsifal_ on the next day, and I was afraid that the constant excitement would be bad for Celia.

"Why don't you ask me to play with you?" she asked. "You never teach me anything."

"There's ingratitude. Why, I gave you your first lesson at golf only last Thursday."

"So you did. I know golf. Now show me billiards."

I looked at my watch.

"We've only twenty minutes. I'll play you thirty up."

"Right-o. What do you give me--a ball or a bisque or what?"

"I can't spare you a ball, I'm afraid. I shall want all three when I get going. You may have fifteen start, and I'll tell you what to do."

"Well, what do I do first?"

"Select a cue."

She went over to the rack and inspected them.

"This seems a nice brown one. Now then, you begin."

"Celia, you've got the half-butt. Put it back and take a younger one."

"I thought it seemed taller than the others." She took another. "How's this? Good. Then off you go."

"Will you be spot or plain?" I said, chalking my cue.

"Does it matter?"

"Not very much. They're both the same shape."

"Then what's the difference?"

"Well, one is more spotted than the other."

"Then I'll be less spotted."

I went to the table.

"I think," I said, "I'll try and screw in off the red." (I did this once by accident and I've always wanted to do it again.) "Or perhaps," I corrected myself, as soon as the ball had left me, "I had better give a safety miss."

I did. My ball avoided the red and came swiftly back into the left-hand bottom pocket.

"That's three to you," I said without enthusiasm.

Celia seemed surprised.

"But I haven't begun yet," she said. "Well, I suppose you know the rules, but it seems funny. What would you like me to do?"

"Well, there isn't much on. You'd better just try and hit the red ball."

"Right." She leant over the table and took long and careful aim. I held my breath.... Still she aimed.... Then keeping her chin on the cue, she slowly turned her head and looked up at me with a thoughtful expression.

"Oughtn't there to be three balls on the table?" she said, wrinkling her forehead.

"No," I answered shortly.

"But why not?"

"Because I went down by mistake."

"But you said that when you got going, you wanted---- I can't argue bending down like this." She raised herself slowly. "You said----Oh, all right, I expect you know. Anyhow, I have scored some already, haven't I?"

"Yes. You're eighteen to my nothing."

"Yes. Well, now I shall have to aim all over again." She bent slowly over her cue. "Does it matter where I hit the red?"

"Not much. As long as you hit it on the red part."

She hit it hard on the side, and both balls came into baulk.

"Too good," I said.

"Does either of us get anything for it?"

"No." The red and white were close together, and I went up the table and down again, on the off-chance of a cannon. I misjudged it, however.

"That's three to you," I said stiffly, as I took my ball out of the right-hand bottom pocket. "Twenty-one to nothing."

"Funny how I'm doing all the scoring," said Celia meditatively. "And I've practically never played before. I shall hit the red hard now and see what happens to it."

She hit, and the red coursed madly about the table, coming to rest near the top right-hand pocket and close to the cushion. With a forcing shot I could get in.

"This will want a lot of chalk," I said pleasantly to Celia, and gave it plenty. Then I let fly....

"Why did that want a lot of chalk?" said Celia with interest.

I went to the fireplace and picked my ball out of the fender.

"That's three to you," I said coldly. "Twenty-four to nothing."

"Am I winning?"

"You're leading," I explained. "Only, you see, I may make a twenty at any moment."

"Oh!" She thought this over. "Well, I may make my three at any moment."

She chalked her cue and went over to her ball.

"What shall I do?"

"Just touch the red on the right-hand side," I said, "and you'll go into the pocket."

"The right-hand side? Do you mean my right-hand side or the ball's?"

"The right-hand side of the ball, of course; that is to say, the side opposite your right-hand."

"But its right-hand side is opposite my left hand, if the ball is facing this way."

"Take it," I said wearily, "that the ball has its back to you."

"How rude of it," said Celia, and hit it on the left-hand side, and sank it. "Was that what you meant?"

"Well ... it's another way of doing it."

"I thought it was. What do I give you for that?"

"You get three."

"Oh, I thought the other person always got the marks. I know the last three times----"

"Go on," I said freezingly. "You have another turn."

"Oh, is it like rounders?"

"Something. Go on, there's a dear. It's getting late."

She went, and left the red over the middle pocket.

"A-ha!" I said. I found a nice place in the "D" for my ball. "Now then. This is the Grey stroke, you know."

I suppose I was nervous. Anyhow, I just nicked the red ball gently on the wrong side and left it hanging over the pocket. The white travelled slowly up the table.

"Why is that called the Grey stroke?" asked Celia with great interest.

"Because once, when Sir Edward Grey was playing the German Ambassador--but it's rather a long story. I'll tell you another time."

"Oh! Well, anyhow, did the German Ambassador get anything for it?"

"No."

"Then I suppose I don't. Bother." "But you've only got to knock the red in for game."

"Oh!... There, what's that?"

"That's a miscue. I get one."

"Oh!... Oh, well," she added magnanimously, "I'm glad you've started scoring. It will make it more interesting for you."

There was just room to creep in off the red, leaving it still over the pocket. With Celia's ball nicely over the other pocket there was a chance of my twenty break. "Let's see," I said, "how many do I want?"

"Twenty-nine," replied Celia.

