Читать книгу The Technique of the Mystery Story - Carolyn Wells - Страница 7

This is the crux of the mystery story. It is designed to try the reader's ingenuity at re-solution. The exercise of this tried ingenuity is what gives the entertainment or amusement found in a mystery story.

The type of mentality or the kind of mental bias that gives pleasure in puzzling is the same in author and reader. The talent that knits is the same talent that unravels. The propounder uses the same kind of acumen as the guesser, and his pleasure in doing so is of the same sort.

It is difficult to say just what this mental faculty is, but we who possess it know that its exercise gives us exquisite enjoyment.

As the athlete rejoices in his muscular prowess, as the musician rejoices in the melodies he makes, as the artist glories in his painted masterpiece, yea, even as the clam is notoriously happy in his own element, so the mental acrobat revels in concentrating all his brain power on an analytical problem.

Lowell declared that Poe had two of the prime qualities of genius—"a faculty of vigorous yet minute analysis and a wonderful fecundity of imagination." These two qualities are present to a greater or less degree in every lover of mystery fiction; and it is the degree that determines the intensity of the call of the author and the response of the reader.