Читать книгу Father Payne - Benson Arthur Christopher - Страница 23

I do not propose to make any history of events, or to say how, within a very short time, I fell into the life of the place. I will only say what were the features of the scheme, and how the rule, such as it was, worked out.

First of all, and above all, came the personality of Father Payne, which permeated and sustained the whole affair. It was not that he made it his business to drive us along. It was not a case of "the guiding hand in front and the propelling foot behind." He seldom interfered, and sometimes for a considerable space one would have no very direct contact with him. He was a man who was always intent, but by no means always intent on shepherding. I should find it hard to say how he spent his time. He was sometimes to all appearances entirely indolent and good-natured, when he would stroll about, talk to the people in the village, and look after the little farm which he kept in his own hands under a bailiff. At another time he would be for long together in an abstracted mood, silent, absent-minded, pursuing some train of thought. At another time he would be very busy with what we were doing, and hold long interviews with us, making us read our work to him and giving us detailed criticisms. On these occasions he was extremely stimulating, for the simple reason that he always seemed to grasp what it was that one was aiming at, and his criticisms were all directed to the question of how far the original conception was being worked out. He did not, as a rule, point out a different conception, or indicate how the work could be done on other lines. He always grasped the plan and intention, and really seemed to be inside the mind of the contriver. He would say; "I think the theme is weak here—and you can't make a weak place strong by filling it with details, however good in themselves. That is like trying to mend the Slough of Despond with cartloads of texts. The thing is not to fall in, or, if you fall in, to get out." His three divisions of a subject were "what you say, what you wanted to say, what you ought to have wanted to say." Sometimes he would listen in silence, and then say: "I can't criticise that—it is all off the lines. You had better destroy it and begin again," Or he would say: "You had better revise that and polish it up. It won't be any good when it is done—these patched-up things never are; but it will be good practice," He was encouraging, because he never overlooked the good points of any piece of writing. He would say: "The detail is good, but it is all too big for its place, quite out of scale; it is like a huge ear on a small head," Or he would say: "Those are all things worth saying and well said, but they are much too diffuse." He used to tell me that I was apt to stop the carriage when I was bound on a rapid transit, and go for a saunter among fields. "I don't object to your sauntering, but you must intend to saunter—you must not be attracted by a pleasant footpath." Sometimes he could be severe, "That's vulgar," he once said to me, "and you can't make it attractive by throwing scent about," Or he would say: "That's a platitude—which means that it may be worth thinking and feeling, but not worth saying. You can depend upon your reader feeling it without your help," Or he would say: "You don't understand that point. It is a case of the blind leading the blind. Cut the whole passage, and think it out again," Or he would say: "That is all too compressed. You began by walking, and now you are jumping." Or he would say: "There is a note of personal irritation about that; it sounds as if you had been reading an unpleasant review. It is like the complaint of the nightingale leaning her breast against a thorn in order to get the sensation of pain. You seem to be wiping your eyes all through—you have not got far enough away from your vexation. Your attempt to give it a humorous turn reminds me of Miss Squeers' titter—you must never titter!" Once or twice in early times I used to ask him how he would do it. "Don't ask me!" he said. "I haven't got to do it—that's your business; it's no use your doing it in my way; all I know is that you are not doing it in your way." He was very quick at noticing any mannerisms or favourite words. "All good writers have mannerisms, of course," he would say, "but the moment that the reader sees that it is a mannerism the charm is gone." His praise was rarely given, and when it came it was generous and rich. "That is excellent," I can hear him say, "You have filled your space exactly, and filled it well. There is not a word to add or to take away." He was always prepared to listen to argument or defence. "Very well—read it again." Then, at the end, he would say: "Yes, there is something in that. You meant to anticipate? I don't mind that! But you have anticipated too much, made it too clear; it should just be a hint, no more, which will be explained later. Don't blurt! You have taken the wind out of your sails by explaining it too fully."

Sometimes he would leave us alone for two or three weeks together, and then say frankly that one had been wasting time, or the reverse. "You must not depend upon me too much; you must learn to walk alone."

Every week we had a meeting, at which some one read a fragment aloud. At these meetings he criticised little himself, but devoted his attention to our criticisms. He would not allow harshness or abruptness in what we said. "We don't want your conclusions or your impressions—we want your reasons." Or he would say: "That is a fair criticism, but unsympathetic. It is in the spirit of a reviewer who wants to smash a man. We don't want Stephen to be stoned here, we want him confuted." I remember once how he said with indignation: "That is simply throwing a rotten egg! And its maturity shows that it was kept for that purpose! You are not criticising, you are only paying off an old score!"