"Ah," I said ... and I crept in.

"That's three to you," I said icily. "Game."

XXXIX. BACHELOR RELICS

"Do you happen to want," I said to Henry, "an opera hat that doesn't op? At least it only works one side."

"No," said Henry.

"To any one who buys my opera hat for a large sum I am giving away four square yards of linoleum, a revolving bookcase, two curtain rods, a pair of spring-grip dumb-bells and an extremely patent mouse-trap."

"No," said Henry again.

"The mouse-trap," I pleaded, "is unused. That is to say, no mouse has used it yet. My mouse-trap has never been blooded."

"I don't want it myself," said Henry, "but I know a man who does."

"Henry, you know everybody. For Heaven's sake introduce me to your friend. Why does he particularly want a mouse-trap?"

"He doesn't. He wants anything that's old. Old clothes, old carpets, anything that's old he'll buy."

He seemed to be exactly the man I wanted.

"Introduce me to your fellow clubman," I said firmly.

That evening I wrote to Henry's friend, Mr. Bennett. "Dear Sir," I wrote, "if you would call upon me to-morrow I should like to show you some really old things, all genuine antiques. In particular I would call your attention to an old opera hat of exquisite workmanship, and a mouse-trap of chaste and handsome design. I have also a few yards of Queen Anne linoleum of a circular pattern which I think will please you. My James the First spring-grip dumb-bells and Louis Quatorze curtain-rods are well known to connoisseurs. A genuine old cork bedroom suite, comprising one bath-mat, will also be included in the sale. Yours faithfully."

On second thoughts I tore the letter up and sent Mr. Bennett a postcard asking him to favour the undersigned with a call at 10.30 prompt. And at 10.30 prompt he came.

I had expected to see a bearded patriarch with a hooked nose and three hats on his head, but Mr. Bennett turned out to be a very spruce gentleman, wearing (I was sorry to see) much better clothes than the opera hat I proposed to sell him. He became businesslike at once.

"Just tell me what you want to sell," he said, whipping out a pocket-book, "and I'll make a note of it. I take anything."

I looked round my spacious apartment and wondered what to begin with.

"The revolving bookcase," I announced.

"I'm afraid there's very little sale for revolving bookcases now," he said, as he made a note of it.

"As a matter of fact," I pointed out, "this one doesn't revolve. It got stuck some years ago."

He didn't seem to think that this would increase the rush, but he made a note of it.

"Then the writing-desk."

"The what?"

"The Georgian bureau. A copy of an old twentieth-century escritoire."

"Walnut?" he said, tapping it.

"Possibly. The value of this Georgian writing-desk, however, lies not in the wood but in the literary associations."

"Ah! My customers don't bother much about that, but still--whose was it?"

"Mine!" I said with dignity, placing my hand in the breast pocket of my coat. "I have written many charming things at that desk. My 'Ode to a Bell-push,' my 'Thoughts on Asia,' my----"

"Anything else in this room?" said Mr. Bennett. "Carpets, curtains----"

"Nothing else," I said coldly.

We went into the bedroom and, gazing on the linoleum, my enthusiasm returned to me.

"The linoleum," I said, with a wave of the hand.

"Very much worn," said Mr. Bennett.

I called his attention to the piece under the bed.

"Not under there," I said. "I never walk on that piece. It's as good as new."

He made a note. "What else?" he said.

I showed him round the collection. He saw the Louis Quatorze curtain-rods, the cork bedroom suite, the Csarian nail-brush (quite bald), the antique shaving-mirror with genuine crack--he saw it all. And then we went back into the other rooms and found some more things for him.

"Yes," he said, consulting his notebook. "And now how would you like me to buy these?"

"At a large price," I said. "If you have brought your cheque-book I'll lend you a pen."

"You want me to make you an offer? Otherwise I should sell them by auction for you, deducting ten per cent. commission."

"Not by auction," I said impulsively. "I couldn't bear to know how much or rather how little, my Georgian bureau fetched. It was there, as I think I told you, that I wrote my 'Guide to the Round Pond.' Give me an inclusive price for the lot, and never, never let me know the details."

He named an inclusive price. It was something under a hundred-and-fifty pounds. I shouldn't have minded that if it had only been a little over ten pounds. But it wasn't.

"Right," I agreed. "And, oh, I was nearly forgetting. There's an old opera hat of exquisite workmanship, which----"

"Ah, now clothes had much better be sold by auction. Make a pile of all you don't want and I'll send round a sack for them: I have an auction sale every Wednesday."

"Very well. Send round to-morrow. And you might--er--also send round a--er--cheque for--quite so. Well, then good morning."

When he had gone I went into my bedroom and made a pile of my opera-hat. It didn't look very impressive--hardly worth having a sack specially sent round for it. To keep it company I collected an assortment of clothes. It pained me to break up my wardrobe in this way, but I wanted the bidding for my opera-hat to be brisk, and a few preliminary suits would warm the public up. Altogether it was a goodly pile when it was done. The opera-hat perched on the top, half of it only at work.

* * * * *

To-day I received from Mr. Bennett a cheque, a catalogue and an account. The catalogue was marked "Lots 172-179." Somehow I felt that my opera hat would be Lot 176. I turned to it in the account.

