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The Sagacious Mediocrity.

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But the average mediocre novelist, too good to excite a mob to admiration, and not good enough to be taken seriously by persons of taste, can have only a polite interest in the foregoing statistics. It remains for me to assure the average mediocre novelist in posse, that, if he minds his task, produces regularly, perseveres in one vein, judiciously compromises between his own ideals and the desires of the public, and conscientiously puts his best workmanship into all he does, he may safely rely on a reasonable return in coin. There are scores of mediocrities who make upwards of five hundred a year from fiction by labour that cannot be called fatiguing, writers who never accomplish anything worthy of the name of art, but who fulfil a harmless and perhaps useful function in our effete civilisation. The novelist, even the mediocrity, works under felicitous conditions. He is tied to no place and no times. He probably writes for three hours a day, five days a week, nine months in the year. He can produce his tale beneath an Italian sky as easily as in the groves of Brixton or Hampstead. No man is his master, and he is dependent on nobody’s goodwill and on nobody’s whim. Only three things can seriously hurt him: a grave failure of health, a European war, and a prolonged strike of bookbinders. The efflux of time will serve but to solidify his reputation, if he uses it well; his income will rise for years, and will remain stable for more years, and though ultimately it must fall it will not fall as fast as once it rose. On the other hand, the novelist who will not study his readers, who presumes on their obtuseness to offer them less than his best, and who lacks stedfastness, may confidently anticipate a decreasing income, no matter what his powers.

The Selected Works of Arnold Bennett: Essays, Personal Development Books & Articles

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