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Chapter 8 The Last Trick

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The noise of talk and laughter still filled the old château from end to end. Though the special guest of the evening had departed and royalty no longer graced the proceedings, since His Majesty had driven away to Versailles after having bidden adieu to the Chevalier de Saint George, M. le Duc d’Aumont’s less important visitors showed no signs as yet of wishing to break up this convivial night.

The sound of dance music filled the air, and from the salle d’armes the merry strains of the gavotte, the tripping of innumerable feet, the incessant buzz of young voices, reached the more distant corridor like an echo from fairyland.

Lydie had remained quite a little while leaning against the cool marble wall, watching with eager intentness the group of gallant English and Scotch gentlemen congregated round their young Prince. Louis the Well-beloved, with that graciousness peculiar to all the Bourbons, had, severally and individually bidden “good-bye” to all. Each in turn had kissed the podgy white hand of the King of France, who had been so benignant a host to them all. None understood better than Louis XV, the art of leaving a pleasing impression on the mind of a departing friend. He had a smile, a jest, a word of encouragement for each whilst Jeanne de Pompadour, with one dainty hand on the King’s shoulder, the other flirting her fan, emphasized each token of royal goodwill and of royal favour.

“Ah! milor Dunkeld, a pleasing journey to you. M. le Marquis de Perth, I pray you do not, amidst the fogs of England, forget the sunshine of France. Sir André Seafield, your absence will bring many tears to a pair of blue eyes I wot of.”

She pronounced the foreign names with dainty affectation, and Louis had much ado to keep his eyes away from that bright, smiling face, and those ever-recurring dimples. Lydie felt a strange nausea at sight of these noble, high-born gentlemen paying such reverential homage to the low-born adventuress, and a deep frown appeared between her eyes when she saw Charles Edward Stuart bending as low before Jeanne Poisson as he had done just now before her—Lydie, daughter of the Duc d’Aumont.

Bah! what did it matter, after all? This world of irresponsible butterflies, of petty machinations and self-seeking intrigues: would she not quit it to-morrow for a land of poetry and romance, where women wield no sceptre save that of beauty, and where but one ruler is acknowledged and his name is Love?

She made a strenuous attempt to detach herself mentally from her surroundings; with a great effort of her will she succeeded in losing sight of the individuality of all these people round her. Lady Eglinton still talking at random beside her, Mme. de Pompadour yielding her hand to the kiss of a Stuart Prince, that fat and pompous man, whom duty bade her call “Your Majesty,” all became mere puppets—dolls that laughed and chatted and danced, hanging on invisible strings, which the mighty hand of some grim giant was dangling for the amusement of his kind.

How paltry it seemed all at once! What did it matter if France was ruled by that vapid King or by that brainless, overdressed woman beside him? What did it matter if that young man with the shifty blue eyes and the fair, curly hair succeeded in ousting another man from the English throne?

What did matter was that Gaston was not faithless, that he loved her, and that she had felt the sweetness of a first kiss!

Happily back in dreamland now, she could once more afford to play her part amongst the marionettes. She was willing to yield the string which made her dance and talk and move into the hands of the fiercely humorous giant up aloft. No doubt it was he who pulled her along the corridor, made her join the group that congregated round departing royalty.

M. le Duc d’Aumont—the perfect courtier and gentleman—was already formulating his adieux. His Majesty the King of France would, by the rigid rule of etiquette, be the first to leave. Accompanied by Mme. de Pompadour and followed by M. le Duc, he was commencing his progress down the monumental staircase which led to the great entrance hall below.

Lydie, still made to move no doubt by that invisible giant hand, found it quite simple and easy to mingle with the crowd, to take the King’s arm, being his hostess, whilst M. le Duc her father and Mme. de Pompadour followed close behind.

With her spirit wandering in dreamland, she was naturally somewhat distraite—not too much so, only sufficiently to cause Louis XV to make comparisons betwixt his sprightly Jeanne and this animated statue, whose cold little hand rested so impassively on the satin of his coat.