"_Lot 176--Six shillings_"

"It did well," I said. "Perhaps in my heart of hearts I hoped for seven and sixpence, but six shillings--yes, it was a good hat."

And then I turned to the catalogue.

"_Lot 176_--Frock coat and vest, dress coat and vest, ditto, pair of trousers and opera hat."

"_And opera hat._" Well, well. At least it had the position of honour at the end. My opera hat was starred.

LITTLE PLAYS FOR AMATEURS

[~Note~.--_There are only six plots allowed to us who are not professionals. Here they are. When you have read them, then you will know all about amateur theatricals._]

XL. "FAIR MISTRESS DOROTHY"

_The scene is an apartment in the mansion of Sir Thomas Farthingale. There is no need to describe the furniture in it, as rehearsals will gradually show what is wanted. A picture or two of previous Sir Thomas's might be seen on the walls, if you have an artistic friend who could arrange this; but it is a mistake to hang up your own ancestors, as some of your guests may recognise them, and thus pierce beneath the vraisemblance of the scene._

_The period is that of Cromwell--sixteen something._

_The costumes are, as far as possible, of the same period._

Mistress Dorothy Farthingale _is seated in the middle of the stage, reading a letter and occasionally sighing_.

_Enter_ My Lord Carey.

~Carey.~ Mistress Dorothy alone! Truly Fortune smiles upon me.

~Dorothy~ (_hiding the letter quickly_). An she smiles, my lord, I needs must frown.

~Carey~ (_used to this sort of thing and no longer put off by it_). Nay, give me but one smile, sweet mistress. (_She sighs heavily._) You sigh! Is't for me?

~Dorothy~ (_feeling that the sooner he and the audience understand the situation the better_). I sigh for another, my lord, who is absent.

~Carey~ (_annoyed_). Zounds, and zounds again! A pest upon the fellow! (_He strides up and down the room, keeping out of the way of his sword as much as possible._) Would that I might pink the pesky knave!

~Dorothy~ (_turning upon him a look of hate_). Would that you might have the chance, my lord, so it were in fair fighting. Methinks Roger's sword-arm will not have lost its cunning in the wars.

~Carey~. A traitor to fight against his King.

~Dorothy~. He fights for what he thinks is right. (_She takes out his letter and kisses it._)

~Carey~ (_observing the action_). You have a letter from him!

~Dorothy~ (_hastily concealing it and turning pale_). How know you that?

~Carey~. Give it to me! (_She shrieks and rises._) By heavens, madam, I will have it! (_He struggles with her and seizes it._)

_Enter_ Sir Thomas.

~Sir Thomas~. Odds life, my lord, what means this?

~Carey~ (_straightening himself_). It means, Sir Thomas, that you harbour a rebel within your walls. Master Roger Dale, traitor, corresponds secretly with your daughter.

(_Who, I forgot to say, has swooned._)

~Sir Thomas~ (_sternly_). Give me the letter. Ay, 'tis Roger's hand, I know it well. (_He reads the letter, which is full of thoughtful metaphors about love, aloud to the audience. Suddenly his eyebrows go up and down to express surprise. He seizes_ Lord Carey _by the arm_.) Ha! Listen! "To-morrow when the sun is upon the western window of the gallery, I will be with thee." The villain!

~Carey~ (_who does not know the house very well_). When is that?

~Sir Thomas~. Why, 'tis now, for I have but recently passed through the gallery and did mark the sun.

~Carey~ (_fiercely_). In the name of the King, Sir Thomas, I call upon you to arrest this traitor.

~Sir Thomas~ (_sighing_). I loved the boy well, yet----

(_He shrugs his shoulders expressively and goes out with_ Lord Carey _to collect sufficient force for the arrest._)

_Enter_ Roger _by secret door R._

~Roger.~ My love!

~Dorothy~ (_opening her eyes_). Roger!

~Roger.~ At last!

(_For the moment they talk in short sentences like this. Then_ Dorothy _puts her hand to her brow as if she is remembering something horrible._)

~Dorothy.~ Roger! Now I remember! It is not safe for you to stay!

~Roger~ (_very brave_). Am I a puling child to be afraid?

~Dorothy.~ My Lord Carey is here. He has read your letter.

~Roger.~ The black-livered dog! Would I had him at my sword's point to teach him manners.

(_He puts his hand to his heart and staggers into a chair._)

~Dorothy.~ Oh, you are wounded!

~Roger.~ Faugh, 'tis but a scratch. Am I a puling----

(_He faints. She binds up his ankle._)

_Enter_ Lord Carey _with two soldiers._

~Carey.~ Arrest this traitor! (_Roger is led away by the soldiers._)

~Dorothy~ (_stretching out her hands to him_). Roger! (_She sinks into a chair._)

~Carey~ (_choosing quite the wrong moment for a proposal_). Dorothy, I love you! Think no more of this traitor, for he will surely hang. 'Tis your father's wish that you and I should wed.

~Dorothy~ (_refusing him_). Go, lest I call in the grooms to whip you.

~Carey.~ By heaven---- (_Thinking better of it._) I go to fetch your father.

(_Exit._)

_Enter_ Roger _by secret door L._

~Dorothy.~ Roger! You have escaped.

