Читать книгу Italy; with sketches of Spain and Portugal - Beckford William - Страница 16

August 4th, 1780.

THE heats were so excessive in the night, that I thought myself several times on the point of suffocation, tossed about like a wounded fish, and dreamt of the Devil and Senegal. Towards sunrise, a faint breeze restored me to life and reason. I slumbered till late in the day, and the moment I was fairly awake, ordered my gondolier to row out to the main ocean, that I might plunge into the waves, and hear and see nothing but waters around me.

We shot off, wound amongst a number of sheds, shops, churches, casinos, and palaces, growing immediately out of the canals, without any apparent foundation. No quay, no terrace, not even a slab is to be seen before the doors; one step brings you from the hall into the bark, and the vestibules of the stateliest structures lie open to the waters, and but just above their level. I observed several, as I glided along, supported by rows of well-proportioned columns, adorned with terms and vases, beyond which the eye generally discovers a grand court, and sometimes a garden.

In about half an hour, we had left the thickest cluster of isles behind, and, coasting the Place of St. Mark opposite to San Giorgio Maggiore, whose elegant frontispiece was distinctly reflected by the calm waters, launched into the blue expanse of sea, from which rise the Carthusian and two or three other woody islands. I hailed the spot where I had passed such a happy visionary evening, and nodded to my friends the pines.

A few minutes more brought me to a dreary, sun-burnt shore, stalked over by a few Sclavonian soldiers, who inhabit a castle hard by, go regularly to an ugly unfinished church, and from thence, it is to be hoped, to paradise; as the air of their barracks is abominable, and kills them like blasted sheep.

Forlorn as this island appeared to me, I was told it was the scene of the Doge’s pageantry at the feast of the Ascension; and the very spot to which he sails in the Bucentaur, previously to wedding the sea. You have heard enough, and if ever you looked into a show-box, seen full sufficient of this gaudy spectacle, without my enlarging upon the topic. I shall only say, that I was obliged to pursue, partly, the same road as the nuptial procession, in order to reach the beach, and was broiled and dazzled accordingly.

At last, after traversing some desert hillocks, all of a hop with toads and locusts (amongst which English heretics have the honour of being interred), I passed under an arch, and suddenly the boundless plains of ocean opened to my view. I ran to the smooth sands, extending on both sides out of sight, and dashed into the waves, which were coursing one another with a gentle motion, and breaking lightly on the shores. The tide rolled over me as I lay floating about, buoyed up by the water, and carried me wheresoever it listed. It might have borne me far out into the main before I had been aware, so totally was I abandoned to the illusion of the moment. My ears were filled with murmuring undecided sounds; my limbs, stretched languidly on the surge, rose or sunk just as it swelled or subsided. In this passive state I remained, till the sun cast a less intolerable light, and the fishing-vessels, lying out in the bay at a great distance, spread their sails and were coming home.

Hastening back over the desert of locusts, I threw myself into the gondola; and, no wind or wave opposing, was soon wafted across to those venerable columns, so conspicuous in the Place of St. Mark. Directing my course immediately to the ducal palace, I entered the grand court, ascending the giants’ stairs, and examined at my leisure its bas-reliefs. Then, taking the first guide that presented himself, I was shown along several cloisters and corridors, sustained by innumerable pillars, into the state apartments, which Tintoret and Paolo Veronese have covered with the triumphs of their country.

A swarm of lawyers filled the Sala del Maggior Consiglio, and one of the first advocates in the republic was pleading with all his might, before a solemn row of senators. The eyes and ears of the assembly seemed equally affected. Clouds of powder, and volleys of execrations issuing every instant from the disputants, I got out of their way; and was led from hall to hall, and from picture to picture, with exemplary resignation. To be sure, I was heartily tired, but behaved with decency, having never once expressed how much I wished the chefs-d’œuvre I had been contemplating, less smoky and numerous.

At last, I reached once more the colonnades at the entrance, and caught the sea-breeze in the open porticoes which front San Giorgio Maggiore. The walls are covered in most places with grim visages sculptured in marble, whose mouths gape for accusations, and swallow every lie that malice and revenge can dictate. I wished for a few ears of the same kind, dispersed about the Doge’s residence, to which one might apply one’s own, and catch some account of the mysteries within; some little dialogue between the three Inquisitors, or debate in the Council of Ten.

