Читать книгу Tales of Ghosts. Playing Another Reality. Edgar Allan Poe award - Alexandra Kryuchkova - Страница 6

The lyrical novellas of Alexandra Kryuchkova can’t leave anyone indifferent. They tell about the most vulnerable and fragile thing in human destiny – the formation and collapse of relationship between a man and a woman, about different faces of this and Other World life. Kryuchkova’s stories are quite small, no more than two pages, but how many experiences fall to the lot of their characters!

The writer uses the effect of a ‘detective’ ending: everything, as a rule, doesn’t end the way the reader expects. And the aerobatics of the dramaturgy of these stories is when one emotion interrupts another and reverses the outcome. Such an inverted outcome sometimes evokes in the reader directly opposite, overwhelming emotions.

The second and third parts of the book are written in the spirit of Edgar Allan Poe’s mystical thrillers. Nowadays ghosts, of course, don’t appear in old Gothic castles, but, for example, in the fashionable offices of well-known firms (the story “A Letter”). You see, they, the ghosts, absolutely don’t care where they appear. The surroundings don’t interest them at all. As in the works of past centuries, they are spiritually bound to the premises in which they died. Although, to tell the truth, I prefer stories outside the Otherworld – “A Piano”, “A Cat’s Name”, “See you Tomorrow”.

Without exception, all the short stories of Alexandra Kryuchkova are written at a high artistic level of narration and dramaturgy. Kryuchkova’s creative biography is full of surprises. She began writing poetry and prose at the age of 11. And not just began, because some short stories were included in the book, which is the subject in my note. This is evidenced by the dates under the works. These stories not only entered the book, they took their rightful place in it. The old works of the child prodigy Kryuchkova, included in her collection, were written by the hand of master. And they say that there will be no more Lermontovs because of the supposedly “slow” maturation of modern youth. However, it is not so! When you read Alexandra Kryuchkova’s stories, you don’t even think that they were written by a teenage girl.

I think that such an early maturation of Kryuchkova, as in the case of Lermontov, is caused by the premature death of both her parents. The tragic orphanhood could not but affect the child’s psyche. For Alexandra Kryuchkova, this resulted in a genuine interest in the Other World. The drama of life entered her soul early. As in the case of Lermontov, everyone learned about the prodigy Kryuchkova in retrospect, when she had already grown up and became a famous poet.

Although the stories, presented in the book, were written by Alexandra at a young age, they have not lost their original value even today. And yet, it’s a pity that our country didn’t care about its brilliant children in the nineties of the last century. And that Alexandra Kryuchkova’s early stories were published only two decades after they were written.

Alexander Karpenko4,

poet and writer

The newspaper “Poetograd” No. 12 (113), 2014

https://www.reading-hall.ru/publication.php?id=9499

http://www.poetograd.ru/arch.html