~Roger.~ Knowest not the secret passage from the wine cellar, where we so often played as children? 'Twas in that same cellar the thick-skulled knaves immured me.

~Dorothy.~ Roger, you must fly! Wilt wear a cloak of mine to elude our enemies?

~Roger~ (_missing the point rather_). Nay, if I die, let me die like a man, not like a puling girl. Yet, sweetheart----

_Enter_ Lord Carey _by ordinary door._

~Carey~ (_forgetting himself in his confusion_). Odds my zounds, dod sink me! What murrain is this?

~Roger~ (_seizing Sir Thomas's sword, which had been accidentally left behind on the table, as I ought to have said before, and advancing threateningly_). It means, my lord, that a villain's time has come. Wilt say a prayer?

(_They fight, and Carey is disarmed before they can hurt each other._)

~Carey~ (_dying game_). Strike, Master Dale!

~Roger.~ Nay, I cannot kill in cold blood.

(_He throws down his sword._ Lord Carey _exhibits considerable emotion at this, and decides to turn over an entirely new leaf._)

_Enter two soldiers._

~Carey.~ Arrest that man! (Roger _is seized again._) Mistress Dorothy, it is for you to say what shall be done with the prisoner.

~Dorothy~ (_standing up if she was sitting down, and sitting down if she was standing up_). Ah, give him to me, my lord!

~Carey~ (_joining the hands of Roger and Dorothy_). I trust to you, sweet mistress, to see that the prisoner does not escape again.

(Dorothy _and_ Roger _embrace each other, if they can do it without causing a scandal in the neighbourhood, and the curtain goes down._)

XLI. "A SLIGHT MISUNDERSTANDING"

_The scene is a drawing-room (in which the men are allowed to smoke--or a smoking-room in which the women are allowed to draw--it doesn't much matter) in the house of somebody or other in the country._ George Turnbull _and his old College friend_, Henry Peterson, _are confiding in each other, as old friends will, over their whiskies and cigars. It is about three o'clock in the afternoon._

~George~ (_dreamily, helping himself to a stiff soda_). Henry, do you remember that evening at Christ Church College, five years ago, when we opened our hearts to each other?...

~Henry~ (_lighting a cigar and hiding it in a fern-pot_). That moonlight evening on the Backs, George, when I had failed in my Matriculation examination?

~George.~ Yes; and we promised that when either of us fell in love the other should be the first to hear of it? (_Rising solemnly._) Henry, the moment has come. (_With shining eyes._) I am in love.

~Henry~ (_jumping up and grasping him by both hands_). George! My dear old George! (_In a voice broken with emotion._) Bless you, George!

(_He pats him thoughtfully on the back three times, nods his own head twice, gives him a final grip of the hand, and returns to his chair._)

~George~ (_more moved by this than he cares to show_). Thank you, Henry. (_Hoarsely._) You're a good fellow.

~Henry~ (_airily, with a typically British desire to conceal his emotion_). Who is the lucky little lady?

~George~ (_taking out a picture postcard of the British Museum and kissing it passionately_). Isobel Barley!

(_If_ Henry _is not careful he will probably give a start of surprise here, with the idea of suggesting to the audience that he_ (1) _knows something about the lady's past, or_ (2) _is in love with her himself. He is, however, thinking of a different play. We shall come to that one in a moment._)

~Henry~ (_in a slightly dashing manner_). Little Isobel? Lucky dog!

~George.~ I wish I could think so. (_Sighs._) But I have yet to approach her, and she may be another's. (_Fiercely._) Heavens, Henry, if she should be another's!

_Enter_ Isobel.

~Isobel~ (_brightly_). So I've run you to earth at last. Now what have you got to say for yourselves?

~Henry~ (_like a man_). By Jove! (_Looking at his watch._) I had no idea--is it really--poor old Joe--waiting----

(_Dashes out tactfully in a state of incoherence._)

~George~ (_rising and leading_ Isobel _to the front of the stage_). Miss Barley, now that we are alone I have something I want to say to you.

~Isobel~ (_looking at her watch_). Well, you must be quick. Because I'm engaged.

(_George drops her hand and staggers away from her._)

~Isobel.~ Why, what's the matter?

~George~ (_to the audience, in a voice expressing the very deeps of emotion_). Engaged! She is engaged! I am too late!

(_He sinks into a chair, and covers his face with his hands._)

~Isobel~ (_surprised_). Mr. Turnbull! What has happened?

~George~ (_waving her away with one hand_). Go! Leave me! I can bear this best alone. (_Exit Isobel._) Merciful heavens, she is plighted to another.

_Enter_ Henry.

~Henry~ (_eagerly_). Well, old man?

~George~ (_raising a face white with misery--that is to say, if he has remembered to put the French chalk in the palms of his hands_). Henry, I am too late! She is another's!

~Henry~ (_in surprise_). Whose?

~George~ (_with dignity_). I did not ask her. It is nothing to me. Good-bye, Henry. Be kind to her.

~Henry.~ Why, where are you going?

~George~ (_firmly_). To the Rocky Mountains. I shall shoot some bears. Grizzly ones. It may be that thus I shall forget my grief.

