Читать книгу American Music Documentary - Benjamin J. Harbert - Страница 7

ILLUSTRATIONS

1.1. Structure of “Wild Horses” sequence 37

1.2. Head position matching chord changes and shoulder motion matching plagal cadence 47

1.3. Unknown to Jagger, a hand from the crowd reaches toward him 55

1.4. Dancing man becomes concerned 61

1.5. Man smiles while woman weeps, both moving their heads to the music 63

2.1. Framing Brico’s anger 81

2.2. Freeze-frame at end of kitchen sequence 83

2.3. Juxtaposed spaces of stage and home brought together through performance 88

3.1. Geodesic dome on top of Caravan of Dreams (still from the film) 114

3.2. The real Ornette Coleman connects with the “young” Ornette Coleman played by Demon Marshall 122

3.3. A cut that presents Coleman as if he were watching George Russell talk about Coleman 127

3.4. Two poles of interview: John Rockwell interview framed in a cartoon television set and Coleman with Fort Worth friends 128

3.5. The new buildings of downtown Fort Worth loom behind young Ornette Coleman in his neighborhood 139

3.6. Intermittent reharmonization of Coleman and his music across two different spaces and times 140

3.7. Two cutaway shots of places during the opening movement of Skies of America 140

4.1. Transcription of “Pimpf,” the leitmotif of the film 168

4.2. Harmonic transformations represented on a matrix and transformational network 177

4.3. Basic harmonic transformations represented on a Tonnetz map 178

4.4. Tonnetz map analysis and transformational loop for “The Things You Said” 179

4.5. Scale-degree analysis of “The Things You Said” 179

4.6. Vocal line, keyboard melody, and visual sequence for “The Things You Said” 180

4.7. Longer keyboard melody for “The Things You Said” 180

4.8. Cathartic scream POV sequence 182

4.9. Rhythm of visual cuts to the repetitive climax of “People Are People” 185

4.10. Colotomic rhythmic structure of “Stripped” 187

4.11. Tonnetz map analysis for “Stripped” 187

4.12. Tonnetz map analysis for “Behind the Wheel” 193

4.13. Transformational network loop for “Behind the Wheel” 193

4.14. Gahan silhouetted at the end of “Everything Counts” 195

5.1. Cover of Instrument DVD with all collaborators’ handwriting 218

5.2. Crowd portraits 241