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Chapter 8

Adam was not overestimating his power of smoothing things over. By the time I am out of the shower, Nicole is dressed and ready to accompany me to the fair. We leave Adam at the front door. He kisses Nicole goodbye and waves to me. It should be the other way round, me being kissed, her being waved away, but that is how it must be, for now.

All is not quite forgiven, though. Nicole makes a gulf between us as we walk up Narcissus Road to the bus stop. All wrapped up in her usual red beret, scarf and gloves, she keeps close to the holly bushes that line the inside edge of the pavement, as if she is trying to blend in with the berries.

I guess I will need small talk if I’m going to use Nicole for book four. I am struggling for conversation starters when a cyclist zooms past to the outside of me, helmetless.

‘I think all cyclists should wear helmets, don’t you?’ I ask. I don’t care, but it is something to say.

‘It didn’t help Helen,’ is Nicole’s immediate response.

‘Was she wearing a helmet?’ I ask.

Nicole nods. ‘I’ve been over it a thousand times with Adam. She always had bike lights, reflective clothing, all that stuff.’

Yes, of course. The reflective clothing. I went through all this at the time. With a distraught Adam, and with the police, too, before they decided it was an accident.

‘Seeing that wedding video today just reminded me, you know,’ she continues, ‘how much Adam loved her.’

This is not a useful conversation. I have no wish to be reminded of Adam’s love for another, from the one he currently says he loves.

‘You should come round for dinner some time,’ I say.

‘I wish I could find out who was driving, put his mind at rest. Give him closure,’ Nicole says. Then she stops talking, registering what I’ve just said. ‘I’ll ask Adam, we’ll fix up a date.’ Back on with the Helen routine. ‘Whoever it was, the police will find him. I’m sure. They just need a little help.’

‘No, not Adam. Just you, and me. Dinner,’ I say.

The bus appears, and any reply Nicole gives is lost.

We tap our Oyster cards dutifully and take our seats.

I keep on with my efforts for a conversation change.

‘I’m sorry about the shower,’ I say.

I touch her thigh, lightly.

She removes my hand, firmly.

‘Adam and I love each other,’ she says.

I’m not sure how that is relevant. I love Adam, after all, but the need here is different. Luke must have his material.

So I just shrug and say sorry again. She shrugs back. She seems to have calmed down. Maybe Adam explained why I could not have a real interest in her. Maybe, in that darkened room, before we came out, Adam was telling Nicole about book two. Maybe it was words, not just actions, that flushed her cheeks.

As though five years had not passed, Nicole starts up about Helen again.

I hear about the pearls that reverted back to Helen’s family, the guilt Nicole and Adam felt when they sent out their own wedding invitations, Nicole’s constant search for justice. She is a woman obsessed.

‘Someone out there drove away knowing they’d hit her, that they might have killed her,’ she says, looking at me. ‘Who does that?’

I look away.

‘It was an accident,’ I say, taking Adam’s line, in his absence.

I see the first signs of the Heath out of the window. Red leaves on the trees, some fallen, covering up the grass. But we want the unnatural part, the funfair, the thrills laid on for families. I suppose Nicole and I are family, really. Me, her and Adam – all one loving unit. Adam knows it, because he’s read book two. He doesn’t know how much of a unit we were – particularly when Helen was alive – because he hasn’t read book three. But he knows it, really, how close we are. And he’ll have explained it to Nicole, now. Nicole, and her quest to find Helen’s killer. Nicole, who will be the star of her own show, for when I write the world according to Luke.

I don’t know if she’ll like the show, if she’ll really feel comfortable with it. I mean, she never really did any acting, after RADA, so I hear. Not much good at it, perhaps. Then Adam coming along meant she didn’t need to work. But I need to get her on stage.

Three Steps Behind You

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