Читать книгу The Technique of the Mystery Story - Carolyn Wells - Страница 17

"What Was It?" by Fitzjames O'Brien, is a typical Ghost Story of horror. The dreadfulness of the experience is graphically pictured and the hold on the reader's attention is entirely that of the supernatural.

A parallel story is Maupassant's "The Horla."

This latter story is much longer and more elaborate, but the plots are almost identical. The Frenchman's story is told with a greater art, but is spun out to too great a length, and in some parts the horror is mere hysteria.

Among Ghost Stories with an occult moral, Kipling's "They" stands pre-eminent. This story has the element of beauty rather than horror, but it is a perfect Ghost Story none the less.

"The Turn of The Screw" is a wonderful Ghost Story. The supernatural element of its matter, aided by the supernatural element in Henry James' manner is a combination that makes a Ghost Story of distinguishment.

For stories of sheer hair-raising horror, F. Marion Crawford's Ghost Stories stand easily in the first rank. "The upper berth" is quite as terrifying a conception as the stories of O'Brien and Maupassant, but the descriptive details give an atmosphere of fright unattained by the other two. As an example of Mr. Crawford's awful word pictures we append the following extracts:

The light was growing strangely dim in the great room. As Evelyn looked, Nurse Mcdonald's crooked shadow on the wall grew gigantic. Sir Hugh's breath came thick, rattling in his throat, as death crept in like a snake and choked it back. Evelyn prayed aloud, high and clear.

Then something rapped at the window, and she felt her hair rise upon her head in a cool breeze, as she looked around in spite of herself. And when she saw her own white face looking in at the window, and her own eyes staring at her through the glass, wide and fearful, and her own hair streaming against the pane, and her own lips dashed with blood, she rose slowly from the floor and stood rigid for one moment, till she screamed once and fell straight back into Gabriel's arms. But the shriek that answered hers was the fear shriek of the tormented corpse, out of which the soul cannot pass for shame of deadly sins, though the devils fight in it with corruption, each for their due share.

Sir Hugh Ockram sat upright in his deathbed, and saw and cried loud.

* * *

Slowly Nurse Macdonald's wrinkled eyelids folded themselves back, and she looked straight at the face at the window while one might count ten.

"Is it time?" she asked in her little old, far away voice.

While she looked the face at the window changed, for the eyes opened wider and wider till the white glared all round the bright violet, and the bloody lips opened over gleaming teeth, and stretched and widened and stretched again, and the shadowy golden hair rose and streamed against the window in the night breeze. And in answer to Nurse Macdonald's question came the sound that freezes the living flesh.

That low moaning voice that rises suddenly, like the scream of storm, from a moan to a wail, from a wail to a howl, from a howl to the fear shriek of the tortured dead—he who has heard knows, and he can bear witness that the cry of the banshee is an evil cry to hear alone in the deep night.

* * *

He was as brave as any of those dead men had been, and they were his fathers, and he knew that sooner or later he should lie there himself, beside Sir Hugh, slowly drying to a parchment shell. But he was still alive, and he closed his eyes a moment, and three great drops stood on his forehead.

Then he looked again, and by the whiteness of the winding-sheet he knew his father's corpse, for all the others were brown with age; and, moreover, the flame of the candle was blown toward it. He made four steps till he reached it, and suddenly the light burned straight and high, shedding a dazzling yellow glare upon the fine linen that was all white, save over the face, and where the joined hands were laid on the breast. And at those places ugly stains had spread, darkened with outlines of the features and of the tight-clasped fingers. There was a frightful stench of drying death.

As Sir Gabriel looked down, something stirred behind him, softly at first, then more noisily, and something fell to the stone floor with a dull thud and rolled up to his feet; he started back and saw a withered head lying almost face upward on the pavement, grinning at him. He felt the cold sweat standing on his face, and his heart beat painfully.

For the first time in all his life that evil thing which men call fear was getting hold of him, checking his heart-strings as a cruel driver checks a quivering horse, clawing at his backbone with icy hands, lifting his hair with freezing breath, climbing up and gathering in his midriff with leaden weight.

Yet presently he bit his lip and bent down, holding the candle in one hand, to lift the shroud back from the head of the corpse with the other. Slowly he lifted it. Then it clove to the half-dried skin of the face, and his hand shook as if some one had struck him on the elbow, but half in fear and half in anger at himself, he pulled it, so that it came away with a little ripping sound. He caught his breath as he held it, not yet throwing it back, and not yet looking. The horror was working in him, and he felt that old Vernon Ockram was standing up in his iron coffin, headless, yet watching him with the stump of his severed neck.

While he held his breath he felt the dead smile twisting his lips. In sudden wrath at his own misery, he tossed the death-stained linen backward, and looked at last. He ground his teeth lest he should shriek aloud.

Perhaps unique amongst Ghost Stories is the one by Mr. Crawford entitled "The Doll's Ghost." It would seem difficult to conceive a story of the ghost of a little girl's doll, that should be neither melodramatic nor ridiculous, but Mr. Crawford accomplished this, and the little sketch, while a true Ghost Story, is pathetic and charming.