Читать книгу The Art of War in 19th Century - Carl von Clausewitz - Страница 139

10. BASE.

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An ingenious author tried to concentrate in a single conception, that of a BASE, a whole host of objects amongst which sundry relations even with immaterial forces found their way in as well. The list comprised the subsistence of the troops, the keeping them complete in numbers and equipment, the security of communications with the home country, lastly, the security of retreat in case it became necessary; and, first of all, he proposed to substitute this conception of a base for all these things; then for the base itself to substitute its own length (extent); and, last of all, to substitute the angle formed by the army with this base: all this was done to obtain a pure geometrical result utterly useless. This last is, in fact, unavoidable, if we reflect that none of these substitutions could be made without violating truth and leaving out some of the things contained in the original conception. The idea of a base is a real necessity for strategy, and to have conceived it is meritorious; but to make such a use of it as we have depicted is completely inadmissible, and could not but lead to partial conclusions which have forced these theorists into a direction opposed to common sense, namely, to a belief in the decisive effect of the enveloping form of attack.

The Art of War in 19th Century

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