Читать книгу A Theatre of Affect - Charlotta Palmstierna Einarsson - Страница 7

Preface

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This book is evidence of the great support and inspiration I have been given in various contexts and by various people, all of whom have sustained my thinking about the ideas that I present here. For this I am grateful beyond words. Some of you I know well, and some I have only met briefly (or never at all), yet you are all a tangible presence in my world, and I could not have written this book without you.

I also have a special thanks to those who have been more directly involved in the process of writing. Thank you Ishrat Lindblad, my former supervisor, for having taken the time to read and comment on the manuscript in its various stages. The force of your intellect, your scholarly integrity and your perceptive eyes and ears, continue to be an inspiration that propels my thinking and writing—now as always. I am deeply grateful.

Thank you Paul Stewart, for constructive comments and considerate feedback on the manuscript.

Thank you Valerie Lange at ibidem Verlag for helpful and patient guidance throughout the publishing process.

Thank you Giles Whiteley, for insightful and helpful comments on the draft.

Thank you Emre Evrenos for creative input on the design of the front cover.

Thank you Linnea Rudenius for coming to the rescue with technical assistance.

Thank you Håkan Larsson for taking the innovative cover picture.

Thank you Richard Begam, for thoughtful guidance and moral support.

Thank you Matthew Feldman, for generously sharing your insights on various academic issues.

Thank you Beyza Björkman, Elisabet Dellming, Marina Ludwigs my ‘sisters-in-arms’, for always being there, providing much needed loving support.

Thank you Anita Rákóczy, for inspiring me and for reminding me of what really matters in life.

Thank you my one and only Magnus Einarsson, for everything.

Finally, I would like to thank the Terserus and Ahlström Stipend Foundation, Stockholm University, for providing the financial support that made writing this book possible.

A Theatre of Affect

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