Читать книгу Music Ho! A Study of Music in Decline - Constant Lambert - Страница 5

Оглавление


	Preface	page 11

	PART I: PRE-WAR PIONEERS
(a)	The Revolutionary Situation	19
(b)	Impressionism and Disruption	24
(c)	Debussy as Key-figure	38
(d)	Music and the Naughty 'Nineties	49

	PART II: POST-WAR PASTICHEURS
(a)	The Age of Pastiche	63
(b)	Diaghileff and Stravinsky as Time Travellers	69
(c)	Surrealism and Neo-Classicism	78
(d)	'Toute réaction est vraie'	87
(e)	Synthetic Melody	97
(f)	Abstraction in Music	112
(g)	Eric Satie and his Musique d'ameublement	123

	PART III: NATIONALISM AND THE EXOTIC
(a)	Nationalism and Democracy	141
(b)	The Russian Nationalists	154
(c)	The Conflict between Nationalism and Form	161
(d)	Nationalism and the Modern Scene	170
(e)	The Cult of the Exotic	184
(f)	Exoticism and 'Low Life'	192
(g)	The Spirit of Jazz	201
(h)	Symphonic Jazz	215

	PART IV: THE MECHANICAL STIMULUS
(a)	The Apalling Popularity of Music	233
(b)	Mechanical Romanticism	239
(c)	Craft for Craft's Sake	246
(d)	Mechanical Music and the Cinema	256
(e)	The Disappearing Middlebrow	268

	PART V: ESCAPE OR SUBMISSION
(a)	A Psychological Cul-de-sac	277
(b)	Schönberg and Official revolution	287
(c)	Sibelius and the Integration of Form	304
(d)	The Symphonic Problem	312
(e)	Sibelius and the Music of the Future	326
	Index	333

All:The music, ho! Enter Mardian the Eunuch Cleopatra: Let it alone; let's to billiards.

—WILLIAM SHAKESPEARE