Читать книгу John Henry Days - Colson Whitehead - Страница 17

J. catches up with Dave Brown in the parking lot of the Talcott Motor Lodge. The night is clear and naked and swarming with so many anxious stars that it almost seems to him an invasion, a celestial troop movement auguring nothing good. In the cities it is safe because there are no stars, the light from a million apartment windows provides protection: they reduce the night into a vast purple mediocrity shielding against higher thought. J. nods at Dave, who is suited up in his bulging khaki jacket. Dave starts, “I think that in all my years of freelancing, I have never been to West Virginia. I’ve been all through Europe, South America. I saw Ali take out Frazier in the Thrilla in Manila—remind me to tell you about that sometime—I was one of the first people to interview Vaclav Havel—we talked about Lou Reed. The U.S.S.R., former U.S.S.R., Brazil, whatever. But I don’t think I’ve ever been to West Virginia.”

“Clear night,” J. says.

“Clear now,” Dave responds. “But that’s weather for you.”

“What’s up, Dave? Hey, Bobby Figgis.”

They turn to see Tiny and Frenchie, two fellow mercenaries in their covert war against the literate of America. Hail, hail. They encounter each other on the newsstands, they chafe against one another in the contributors’ notes of glossy magazines, but primarily they meet like this, on the eve of war, hungry, sniffing comps and gratis, these things like smoke from a freebie battlefield on the other side of morning. At stake: the primal American right of free speech, the freedom, without fear of censor, to beguile, confuse and otherwise distract the people into plodding obeisance of pop. Their ideals: the holy inviolability of the receipt, two dollars a word, travel expenses. The junketeers are soldiers, and they hail each other. “What’s up, Dave? Hey, Bobby Figgis.”

“I hope you don’t mind that I told Tiny about your streak,” Dave says. “I ran into him at the ice machine earlier.”

J. shrugs. He appraises his comrades. “Tiny, Frenchie. Good to see you.” The law of nicknames: contradictory or supremely apt, born of accidents and sticking for life or arbitrary and annoying. Tiny, of course, is not; he earned his nickname by not being so. At three hundred pounds, the man is hunger, gorging and grazing at the free spreads of life. If any person deserves to be on the List, it is Tiny, a creature who has evolved into the perfect mooching machine, leaving no glass undrained or napkin unstained by chicken skewer residue. He sucks up freebies in a banquet room like a baleen whale inhaling colonies of hapless plankton, swooping primeval and perfect, eyelids blinking slowly in the unlit fathoms of media. The dirigible prowls the food and travel magazine circuit; as a party trick he has been known to throw darts at a map of the world and name a princely dish native to that region, belching up its flavor on command, an archival gust from deep in his belly. Not to mention his thoroughly unwholesome fascination with curry.

Frenchie, for his part, retains an accent from his internment at a French boarding school during his adolescence. His parents were world-traveling sophisticates who unloaded their offspring with paid attendants half the year; the migrant’s ways are in his blood. Tall and slender, proud owner of a shiny black mane, this lipless wonder has cultivated a satisfied Parisian air that serves him well while playing footsie with the editors of women’s fashion magazines. For the world of international fashion is Frenchie’s specialty, he knows where to buy rice cakes and had been linked in the gossip pages to that new Italian runway model before she discovered her bisexuality. She appeared to evaporate with every step and was perceived to be the marvelous avatar of a current brand of beauty. Frenchie took his expulsion from the empyrean badly; he had ascended from reporter-of to reported-upon, his name inflated in bold type among the gossip ledgers, and now he is back in the trenches. The other junketeers saw it coming; those they write about are not their kind, and mixing with them can only lead to heartbreak.

“No sign of the van?” Frenchie asks. He looks down at his suit and, distressed, returns the tips of his shirt collar to the outside of his jacket, where they sit like the wings of a shiny red bird.

“Should be here any minute,” Dave says.

They are joined in the parking lot by a lithe young woman who is clearly not from around here; it is in her walk, a rapid skitter that places her from New York City. J. has found himself trying to slow down ever since he arrived at Yeager Airport, to get into the groove and pace of the state as a sign of openness to a different culture. The woman looks down the driveway and lights a cigarette. Waiting, like them, but no reporter. J. and his fellow junketeers are in Talcott (or just outside it, he doesn’t know) because they have committed to a lifestyle: their lifestyle pays air freight and they board planes. But why is she here? She wears faded jeans, a yellow blouse with a flower embroidered over her heart. She shifts in her boots, stamps out half a cigarette and lights another while the junketeers shoot the shit and catch up.

