Читать книгу A Theatre of Affect - Charlotta Palmstierna Einarsson - Страница 5
ОглавлениеTable of Contents
List of Abbreviations
Preface
Introduction
About the Title
Why Affect Theory?
The Theatre of Affect
Outline of the book
Limitations
Chapter 1 Phenomenological Presentations
Beckett and Phenomenology
The ‘Rhetorical’ Effect of Affect
The Problem of Expression
The Space Between Subject and Object
Formal Experiments
Understanding is Creative
The Shape of Ideas
Phenomenological Presentations
Chapter 2 The Body as Technology
The Body in Beckett Criticism
The Dys-Appearing Body in Beckett’s Drama
Residual Phenomena
Abstract and Concrete Movements
Directorial Concerns
Seeking to Dehumanise the Actor
The Body in Acting
Performance as Text
Chapter 3 The Corporeal Turn
The Material Phase: Waiting for Godot
Why It Is Not Absurd to Wait for Godot
Suffering
Meaning- and Presence-Effects
‘A poetry of the theatre’
The Organic Phase: Come and Go
Encountering the Universal
Encountering the Particular
A Special Presence
The Atmospheric Phase: Quad
The Performance as Event
Chapter 4 A Theatre of Affect
Resonating Phenomena
‘Difference Staged’
Life Unexamined Is Lost
Getting in Touch with Flesh
Shifting Paradigms
Chapter 5 Meaning
Meaning and Change
The Aesthetics of Gesture
Beckett and Abstraction
The Relation of Part to Whole
Metaphorical Meanings
The ‘Always Already’
Conclusion
Bibliography
Samuel Beckett in Company
Copyright