But I think that the two ways in which he most impressed himself were by his conversation, when we were all together, and by his tête-à-tête talks, if one happened to be his companion. When we were all together he was humorous, ironical, frank. He did not mind what was said to him, so long as it was courteously phrased; but I have heard him say: "We must remember we are fencing—we must not use bludgeons." Or: "You must not talk as if you were scaring birds away—we are all equal here." He was very unguarded himself in what he said, and always maintained that talkers ought to contribute their own impressions freely and easily. He used to quote with much approval Dr. Johnson's remark about his garrulous old school-fellow, Edwards. Boswell said, when Edwards had gone, that he thought him a weak man. "Why, yes, sir," said Johnson. "Here is a man who has passed through life without experiences; yet I would rather have him with me than a more sensible man who will not talk readily. This man is always willing to say what he has to say." Father Payne used to add: "The point is to talk; you must not consider your reputation; say whatever comes into your head, and when you have learnt to talk, you can begin to select." I have heard him say; "Go on, some one! It is everybody's business here to avoid a pause. Don't be sticky! Pauses are for a tête-à-tête." Or, again, I have heard him say: "You mustn't examine witnesses here! You should never ask more than three questions running." He did not by any means keep his own rules; but he would apologise sometimes for his shortcomings. "I'm hopeless to-day. I can't attend, I can't think of anything in particular. I'm diluted, I'm weltering—I'm coming down like a shower."

The result of this certainly was that we most of us did learn to talk. He liked to thrash a subject out, but he hated too protracted a discussion. "Here, we've had enough of this. It's very important, but I'm getting bored. I feel priggish. Help, help!"

On the other hand, he was even more delightful in a tête-à-tête. He would say profound and tender things, let his emotions escape him. He had with me, and I expect with others, a sort of indulgent and paternal way with him. He never forgot a confidence, and he used to listen delightedly to stories of one's home circle. "Tell me some stories about Aunt Jane," he would say to me. "There is something impotently fiery about that good lady that I like. Tell me again what she said when she found cousin Frank in a smoking-cap reading Thomas-à-Kempis." He had a way of quoting one's own stories which was subtly flattering, and he liked sidelights of a good-natured kind on the character of other members. "Why won't he say such things to me?" he used to say. "He thinks I should respect him less, when really I should admire him more. He won't let me see when his box is empty! I suspect him of reading Bartlett's Familiar Quotations before he goes a walk with me!" Or he would say: "In a general talk you must think about your companions; in a tête-à-tête you must only feel him."

But the most striking thing about Father Payne was this. Though we were all very conscious of his influence, and indeed of his authority; though we knew that he meant to have his own way, and was quite prepared to speak frankly and act decisively, we were never conscious of being watched or censured or interfered with. In ninety-nine cases out of a hundred it was a pure pleasure to meet him and to be with him, and many a time have I seen him, in a moment of leisure, strolling in the garden, and hurried out just on the chance of getting a word or a smile, or, if he was in an expansive mood, having my arm taken by him for a little turn. In the hundredth case, it happened that one might have said or done something which one knew that he would disapprove. But, as he never stored things up or kept you waiting, you could be sure he would speak soon or not at all. Often, too, he would just say: "I don't think that your remark to Kaye gave a fair impression of yourself," or, "Why waste your powder as you did to-night?" I was only once or twice directly rebuked by him, and that was for a prolonged neglect. "You don't care," he once said to me emphatically. "I can't do anything for you if you don't care!" But he was the most entirely placable of men. A word of regret or apology, and he would say: "Don't give it another thought, my boy," or, "That's all right, then."

The real secret of his influence was that he took not a critical or even a dispassionate view of each of us, but an enthusiastic view. He took no pleasure in our shortcomings; they were rather of the nature of an active personal disappointment. The result was simply that you were natural with him, but natural with the added sense that he liked you and thought well of you, and expected friendship and even brilliance from you. You felt that he knew you well, and recognised your faults and weaknesses, but that he knew your best side even better, and enjoyed the presence of it. I never knew anyone who was so appreciative, and though I said foolish things to him sometimes, I felt that he was glad that I should be my undisguised self. It was thus delicately flattering to be with him, and it gave confidence and self-respect. That was the basis of our whole life, the goodwill and affection of Father Payne, and the desire to please him.