“It’s not here yet?” Lawrence fumes, emerging from the office with a cell phone limp in his hand, no doubt making comparisons between the publicity apparatus here and in New York and L.A. They don’t know how to do things here. “The van was supposed to be here ten minutes ago.”

“Patience, Lawrence,” Dave says.

Lawrence presses a few numbers into his phone, to beeps.

“We used to read the story of John Henry in kindergarten,” Tiny says. “The school board told the teachers they couldn’t teach Little Black Sambo anymore, so they switched over to this picture book of John Henry’s competition. Positive imagery.”

“You sound disappointed,” J. says, glancing quickly at the woman for her reaction.

“I was, a little. I don’t mean to be un-p.c.,” Tiny says. He is the kind of man who says, “I don’t mean to be un-p.c.” a lot. “But I liked Little Black Sambo. My mother used to read me Little Black Sambo when she tucked me into bed at night. It’s a cute story underneath.”

“You were undisturbed by the eyeholes cut out of the pillow you lay your little head on.”

“They were different times, J.”

“Did you hear I got a new job?”

“What?”

“It’s at the department of no one gives a shit and you’re my first client.”

“Here it comes now,” Frenchie says.

The battered blue van pulls up, New River Gorge Taxi stenciled on its side. It looks like it has been tossed by tornadoes. Workhorse of the robust fleet, J. says to himself. The driver, a ruddy-faced chap from the nabe, rolls down the window and asks, “You all going to the Millhouse Inn?” His brown, glinting hair is tucked precariously behind his tiny ears.

“All hacks in the back,” Tiny says, already steering his body into the back row. Frenchie climbs in next to him, makes a joke about there not being enough room in the seat for him. J. is pressed between Dave and the young woman. She’s coming with them. Now he isn’t the only black person. J. is grateful. If anything goes down in this cannibal region, he thinks, she will send word, and the story of J.’s martyrdom will live on in black fable.

”You’re not coming?” Dave asks Lawrence, his hand on the door.

“I have my own car,” he says.

“Big shot,” Tiny mumbles as the van starts.

The chatter of the junketeers fills the van. They talk about who showed up at the party at the Fashion Café two weeks before and not one among them can remember what movie it promoted; about the night they attended the book party for the hot new memoir, something about a rough childhood, how they swooped down on the stack of review copies and the next day all ran into each other at the Strand bookstore, laughing at the coincidence, as they sold the review copies for cash. Tiny gloats over the money he gets for selling the cookbooks that arrive every day in his mailbox: The Art of Southern Indian Cuisine, Tuscany Delight, The Master Crepe. Tiny says, you can’t eat recipes.

The woman’s arm digs into J.’s side. She smiles an apology but does not speak. Maybe he’ll talk to her at the dinner, so what brings you down here from the big city? How did I know? I could tell. J. closes his eyes to gather himself for the next few hours. Shut down for a bit before whatever god awful festivities are ahead of him. His stomach chews on itself loudly and he hopes that no one else hears it. Then he hears honking and the van lurches to the side. Peering through the windshield he sees the vehicle trying to run them off the road, the red pickup truck of his nightmares. So much depends upon a red pickup truck, filled with crackers. The pickup swerves in the lane parallel to them, dipping and zigging. The man in the passenger seat waves his pink fist out the window at them. Both drivers pounding their horns feverishly. “What the fuck is this! What the fuck is this!” Dave yells. They are being run off the road. Here it comes, J. thinks, this is how it goes down. The van capsized in a ditch. Open the door, I said open the damn door. What chew all doin’ ridin’ with nigruhs? We don’t abide no consortin’ with nigruhs in Summers County. Get out the car. Maybe one of his comrades puts up a little resistance against the taking of J. and the young lady. Then the ropes, the guns, the fire. The South will kill you.

“Slow down, slow down,” Frenchie says. “It’s all right.”

“Are you fucking crazy?” the young woman shrieks. J. thinking, now she speaks.

“No, it’s okay,” Dave reassures, pointing out the window. “It’s a friend of ours.” And indeed, J. sees, the man in the passenger seat is none other than One Eye, come in from the cold.

“You know these men?” the driver asks.

“Sure, just pull over,” Dave says. “It’ll only take a second.”

“You’re the boss,” the driver says, easing into the shoulder. The pickup pulls up in front of them and One Eye hops out, a scrambling, scarecrow figure with a short brown buzzcut. He is dressed like an idiot, with gray cloth trousers held up by red suspenders over a white striped shirt. A black eyepatch conceals his left eye.

