Читать книгу A Theatre of Affect - Charlotta Palmstierna Einarsson - Страница 5

Table of Contents

List of Abbreviations

Preface

Introduction

About the Title

Why Affect Theory?

The Theatre of Affect

Outline of the book

Limitations

Chapter 1 Phenomenological Presentations

Beckett and Phenomenology

The ‘Rhetorical’ Effect of Affect

The Problem of Expression

The Space Between Subject and Object

Formal Experiments

Understanding is Creative

The Shape of Ideas

Phenomenological Presentations

Chapter 2 The Body as Technology

The Body in Beckett Criticism

The Dys-Appearing Body in Beckett’s Drama

Residual Phenomena

Abstract and Concrete Movements

Directorial Concerns

Seeking to Dehumanise the Actor

The Body in Acting

Performance as Text

Chapter 3 The Corporeal Turn

The Material Phase: Waiting for Godot

Why It Is Not Absurd to Wait for Godot

Suffering

Meaning- and Presence-Effects

‘A poetry of the theatre’

The Organic Phase: Come and Go

Encountering the Universal

Encountering the Particular

A Special Presence

The Atmospheric Phase: Quad

The Performance as Event

Chapter 4 A Theatre of Affect

Resonating Phenomena

‘Difference Staged’

Life Unexamined Is Lost

Getting in Touch with Flesh

Shifting Paradigms

Chapter 5 Meaning

Meaning and Change

The Aesthetics of Gesture

Beckett and Abstraction

The Relation of Part to Whole

Metaphorical Meanings

The ‘Always Already’

Conclusion

Bibliography

Samuel Beckett in Company

Copyright