~Henry~ (_after a pause_). Perhaps you are right, George. What shall I tell--her?

~George.~ Tell her--nothing. But should anything (_feeling casually in his pockets_) happen to me--if (_going over them again quickly_) I do not come back, then (_searching them all, including the waist coat ones, in desperate haste_) give her, give her, give her (_triumphantly bringing his handkerchief out of the last pocket_) this, and say that my last thought was of her. Good-bye, my old friend. Good-bye.

(_Exit to Rocky Mountains._)

_Enter_ Isobel.

~Isobel.~ Why, where's Mr. Turnbull?

~Henry~ (_sadly_). He's gone.

~Isobel.~ Gone? Where?

~Henry.~ To the Rocky Mountains. To shoot bears. (_Feeling that some further explanation is needed._) Grizzly ones.

~Isobel.~ But he was _here_ a moment ago.

~Henry.~ Yes, he's only _just_ gone.

~Isobel.~ Why didn't he say good-bye? (_Eagerly._) But perhaps he left a message for me? (_Henry shakes his head._) Nothing? (_Henry bows silently and leaves the room._) Oh! (_She gives a cry and throws herself on the sofa._) And I loved him! George, George, why didn't you speak?

_Enter_ George _hurriedly. He is fully dressed for a shooting expedition in the Rocky Mountains, and carries a rifle under his arm._

* * * * *

~George~ (_to the audience_). I have just come back for my pocket-handkerchief. I must have dropped it in here somewhere. (_He begins to search for it, and in the ordinary course of things comes upon_ Isobel _on the sofa. He puts his rifle down carefully on a table, with the muzzle pointing at the prompter rather than at the audience, and staggers back._) Merciful heavens! Isobel! Dead! (_He falls on his knees beside the sofa._) My love, speak to me!

~Isobel~ (_softly_). George!

~George.~ She is alive! Isobel!

~Isobel.~ Don't go, George!

~George.~ My dear, I love you! But when I heard that you were another's, honour compelled me----

~Isobel~ (_sitting up quickly_). What do you mean by another's?

~George.~ You said you were engaged!

~Isobel~ (_suddenly realising how the dreadful misunderstanding arose which nearly wrecked two lives_). But I only meant I was engaged to play tennis with Lady Carbrook!

~George.~ What a fool I have been! (_He hurries on before the audience can assent._) Then, Isobel, you _will_ be mine?

~Isobel.~ Yes, George. And you won't go and shoot nasty bears, will you, dear? Not even grizzly ones?

~George~ (_taking her in his arms_). Never, darling. That was only (_turning to the audience with the air of one who is making his best point_) ~A slight misunderstanding.~

CURTAIN.

XLII. "MISS PRENDERGAST"

_As the curtain goes up two ladies are discovered in the morning-room of Honeysuckle Lodge engaged in work of a feminine nature._ Miss Alice Prendergast _is doing something delicate with a crochet-hook, but it is obvious that her thoughts are far away. She sighs at intervals and occasionally lays down her work and presses both hands to her heart. A sympathetic audience will have no difficulty in guessing that she is in love. On the other hand, her elder sister_, Miss Prendergast, _is completely wrapped up in a sock for one of the poorer classes, over which she frowns formidably. The sock, however, has no real bearing upon the plot, and she must not make too much of it._

~Alice~ (_hiding her emotions_). Did you have a pleasant dinner-party last night, Jane?

~Jane~ (_to herself_). Seventeen, eighteen, nineteen, twenty. (_Looking up._) Very pleasant indeed, Alice. The Blizzards were there, and the Podbys, and the Slumphs. (_These people are not important and should not be over-emphasised._) Mrs. Podby's maid has given notice.

~Alice.~ Who took you in?

~Jane~ (_brightening up_). Such an interesting man, my dear. He talked most agreeably about Art during dinner, and we renewed the conversation in the drawing-room. We found that we agreed upon all the main principles of Art, considered as such.

~Alice~ (_with a look in her eyes which shows that she is recalling a tender memory_). When I was in Shropshire last week---- What was your man's name?

~Jane~ (_with a warning glance at the audience_). You know how difficult it is to catch names when one is introduced. I am certain he never heard mine. (_As the plot depends partly upon this, she pauses for it to sink in._) But I enquired about him afterwards, and I find that he is a Mr.----

_Enter_ Mary, _the parlourmaid._

~Mary~ (handing letter). A letter for you, Miss.

~Jane~ (_taking it_). Thank you, Mary. (_Exit_ Mary _to work up her next line._) A letter! I wonder who it is from! (_Reading the envelope._) "Miss Prendergast, Honeysuckle Lodge." (_She opens it with the air of one who has often received letters before, but feels that this one may play an important part in her life._) "Dear Miss Prendergast, I hope you will pardon the presumption of what I am about to write to you, but whether you pardon me or not, I ask you to listen to me. I know of no woman for whose talents I have a greater admiration or for whose qualities I have a more sincere affection than yourself. Since I have known you, you have been the lodestar of my existence, the fountain of my inspiration. I feel that, were your life joined to mine, the joint path upon which we trod would be the path to happiness, such as I have as yet hardly dared to dream of. In short, dear Miss Prendergast, I ask you to marry me, and I will come in person for my answer. Yours truly (_in a voice of intense surprise_) Jas. Bootle!"

