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2 The reader meets Simon

Sschliissh, dhuunk, dhuunk, zwaap, dhuunk, zwaap …

Listen! Can you hear?

… dhuunk, sschliissh, dhuunk, zaap, zwap, dhuunk … Bend down. Put your ear against the carpet: Zwaap, dhuunk, dhuunk, dhuunk,

zwaap, dhuunk, ssschliissh …

It’s fifty years later.

… liissh, dhuunk, dhuunk, dhuunk, zwaap, dhuunk, ssschliissh, dhunnk dhuunk, zwa ap, sclissh dhunnk, du unnk, sw

That’s the sound of a once-in-a-generation genius.

Simon Phillips Norton: Phillips, with an ‘s’, as if one Phillip were not enough to contain his brilliance. He lives under my floorboards.

Dhuunk, dhuunk …

When I first moved here, I had no idea what the noises were. Underground rivers? The next-door neighbours dragging a new pot through to their Tuscan garden? Dhuunk, dhuunk … But after eight years of interpretation I know that it’s the great man’s feet, stomping from one end of his room to the other. Every second stomp is heavier.

Sssschlissh’: that’s the swipe of his puffa ski-jacket against the stalagmites of paperbacks he keeps piled on the furniture.

Zwaap’: the sound of his holdall, as he rotates at the end of the room. He sometimes flings it wide, hitting papers. Simon carries this bag about with him everywhere he goes, clutched in the crook of his arm, even if it’s just to his front door to let in the gas man.

… dhuunk, dhuunk, dhuunk, zwaap, dhuunk, dhuunk …

Simon’s bed is ten feet directly beneath mine. My study is on top of his living room. His stomping space extends the full depth of the building, under my floor. My balcony is the roof of his basement extension, which has herded all the pretty garden plants into a six-foot square at the back of our house and stamped them under concrete slabs.

The phone rings. A charge from Simon: Dhuunk! Dhuunk! Dhuunk!

Snorting. The receiver – … rrinng, clank, clumpump, ping, ping … – wrenched from its holster. Attempts at speech, grunts, bangs of talk-noise; a strangulated word.

Clunk. Phone back in its holster.

Silence.

Dhuunk, dhuunk, dhuunk …

There’s another very important sound, which is too difficult to represent typographically: an intermittent, twisted crackle, sharp but thick, with a strong sense of command, resting on a base of plosive disorder. In an exercise book from when he was five there’s a squiggle that comes close:


It’s the sound of plastic-bag-being-opened-in-a-hurry-andthe-gratification-of-discovering-important-papers-inside. Without understanding this noise, you cannot understand the man.

… ssschliissh, dhuunk, zwaap, zwaap, dhuunk, dhuunk … Simon has been pacing down there for twenty-seven years, three months, five days, thirteen hours and eight minutes.

Ssssh!

Stop breathing!

Did you catch that?

Still another sort of noise?

A sort of sigh?

That was a thought.

The Genius in my Basement

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