At the foot of the perron the King’s Flemish horses, as round of body and heavy of gait as himself, were impatiently pawing the ground. The opening of the great gates sent a wave of sweet-scented air into the overheated château. Lydie was glad that her duty demanded that she should accompany the King down the steps to the door of his coach. The cool night breeze fanned her cheeks most pleasingly, the scent of June roses and of clove carnations filled the air, and from below the terraced gardens there came the softly-murmuring ripple of the Seine, winding her graceful curves toward the mighty city of Paris beyond.

Far away to the east, beyond the grim outline of cedar and poplar trees, a fair crescent moon appeared, chaste and cold.

“An emblem of our fair hostess to-night,” said Louis with clumsy gallantry and pointing up to the sky, as Lydie bent her tall figure and kissed the royal hand.

Then she stood aside, having made a cold bow to Mme. de Pompadour; the fair Marquise was accompanying His Majesty to Versailles; she stepped into the coach beside him, surrounded by murmurs of flattery and adulation. Even Charles Edward made her a final speech of somewhat forced gallantry; he was the last to kiss her hand, and Lydie could almost hear the softly whispered words of entreaty with which he bade her not to forget.

And Jeanne Poisson—daughter of a kitchen wench—was condescendingly gracious to a Stuart Prince; then she calmly waved him aside, whilst the King apparently was content to wait, and called Lady Eglinton to the door of the coach.

“You are wasting too much time,” she whispered quickly; “an you don’t hurry now, you will be too late.”

At last the departure was effected; the crowd, with backbone bent and tricornes sweeping the ground, waited in that uncomfortable position until the gilded coach and the men in gorgeous blue and gold liveries were swallowed in the gloom of the chestnut avenue; then it broke up into isolated groups. Lydie had done her duty as hostess; she had taken such leave as etiquette demanded from Charles Edward Stuart and his friends. Coaches and chairs came up to the perron in quick succession now, bearing the adventurers away on this, the first stage of their hazardous expedition. When would they sup again in such luxury? when would the frou-frou of silk, the flutter of fans, the sound of dance music once more pleasantly tickle their ears? To-morrow, and for many a long day to come it would be hurried meals in out-of-the-way places, the call to horse, the clink of arms.

Puppets! puppets all! for what did it matter?

Lydie would have loved to have lingered out on the terrace awhile longer. The oak-leaved geraniums down at the foot of the terrace steps threw an intoxicating lemon-scented fragrance in the air, the row of stunted orange trees still bore a few tardy blossoms, and in the copse yonder, away from the din and the bustle made by the marionettes, it must be delicious to wander on the carpet of moss and perchance to hear the melancholy note of a nightingale.

“Do you think not, Mademoiselle, that this night air is treacherous?” said Lord Eglinton, with his accustomed diffidence. “You seem to be shivering; will you allow me the honour of bringing your cloak?”

She thanked him quite kindly. Somehow his gentle voice did not jar on her mood. Since Gaston was not there, she felt that she would sooner have this unobtrusive, pleasant man beside her than any one else. He seemed to have something womanish and tender in his feeble nature which his mother lacked. Perhaps milady had divested herself of her natural attributes in order to grace her son with them, since she had been unable to instil more manly qualities into him.

But Lydie’s heart ached for a sight of Gaston. The clock in the tower of the old château chimed the hour before midnight. It was but half an hour since she had parted from him on the steps of the alcove; she remembered quite distinctly hearing the bracket clock close by strike half-past ten, at the same moment as Pompadour’s shrill laugh broke upon her ear.

Half an hour? Why, it seemed a lifetime since then; and while she had made her bow to the Stuart Prince and then to King Louis, while she had allowed the unseen giant to move her from place to place on a string, perhaps Gaston had been seeking for her, perhaps his heart had longed for her too, and a sting of jealousy of her multifarious social duties was even now marring the glory of happy memories.

Without another moment’s hesitation she turned her back on the peaceful gloom of the night, on the silver crescent moon, the fragrance of carnations and orange-blossoms, and walked quickly up the perron steps with a hasty: “You are right, milor, the night air is somewhat chilling and my guests will be awaiting me,” thrown over her shoulder at her bashful cavalier.

Beyond the noble entrance doors the vast hall was now practically deserted, save for a group of flunkeys, gorgeous and solemn, who stood awaiting the departure of their respective masters. At the farther end which led to the main corridor, Lydie, to her chagrin, caught sight of Lady Eglinton’s brobdingnagian back.

