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Table of Contents
ОглавлениеPreface
Part I
Pre-War Pioneers
Pre-War Pioneers
(a) The Revolutionary Situation
(b) Impressionism and Disruption
(c) Debussy as Key-figure
(d) Music and the Naughty 'Nineties
Part II
Post-War Pasticheurs
Post-War Pasticheurs
(a) The Age of Pastiche
(b) Diaghileff and Stravinsky as Time Travellers
(c) Surrealism and Neo-Classicism
(d) 'Toute réaction est vraie'
(e) Synthetic Melody
(f) Abstraction in Music
(g) Erik Satie and his Musique d'ameublement
Part III
Nationalism and the Exotic
Nationalism and the Exotic
(a) Nationalism and Democracy
(b) The Russian Nationalists
(c) The Conflict between Nationalism and Form
(d) Nationalism and the Modern Scene
(e) The Cult of the Exotic
(f) Exoticism and 'Low Life'
(g) The Spirit of Jazz
(h) Symphonic Jazz
Part IV
The Mechanical Stimulus
The Mechanical Stimulus
(a) The Appalling Popularity of Music
(b) Mechanical Romanticism
(c) Craft for Craft's Sake
(d) Mechanical Music and the Cinema
(e) The Disappearing Middlebrow
Part V
Escape or Submission
Escape or Submission
(a) A Psychological Cul-de-sac
(b) Schönberg and Official Revolution
(c) Sibelius and the Integration of Form
(d) The Symphonic Problem
(e) Sibelius and the Music of the Future
Index