Читать книгу History of English Literature from "Beowulf" to Swinburne - Andrew Lang, Robert Kirk - Страница 48

King Horn.

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In "King Horn" we have a novel that must have been reckoned most satisfactory. The course of true love is interrupted by accidents which caused the utmost anxiety to the readers, who probably looked at the end to see "if she got him". "He" was Prince Horn, son of Murry, King of Saddene; the realm is "by west," and is invaded by Saracens. They spare Horn, for his beauty's sake, but launch him in a boat with his friends, Athulf and Fikenhild; his land they overrun, and disestablish the Church, being themselves professors of the Moslem religion. Horn drifts to the shore of the realm of Westerness, under King Aylmar. Here the king's daughter Rymenhild, falls in love with Horn, but cannot have an opportunity of declaring her passion. In the romances the lady, as a rule, begins the wooing. By Athelbrus, the steward, Athulf is brought to her bower, apparently in the dark, for she addresses him as Horn.

"Horn" quoth she, "well long

I have thee loved strong."

Athulf undeceives her; Horn is brought, in the absence of King Aylmar: Rymenhild again speaks the secret of her heart, and when Horn alludes to their unequal ranks, she faints away—one of the earliest faints executed by any heroine in English fiction. Horn kisses her into consciousness, and she devises that he shall be knighted. The king consents, giving him a ring which secures him from "dread of dunts," sends him to win glory. Horn at once kills a hundred Saracens. But Fikenhild, his false friend, finds Horn consoling Rymenhild for a dream of a great fish that burst her landing net. Fikenhild, in jealousy, warns King Aylmar, who discovers Horn and his daughter embracing. Horn is exiled, and bids Rymenhild wait seven years, and then marry if she will. Like the daughter of "that Turk," in "The Loving Ballad of Lord Bateman," she "takes a vow and keeps it strong".

At another court Horn, now styled Cutberd, not only slays giants, but encounters and routs the very Saracens who had invaded his father's dominions. The king of the country offers Horn his daughter and realm: he, however, is true to his vow, but, at the end of seven years, Rymenhild is betrothed to a king. She sends a boy to Horn with a message. In returning with Horn's reply the boy is drowned; the princess finds his dead body. Disguised as a palmer, like Ivanhoe, Horn returns to Westerness, and, like Odysseus, sits on the ground at the palace, as a beggar. Rymenhild does not recognize him, asks him if he has met Horn, and is shown her own ring. Horn, she is told, is dead. She had secreted a knife to kill her bridegroom, like the Bride of Lammermoor. Then Horn reveals himself, the pair are wedded, but he has still to recover his own kingdom. This he does, but Fikenhild has carried off Rymenhild. Disguised as minstrels, Horn and his friends surprise him in his new castle, and all ends happily.

"Horn" is a fair example, happily short, of the novels of the period, which, in essence, are like all good novels that end well. Assonance (rhyme of vowels but not of consonants) occurs in the verse:—

He lokede on his rynge,

And thogte on Rymenhilde.

It is not necessary to analyze the plots of all the romances: two or three enable us to estimate the kind of fiction that was popular with ladies in bower.

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