“What an obsession!” she sighed, and hoped that milady would fail to notice her. Already she was planning hasty flight along a narrow passage, when a question authoritatively put by her ladyship to a magnificent person clad in a purple livery with broad white facings arrested her attention.

“Is your master still in the boudoir, do you know?”

“I do not know, Mme. la Marquise,” the man replied. “I have not seen M. le Comte since half an hour.”

The purple livery with broad white facings was that of the Comte de Stainville.

“I have a message for M. le Comte from Mme. de Pompadour,” said Lady Eglinton carelessly. “I’ll find him, I daresay.”

And she turned into the great corridor.

Lydie no longer thought of flight; an unexplainable impulse caught her to change her mind, and to follow in Lady Eglinton’s wake. She could not then have said if “le petit Anglais” was still near her not. She had for the moment forgotten his insignificant existence.

There was an extraordinary feeling of unreality about herself and her movements, about the voluminous person ahead clad in large-flowered azure brocade and closely followed by a stiff automaton in purple and white; they seemed to be leading her along some strange and unexpected paths, at the end of which Lydie somehow felt sure that grinning apes would be awaiting her.

Anon Lady Eglinton paused, with her hand on the handle of a door; she caught sight of Mlle. d’Aumont and seemed much surprised to see her there. She called to her by name, in that harsh voice which Lydie detested, whilst the obsequious automaton came forward and relieved her from the trouble of turning that handle herself.

“Allow me, milady.”

The door flew open, the flunkey at the same moment also drew a heavy curtain aside.

Lydie had just come up quite close, in answer to Lady Eglinton’s call. She was standing facing the door when Bénédict threw it open, announcing with mechanical correctness of attitude:

“Mme. la Marquise d’Eglinton, M. le Comte!”

At first Lydie only saw Gaston as he turned to face the intruders. His face was flushed, and he muttered a quickly-suppressed oath. But already she had guessed, even before Lady Eglinton’s strident voice had set her every nerve a-tingling.

“Mlle. de Saint Romans!” said milady, with a shrill laugh, “a thousand pardons! I had a message from Mme. de Pompadour for M. le Comte de Stainville, and thought to find him alone. A thousand pardons, I beg—the intrusion was involuntary—and the message unimportant—I’ll deliver it when Monsieur is less pleasantly engaged.”

Lydie at that moment could not have stirred one limb, if her very life had depended on a movement from her. The feeling of unreality had gone. It was no longer that. It was a grim, hideous, awful reality. That beautiful woman there was reality, and real, too, were the glowing eyes that flashed defiance at milady, the lips parted for that last kiss which the flunkey’s voice had interrupted, the stray black curls which had escaped from the trammels of the elaborate coiffure and lay matted on the damp forehead.

And those roses, too, which had adorned her corsage, now lying broken and trampled on the floor, the candles burning dimly in their sockets, and Gaston’s look of wrath, quickly followed by one of fear—all—all that was real!

Real to the awful shame of it all—milady’s sneer of triumph, the oath which had risen to Gaston’s lips, the wooden figure of the lacquey standing impassive at the door!

Instinctively Lydie’s hand flew to her lips; oh, that she could have wiped out the last, lingering memory of that kiss. She, the proud and reserved vestal, a Diana chaste and cold, with lips now for ever polluted by contact with those of a liar. A liar, a traitor, a sycophant! She lashed her haughty spirit into fury, the better to feel the utter degradation of her own abasement.

She did not speak. What could she say! One look at Gaston’s face and she understood that her humiliation was complete; his eyes did not even seek her pardon, they expressed neither sorrow nor shame, only impotent wrath and fear of baffled ambition. Not before all these people would she betray herself, before that beautiful rival, or that vulgar intrigante, not before Gaston or his lacquey, and beyond that mechanical movement of hand to lips, beyond one short flash of unutterable pride and contempt, she remained silent and rigid, whilst her quick eyes took in a complete mental vision of that never to-be-forgotten picture—the dimly-lighted boudoir, the defiant figure of Irène de Saint Romans, the crushed roses on the floor.

Then with a heart-broken sigh unheard by the other actors in this moving tableaux, and covering her face with her hands, she began to walk rapidly down the corridor.

Petticoat Government

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