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It’s almost six a.m. when the police car pulls up in front of Lou and Steve’s building on a leafy street in Kentish Town. It’s still dark outside. Several windows are lit. A handful of people are quietly closing front doors, slinging bags over shoulders and jamming in earbuds, walking, hunched with fatigue, down the road to the tube.

Neve thanks the two police officers, noticing the lingering look from the attractive black one. As she closes the car door she realizes gratefully that she is so late home her sister will almost certainly be up, tending to her eleven-month-old baby, Maisie.

The car pulls away and Neve makes her way carefully down the slippery steps that lead to the kitchen.

Lou and Steve live on the bottom two floors of the tall Victorian building and she is hoping she can alert Lou’s attention through the window rather than ringing the bell and waking the entire household.

But she realizes with a sinking heart that all the lights are off in the kitchen. It would be typical if Maisie had chosen to sleep through for the first time ever, on this of all nights.

Then she sees her sister, swaddled in the long baggy cardigan she wears as a dressing gown at the sink, Maisie on her shoulder, as upright and alert as a meerkat. The baby sees her aunt and waves sweetly, opening and closing her fingers over her fist.

Neve returns the wave with a weak smile. Lou turns and Neve sees rather than hears her shocked yelp. Lou disappears back through the kitchen door and a few moments later the front door a level up is noisily unbolted and opened.

Lou stands in the entrance and peers out at her sister as she climbs the steps. Her face is puffy and Neve can see right away that she has had a bad night. Lou’s eyes look small and pink, like a rabbit’s. She has patches of dry skin on her cheeks, which are flushed, as though she is the one teething and not Maisie.

‘God, look at you,’ she says. ‘Is this you just coming home? I thought you were in bed. Oh … Neve? What on earth is it?’

Neve doesn’t have any more tears but is suddenly overcome with the need for human comfort. She stumbles towards her sister, longing to hide her face in the woollen softness of her ample shoulder. To be held like a child and told everything will be okay.

‘I can’t really …’ says Lou with a sharp laugh, ‘Maisie, stop wriggling!’ The little girl pushes against her aunty with hands and feet and revs like a car in protest. All three of them awkwardly clash against each other.

Cheeks flushed, Neve walks off into the kitchen.

She should know better, she thinks. They’ve never exactly been huggers, her and Louise.

She goes to the kettle and can feel it has only recently boiled. She opens the neatly labelled jar of coffee and taps some roughly into a mug that says, ‘WORLD’S NICEST MUMMY’, knowing it will annoy Lou that she is using this cup and that she isn’t bothering with a spoon.

‘What’s wrong with you?’ says Lou from the doorway. ‘Has something happened?’

Sloshing water from the kettle into the cup, Neve then fumbles in the drawer for a spoon and adds two spoons of sugar before lifting it to her lips and chugging the bitter, lukewarm coffee down. Lou and Steve don’t believe in proper coffee.

‘Honestly, Neve,’ Lou continues in a low, tolerant voice, ‘Lottie is getting to an age when she’s going to start asking questions about why her aunty has stayed out all night. You can’t just come in looking like something the cat dragged in when you are in a family home. Don’t you think that it’s time you—’

‘I watched a woman commit suicide tonight. Right in front of me.’

Lou’s eyes widen and she slaps her free hand across her mouth.

‘Oh God, no. Where? On the tube?’

Maisie grizzles. She buries her face into her mother’s shoulder, squidging her legs up and rounding her back.

Lou swings from side to side. She is always moving to some maternal metronome inside her, even when she isn’t holding a child. She shushes and pats the baby’s back, her eyes pinned to Neve’s face.

‘Where? What happened?’

Neve goes to fill the kettle again and Lou bustles over.

‘Here, let me get that. You sit down and tell me everything. You look awful. Are you warm enough?’ Lou is finally in her comfort zone. Looking after people’s physical needs is what she does best.

Neve does as she’s told, sitting, and shakes her head to indicate that no, she isn’t warm enough. She can’t envisage ever being warm again, in fact. Lou leaves the room and comes back with a travel blanket from the sofa. Neve wraps it around her neck and shoulders, trying to ignore the vaguely sickly smell emanating from it, thanks to various small, dirty hands.

As Lou makes her another coffee she begins to tell her about what happened, starting with walking across the bridge.

‘Wait,’ Lou interrupts her straight away, a deep frown on her face. ‘Was this after your work thing? Have you been at a police station all night?’

Neve sighs. She’s tempted to lie then she thinks, why should I?

‘I’d been back to someone’s house,’ she says, as a compromise. The hotel really does sound so sleazy. Despite their decidedly agnostic upbringing, Lou has turned a bit Christian since meeting church-goer Steve.

She looks her sister directly in the eye as she says this and Lou looks down at the baby’s head and pats her back gently.

‘Okay,’ she says patiently. ‘Go on …’

Neve tells her the rest of the story in a series of terse sentences.

‘What a thing,’ says Lou in wonder. ‘What a terrible thing.’

They sit in silence.

It is only as Neve is slipping gratefully into her chilly bed and fighting off the returning shivers that she remembers she didn’t tell her sister about the strange exchange with the envelope.

I wonder what was in it, she thinks as scrambled images race across her mind. Finally, as she begins to warm up for the first time since she left Whatsisname’s hotel room, she tips into sleep.

In a Cottage In a Wood: The gripping new psychological thriller from the bestselling author of The Woman Next Door

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