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FOURTH TRICK.—The Walking Cent.

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PRELIMINARY PREPARATION IN PRIVATE.

Ask for a long dark hair from some lady’s tresses. Have a pin in shape of a hook, or a small loop affixed to the end of this hair, and fasten a little piece of beeswax (less than a pea) at the other end of the hair. Fasten the hair by the loop to a button on your vest, taking care to wear a dark-colored vest. The hair may be allowed to hang from your vest, with the beeswax visible. Have a glass of water or cup on the table.

Commence the exhibition of the trick by borrowing a cent. While pretending to examine the cent to see if it is a good one, press the waxed end of the hair firmly to the under side of the cent, and place it about a foot from the edge of a table. Then bid the cent to move toward you, to the right or to the left, and by gently moving your body in whatever direction you name, the hair will draw the cent in the same direction. You may say, while your left hand is near the table, “Now, cent, move up my arm.” Advancing your arm gently, the cent will appear to move up to your elbow. It is your arm that moves, but it will appear to the spectators as if the cent moved; or you may help it up the outside of the sleeve by interposing your right hand under the hair, so as to draw up the cent, while appearing to beckon it.

“Now, cent, as you have performed so well, you shall have a bath.” Placing the tumbler near the edge of the table, draw the cent into it. After exhibiting it in the water, say, “Oh, cent, you must not stay so long in the water.” Then jerk it out upon the table. Detach the waxed end of the hair by your nail, after which return the cent to the person who loaned it to you.

When performing this trick, in order to keep the spectators at a little distance, you must inform them that “the cent is very susceptible to magnetic influences, and request ladies not to approach too near it, as the loadstones of their eyes are the cause of the magnetic attraction.”


Fig. 7.

My young friends must remember that it is absolutely necessary to keep up in spectators their belief in the mysterious, and therefore must decline on the spot to give explanations before or after the performance of this trick, however they may be disposed to reveal the secret privately to any friend. A singular instance is recorded of a person who was grievously disappointed when by importunity he had received an explanation of this very trick, which had appeared at first to him a most marvellous phenomenon; and he was quite annoyed when the gilt was stripped off his ginger-bread. It is said that a gentleman walked into a coffee-room at Manchester, England, and was exhibiting to a friend the above trick. A traveler at a table near them had his attention drawn by their laughing discourse, while one of them exhibited the trick to the other. The cold barrier of English reserve was broken down, and he addressed one of the strangers, requesting to be informed how the trick was done. For his part he imagined it must be connected with some perfectly new philosophical law of attraction involved in the experiment. “Will you be kind enough to tell me? I shall be happy to offer a fee to learn it. I was about to proceed by the next train, but I will gladly defer my journey to understand this, which appears so unaccountable.”

The gentleman declined for a considerable time; but at length, being overcome by the importunity, in order to get rid of the matter, assented. The time of the departure of the train had arrived and passed by, and the aspirant offered two guineas to learn the trick. The gentleman acceded to his request on condition that he should faithfully promise not to reveal it to others, or to make public the mystery. “Agreed,” says the traveler. The mail train was gone—the money paid—the trick exhibited and explained to him. “Oh!” cried the traveler, “how easy and plain it is. What a simpleton I have been to lose my journey and spend my money only to learn how you—.” “Stop!” cried the gentleman, “remember you have promised not to divulge the secret.” “Yes, but how foolish to care for an experiment which only depends on—.” “Stop, sir, stop. Are you going to tell all the room?” and thus a good half-hour’s amusement was caused by the traveler fretting over his simplicity, and having relinquished an important journey for that which, though marvellous while a secret, became so simple and uninteresting to him after an explanation.

The Practical Magician and Ventriloquist's Guide

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