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CONTENTS

List of Illustrations viii

Acknowledgments xi

Introduction 1

1 Where Is the Music? What Is the Music?

Albert Maysles, Gimme Shelter (1970) 24

2 Representing the Margins and Underrepresenting the Real

Jill Godmilow, Antonia: A Portrait of the Woman (1974) 67

3 The Use and Abuse of Musicological Concepts

Shirley Clarke, Ornette: Made in America (1985) 108

4 The Theater of Mass Culture

D. A. Pennebaker and Chris Hegedus, Depeche Mode: 101 (1988) 156

5 Cinematic Dub and the Multitude

Jem Cohen and Fugazi, Instrument (1999) 200

Epilogue: Toward a Ciné-Ethnomusicology

Appendix A: Extended Music Filmography 255

Appendix B: Cited Interviews and Archival Material 259

Appendix C: Glossary of Terms: Sounds, Shots, and Editing Techniques 261

Notes 265

Works Cited 275

Index 289