(_At the word "Bootle" a wave of warm colour rushes over Alice and dyes her from neck to brow. If she is not an actress of sufficient calibre to ensure this, she must do the best she can by starting abruptly and putting her hand to her throat._)

~Alice~ (_aside, in a choking voice_). Mr. Bootle! In love with Jane!

~Jane.~ My dear! The man who took me down to dinner! Well!

~Alice~ (_picking up her work again and trying to be calm_). What will you say?

~Jane~ (_rather pleased with herself_). Well, really--I--this is--Mr. Bootle! Fancy!

~Alice~ (_starting up_). Was that a ring? (_She frowns at the prompter and a bell is heard to ring._) It is Mr. Bootle! I know his ring, I mean I know---- Dear, I think I will go and lie down. I have a headache.

(_She looks miserably at the audience, closes her eyes, and goes off with her handkerchief to her mouth, taking care not to fall over the furniture._)

_Enter_ Mary, _followed by James Bootle._

~Mary.~ Mr. Bootle. (_Exit finally._)

~Jane.~ Good morning, Mr. Bootle.

~Bootle.~ I beg--I thought--why, of course! It's Miss--er--h'm, yes. How do you do? Did you get back safely last night?

~Jane.~ Yes, thank you. (_Coyly._) I got your letter.

~Bootle.~ My letter? (_Sees his letter on the table. Furiously._) You opened my letter!

~Jane~ (_mistaking his fury for passion_). Yes, James. And (_looking down on the ground_) the answer is "Yes."

~Bootle~ (_realising the situation_). By George! (_Aside._) I have proposed to the wrong lady. Tchck!

~Jane.~ You may kiss me, James.

~Bootle.~ Have you a sister?

~Jane~ (_missing the connection_). Yes, I have a younger sister, Alice. (_Coldly._) But I hardly see----

~Bootle~ (_beginning to understand how he made the mistake_). A younger sister! Then you are Miss Prendergast? And my letter--Ah!

_Enter_ Alice.

~Alice.~ You are wanted, Jane, a moment.

~Jane.~ Will you excuse me, Mr. Bootle?

(_Exit._)

~Bootle~ (_to Alice, as she follows her sister out_). Don't go!

~Alice~ (_wanly, if she knows how_). Am I to stay and congratulate you?

~Bootle.~ Alice! (_They approach the footlights, while_ Jane, _having finished her business, comes in unobserved and watches from the back._) It is all a mistake! I didn't know your Christian name--I didn't know you had a sister. The letter I addressed to Miss Prendergast I meant for Miss Alice Prendergast.

~Alice.~ James! My love! But what can we do?

~Bootle~ (_gloomily_). Nothing. As a man of honour I cannot withdraw. So two lives are ruined!

~Alice.~ You are right, James. Jane must never know. Good-bye!

(_They give each other a farewell embrace._)

~Jane~ (_aside_). They love. (_Fiercely._) But he is mine; I will hold him to his promise! (_Picking up a photograph of Alice as a small child from an occasional table._) Little Alice! And I promised to take care of her--to protect her from the cruel world. Baby Alice! (_She puts her handkerchief to her eyes._) No! I will not spoil two lives! (_Aloud._) Why good-bye, Alice?

(Bootle _and_ Alice, _who have been embracing all this time, unless they can think of something else to do, break away in surprise._)

~Alice.~ Jane--we--I----

~Jane~ (_calmly_). Dear Alice! I understand perfectly. Mr. Bootle said in his letter to you that he was coming for his answer, and I see what answer you have given him. (_To_ Bootle.) You remember I told you it would be "Yes." I know my little sister, you see.

~Bootle~ (_tactlessly_). But--you told me I could kiss you!

~Jane~ (_smiling_). And I tell you again now. I believe it is usual for men to kiss their sisters-in-law? (_She offers her cheek._ Bootle, _whose day it is, salutes her respectfully._) And now (_gaily_) perhaps I had better leave you young people alone!

(_Exit, with a backward look at the audience expressive of the fact that she has been wearing the mask._)

~Bootle.~ Alice, then you are mine, after all!

~Alice.~ James! (_They k---- No, perhaps better not. There has been quite enough for one evening._) And to think that she knew all the time. Now I am quite, quite happy. And James--you _will_ remember in future that I am Miss _Alice_ Prendergast?

~Bootle~ (_gaily_). My dear, I shall only be able to remember that you are The Future Mrs. Bootle!

CURTAIN.

