Читать книгу Barracoon: The Story of the Last Slave - Alice Walker - Страница 11
ОглавлениеZora Neale Hurston’s introduction to Barracoon has been edited to align with the conventions of spelling, punctuation, grammar, and usage. Contemporary spelling and usage have also been applied to names and places. In composing the introduction to her work, Hurston made a good-faith effort to document the source material she used to set the context for the Barracoon narrative. As she states in her preface, “For historical data, I am indebted to the Journal of Negro History, and to the records of the Mobile Historical Society.” She reiterates this acknowledgment in her introduction and alludes to the use of other “records.” Hurston drew from Emma Langdon Roche’s Historic Sketches, but she references this work indirectly, and her citation from this book, as well as the other sources she utilized, was inconsistent. Wherever there is a question regarding her use of paraphrase and direct quotation, I have revised the passage as a direct quote and have documented it accordingly.
Regarding the actual narrative, I have read the original typescript in relation to earlier typed and handwritten drafts to produce a definitive text. Minor edits to the text were made in relation to the mechanics of typography, for purposes of clarity, or in the correction of apparent typos. Otherwise, the text remains as Hurston left it. I have made notations in the endnotes to present explanations or to provide full bibliographic data for sources Hurston used in her own notes. Such explanatory entries are labeled “Editor’s note” and are bracketed. All other notes are original to the manuscript. Hurston’s citations and footnotes have likewise been edited to align with conventional documentation style.
D.G.P.