This is the tribunal which holds the wealthy nobility in continual awe; before which they appear with trembling and terror; and whose summons they dare not disobey. Sometimes, by way of clemency, it condemns its victims to perpetual imprisonment, in close, stifling cells, between the leads and beams of the palace; or, unwilling to spill the blood of a fellow-citizen, generously sinks them into dungeons, deep under the canals which wash its foundations; so that, above and below, its majesty is contaminated by the abodes of punishment. What other sovereign could endure the idea of having his immediate residence polluted with tears? or revel in his halls, conscious that many of his species were consuming their hours in lamentations above his head, and that but a few beams separated him from the scene of their tortures? However gaily disposed, could one dance with pleasure on a pavement, beneath which lie damp and gloomy caverns, whose inhabitants waste away by painful degrees, and feel themselves whole years a-dying? Impressed by these terrible ideas, I could not regard the palace without horror, and wished for the strength of a thousand antediluvians, to level it with the sea, lay open the secret recesses of punishment, and admit free gales and sunshine into every den.

When I had thus vented my indignation, I repaired to the statue of Neptune, whom twenty ages ago I should have invoked to second my enterprise. Once upon a time no deity had a freer hand at razing cities. His execution was renowned throughout all antiquity, and the proudest monarchs deprecated the wrath of KΡΕΙΩΝ ΕΝΟΣΙΧΘΩΝ. But, like the other mighty ones of ancient days, his reign is past and his trident disregarded. Formerly any wild spirit found favour in the eyes of fortune, and was led along the career of glory to the deliverance of captives and the extirpation of monsters; but, in our degenerate times, this easy road to fame is no longer open, and the means of producing such signal events are perplexed and difficult.

Abandoning therefore the sad tenants of the Piombi to their fate, I left the courts, and stepping into my bark, was rowed down a canal overshadowed by the lofty walls of the palace. Beneath these fatal waters the dungeons I have also been speaking of are situated. There the wretches lie marking the sound of the oars, and counting the free passage of every gondola. Above, a marble bridge, of bold majestic architecture, joins the highest part of the prisons to the secret galleries of the palace; from whence criminals are conducted over the arch to a cruel and mysterious death. I shuddered whilst passing below; and believe it is not without cause, this structure is named PONTE DEI SOSPIRI. Horrors and dismal prospects haunted my fancy upon my return. I could not dine in peace, so strongly was my imagination affected; but snatching my pencil, I drew chasms and subterraneous hollows, the domain of fear and torture, with chains, racks, wheels, and dreadful engines in the style of Piranesi. About sunset I went and refreshed myself with the cool air and cheerful scenery of the Fondamenti nuovi, a vast quay or terrace of white marble, which commands the whole series of isles, from San Michele to Torcello,

Nothing can be more picturesque than the groups of towers and cupolas which they present, mixed with flat roofs and low buildings, and now and then a pine or cypress. Afar off, a little woody isle, called Il Deserto, swells from the ocean and diversifies its expanse.

When I had spent a delightful half-hour in viewing the distant isles, M. de Benincasa accompanied me to the Mendicanti, one of the four conservatorios, which give the best musical education conceivable to near one hundred young women. You may imagine how admirably those of the Mendicanti in particular are taught, since their establishment is under the direction of Bertoni, who breathes around him the very soul of harmony. The chapel in which we sat to hear the oratorio was dark and solemn; a screen of lofty pillars, formed of black marble and highly polished, reflected the lamps which burn perpetually before the altar. Every tribune was thronged with people, whose profound silence showed them worthy auditors of this master’s music. Here were no cackling old women, or groaning Methodists, such as infest our English tabernacles, and scare one’s ears with hoarse coughs accompanied by the naso obligato. All were still and attentive, imbibing the plaintive notes of the voices with eagerness; and scarce a countenance but seemed deeply affected with David’s sorrows, the subject of the performance. I sat retired in a solitary tribune, and felt them as my own. Night came on before the last chorus was sung, and I still seem to hear its sacred melody.