One Eye removes his two black suitcases from the back of the pickup and offers a farewell to the man in the front seat before the red pickup takes off down the road. One Eye looks in the van and scrabbles into the passenger seat next to the driver, who shakes his head and frowns.

“What’s up, fellows?” One Eye says. “I saw Tiny’s fat fucking head in the window and knew it must be you.”

“You had your one eye peeled,” Tiny says.

“The great Cyclops,” Frenchie adds.

“My plane was late and my ride had already left,” One Eye explains. “So I hitched with Johnson there, figuring I’d catch up with you at the Millhouse.”

“You’re lucky Johnson had to run into town to buy some dry goods,” Dave chuckles. Dave Brown—what could you do with Dave Brown? It is inert, the name just lays there, as resistible as his prose. His name does not lend itself to nickname shenanigans, playful permutations.

“He was a nice guy,” One Eye says, cracking his knuckles. “More than I can say for you all. This is one sorry crew. No offense, ma’am, I’m not talking about you. Dave, of course, it wouldn’t be a junket without Dave. Being down South must bring back memories of being on tour with the Allman Brothers, huh? Yes, we all miss Duane, it was a terrible loss. Tiny, of course, thought he could wrassle up some alligator fritters. Sorry to burst your bubble, Tiny, but we’re a little north of weezie-ana. Frenchie, fuck you, I don’t know about you, but J., poor J., I had such high hopes for you.”

“He’s our inspiration,” Tiny pipes in.

“The great black hope,” Frenchie says.

“Exactly. I had such high hopes. New York, New York. Wine, women and pop songs. And I find you here.”

“He’s going for the record,” Dave offers.

“Tsk, tsk,” One Eye shaking his head. “You can’t see, but I’m making the station of the cross and praying for the soul of Bobby Figgis. Say it isn’t so, J.”

J., his name truncated to a single initial during childhood, does not need a nickname. “I’m on a jag,” he says. He is a little embarrassed about how all their bullshitting appears to the woman next to him.

“Nonstop since April,” Dave says, happy to be finally getting in his little digs before a proper audience. “Three-month bid.”

“Three months in,” One Eye says, taking stock, “Figgis was a wreck. You seem to be holding up.”

“Jag.”

“Hit an event every day,” Frenchie counters. “He’s going for the record.”

“How’s the book coming, Frenchie?” One Eye suddenly on J.’s side. If you wanted to shut Frenchie up, a quick rapier thrust to his ambition did the trick. Frenchie had spent his advance on clothes and lifestyle years before, without delivering word one of his manuscript, thus urging his comrades’ initial envy to curdle into warming superiority, and then well-timed derision. If he wanted sympathy he should have never written those Talk of the Towns for the New Yorker, a sure friendship-killer in the freelance world. Frenchie does not say anything; One Eye’s shiv dispatched him to the site of his more recent failure, to the bed he shared with his lost Italian model, her lost thighs.

One Eye had been blinded in a tragic ironic quotes accident a few years before. As he sat on a couch chatting with a publicist, a young freelancer stood above him, relating a droll tale of Manhattan mores as expressed in a new collection of short stories by that month’s photogenic young writer. The bartender yelled out last call for the open bar, and One Eye jumped up on instinct, just as the freelancer punctuated his clever description by forming air quotations with the index and forefingers of his hands. The point in question was apparently very ironic, requiring a vigorous expression of the ironic quotes. The force of the irony, coupled with One Eye’s eager and frantic upward movement, drove the freelancer’s pincer fingers deep into the junketeer’s eye socket.

J. reaches over and snaps One Eye’s suspenders. “Where did you dig this up?”

“This is my Huck Finn outfit. I’m trying to gain trust, blend in.”

“You look like an idiot.”

“I know.”

“Couldn’t miss this one, eh? Where are you coming from?”

“Florida. I was visiting my parents.”

“Okay time?”

“It’s Florida.”

“Figured you’d stop on down here for some more Southern hospitality.”

“I’m on a secret mission,” One Eye says. His good eye winks mysteriously. “A mission that could very well change the course of human events.”

“It’s hush-hush.”

“I’ll tell you about it later,” One Eye murmurs. He turns back to face the road. He isn’t kidding, J. thinks.

“I can’t wait to see Ben Vereen,” Tiny says.

“He canceled,” J. informs him.

“What, creative differences?”

“No, he’s sick,” J. says, and the van continues its approach to the Millhouse Inn.