XLIII. "AT DEAD OF NIGHT"

_The stage is in semi-darkness as_ Dick Trayle _throws open the window from outside, puts his knee on the sill, and falls carefully into the drawing-room of Beeste Hall. He is dressed in a knickerbocker suit with arrows on it (such as can always be borrowed from a friend), and, to judge from the noises which he emits, is not in the best of training. The lights go on suddenly; and he should seize this moment to stagger to the door and turn on the switch. This done he sinks into the nearest chair and closes his eyes._

_If he has been dancing very late the night before, he may drop into a peaceful sleep; in which case the play ends here. Otherwise, no sooner are his eyes closed than he opens them with a sudden start and looks round in terror._

~Dick~ (_striking the keynote at once_). No, no! Let me out--I am innocent! (_He gives a gasp of relief as he realises the situation._) Free! It is true, then! I have escaped! I dreamed that I was back in prison again! (_He shudders and helps himself to a large whisky-and-soda, which he swallows at a gulp._) That's better! Now I feel a new man--the man I was three years ago. Three years! It has been a lifetime! (_Pathetically to the audience._) Where is Millicent now? (_The audience guesses that she is in the making-up room, but musn't say so._) Alas! (_He falls into a reverie, from which he is suddenly wakened by a noise outside. He starts, and then creeps rapidly to the switch, arriving there at the moment when the lights go out. Then he goes swiftly behind the window curtain. The lights go up again as_ Jasper Beeste _comes in with a revolver in one hand and a bull's-eye lantern of apparently enormous candle power in the other._)

~Jasper~ (_in immaculate evening dress_). I thought I heard a noise, so I slipped on some old things hurriedly and came down. (_Fingering his perfectly-tied tie._) But there seems to be nobody here. (_Turns round suddenly to the window._) Ha, who's there? Hands up, blow you (_he ought to swear rather badly here, really_) hands up or I fire!

(_The stage is suddenly plunged into darkness, there is the noise of a struggle, and the lights go on to reveal_ Jasper _by the door covering_ Dick _with his revolver._)

~Jasper.~ Let's have a little light on you. (_Brutally._) Now then, my man, what have you got to say for yourself? Ha! An escaped convict, eh?

~Dick~ (_to himself, in amazement_). Jasper Beeste!

~Jasper.~ So you know my name?

~Dick~ (_in the tones of a man whose whole life has been blighted by the machinations of a false friend_). Yes, Jasper Beeste, I know your name. For two years I have said it to myself every night, when I prayed Heaven that I should meet you again.

~Jasper.~ Again? (_Uneasily._) We have met before?

~Dick~ (_slowly_). We have met before, Jasper Beeste. Since then I have lived a lifetime of misery. You may well fail to recognise me.

_Enter_ Millicent Wilsdon_--in a dressing gown, with her hair over her shoulders, if the county will stand it._

~Millicent~ (_to Jasper_). I couldn't sleep--I heard a noise--I--(_suddenly seeing the other_) Dick! (_She trembles._)

~Dick.~ Millicent! (_He trembles too._)

~Jasper.~ Trayle! (_So does he._)

~Dick~ (_bitterly_). You shrink from me, Millicent. (_With strong common sense._) What is an escaped convict to the beautiful Miss Wilsdon?

~Millicent.~ Dick--I--you--when you were sentenced----

~Dick.~ When I was sentenced--the evidence was black against me, I admit--I wrote and released you from your engagement. You are married now?

~Millicent~ (_throwing herself on a sofa_). Oh, Dick!

~Jasper~ (_recovering himself_). Enough of this. Miss Wilsdon is going to marry me tomorrow.

~Dick.~ To marry _you_! (_He strides over to sofa and pulls Millicent to her feet._) Millicent, look me in the eyes! Do you love him? (_She turns away._) Say "Yes" and I will go back quietly to my prison. (_She raises her eyes to his._) Ha! I thought so! You don't love him! Now then I can speak.

~Jasper~ (_advancing threateningly_). Yes, to your friends, the warders. Millicent, ring the bell.

~Dick~ (_wresting the revolver from his grasp_). Ha, would you? Now stand over there and listen to me. (_He arranges his audience,_ Millicent _on a sofa on the right, Jasper, biting his finger nails, on the left._) Three years ago Lady Wilsdon's diamond necklace was stolen. My flat was searched and the necklace was found in my hatbox. Although I protested my innocence I was tried, found guilty, and sentenced to ten years' penal servitude, followed by fifteen years' police supervision.

~Millicent~ (_raising herself on the sofa_). Dick, you were innocent--I know it. (_She flops back again._)

~Dick.~ I was. But how could I prove it? I went to prison. For a year black despair gnawed at my heart. And then something happened. The prisoner in the cell next to mine tried to communicate with me by means of taps. We soon arranged a system and held conversations together. One day he told me of a robbery in which he and another man had been engaged--the robbery of a diamond necklace.

~Jasper~ (_jauntily_). Well?

~Dick~ (_sternly_). A diamond necklace, Jasper Beeste, which the other man hid in the hatbox of another man in order that he might woo the other man's _fiance_! (Millicent _shrieks_.)

~Jasper~ (_blusteringly_). Bah!

~Dick~ (_quietly_). The man in the cell next to mine wants to meet this gentleman again. It seems that he has some old scores to pay off.

~Jasper~ (_sneeringly_). And where is he?

~Dick.~ Ah, where is he? (_He goes to the window and gives a low whistle. A stranger in knickerbockers jumps in and advances with a crab-like movement._) Good! here you are. Allow me to present you to Mr. Jasper Beeste.

~Jasper~ (_in horror_). Two-toed Thomas! I am undone!

~Two-toed Thomas~ (_after a series of unintelligible snarls_). Say the word, guv'nor, and I'll kill him. (_He prowls round_ Jasper _thoughtfully._)

~Dick~ (_sternly_). Stand back! Now, Jasper Beeste, what have you to say?

~Jasper~ (_hysterically_). I confess. I will sign anything. I will go to prison. Only keep that man off me.

~Dick~ (_going up to a bureau and writing aloud at incredible speed_). "I, Jasper Beeste, of Beeste Hall, do hereby declare that I stole Lady Wilsdon's diamond necklace and hid it in the hatbox of Richard Trayle; and I further declare that the said Richard Trayle is innocent of any complicity in the affair. (_Advancing with the paper and a fountain pen._) Sign, please."

(_Jasper signs. At this moment two warders burst into the room._)

~First Warder.~ There they are!

(_He seizes_ Dick. Two-toed Thomas _leaps from the window, pursued by the second Warder_. Millicent _picks up the confession and advances dramatically._)

~Millicent.~ Do not touch that man! Read this!

(_She hands him the confession with an air of superb pride._)

~First Warder~ (_reading_). Jasper Beeste! (_Slipping a pair of handcuffs on_ Jasper.) You come along with me, my man. We've had our suspicions of you for some time. (_To_ Millicent, _with a nod at_ Dick). You'll look after that gentleman, miss?

~Millicent.~ Of course! Why, he's engaged to me. Aren't you, Dick?

~Dick.~ This time, Millicent, for ever!

CURTAIN.

XLIV. "THE LOST HEIRESS"

_The Scene is laid outside a village inn in that county of curious dialects, Loamshire. The inn is easily indicated by a round table bearing two mugs of liquid, while a fallen log emphasises the rural nature of the scene._ Gaffer Jarge _and_ Gaffer Willyum _are seated at the table, surrounded by a fringe of whisker_, Jarge _being slightly more of a gaffer than_ Willyum.

~Jarge~ (_who missed his dinner through nervousness and has been ordered to sustain himself with soup--as he puts down the steaming mug_). Eh, bor but this be rare beer. So it be.

~Willyum~ (_who had too much dinner and is now draining his liquid paraffin_). You be right, Gaffer Jarge. Her be main rare beer. (_He feels up his sleeve, but thinking better of it, wipes his mouth with the back of his hand._) Main rare beer, zo her be. (_Gagging._) Zure-lie.

~Jarge.~ Did I ever tell 'ee, bor, about t' new squoire o' these parts--him wot cum hum yesterday from furren lands? Gaffer Henry wor a-telling me.

~Willyum~ (_privately bored_). Thee didst tell 'un, lad, sartain sure thee didst. And Gaffer Henry, he didst tell 'un too. But tell 'un again. It du me good to hear 'un, zo it du. Zure-lie.

~Jarge~. A rackun it be a main queer tale, queerer nor any them writing chaps tell about. It wor like this. (_Dropping into English, in his hurry to get his long speech over before he forgets it._) The old Squire had a daughter who disappeared when she was three weeks old, eighteen years ago. It was always thought she was stolen by somebody, and the Squire would have it that she was still alive. When he died a year ago he left the estate and all his money to a distant cousin in Australia, with the condition that if he did not discover the missing baby within twelve months everything was to go to the hospitals. (_Remembering his smock and whiskers with a start._) And here du be the last day, zo it be, and t' Squoire's daughter, her ain't found.

~Willyum~ (_puffing at a new and empty clay pipe_). Zure-lie. (Jarge, _a trifle jealous of_ Willyum's _gag, pulls out a similar pipe, but smokes it with the bowl upside down to show his independence_.) T' Squire's darter (Jarge _frowns_)--her bain't (Jarge _wishes he had thought of "bain't"_)--her bain't found. (_There is a dramatic pause, only broken by the prompter._) Her ud be little Rachel's age now, bor?

~Jarge~ (_reflectively_). Ay, ay. A main queer lass little Rachel du be. Her bain't like one of us.

~Willyum~. Her do be that fond of zoap and water. (_Laughter._)

~Jarge~ (_leaving nothing to chance_). Happen she might be a real grand lady by birth, bor.

_Enter_ Rachel, _beautifully dressed in the sort of costume in which one would go to a fancy-dress ball as a village maiden_.

~Rachel~ (_in the most expensive accent_). Now, Uncle George (_shaking a finger at him_), didn't you promise me you'd go straight home? It would serve you right if I never tied your tie for you again. (_She smiles brightly at him._)

~Jarge~ (_slapping his thigh in ecstasy_). Eh, lass! yer du keep us old uns in order. (_He bursts into a falsetto chuckle, loses the note, blushes and buries his head in his mug._)

~Willyum~ (_rising_). Us best be gettin' down along, Jarge, a rackun.

~Jarge.~ Ay, bor, time us chaps was moving. Don't 'e be long, lass. (_Exeunt, limping heavily._)

~Rachel~ (_sitting down on the log_). Dear old men! How I love them all in this village! I have known it all my life. How strange it is that I have never had a father or mother. Sometimes I seem to remember a life different to this--a life in fine houses and spacious parks, among beautifully dressed people (_which is surprising seeing that she was only three weeks old at the time; but the audience must be given a hint of the plot_), and then it all fades away again. (_She looks fixedly into space._)

_Enter_ Hugh Fitzhugh, _Squire._